Laoshe information

Lao She, formerly known as Shu Qingchun, gave up her name. 1899 was born in Beijing. Zhenghongqi people, Manchu. He was born in poverty, lost his father since childhood, and was raised by his mother. He entered school at the age of seven and then transferred to primary school. The creation of new literature began in the May 4th period.

From 65438 to 0924, he went to England and worked as a Chinese lecturer at Oriental College of London University. He has written novels such as Lao Zhang's Philosophy, Zhao Ziri and Ermayina.

1926 joined the literature research society, 1930 returned to China. He has taught in cheeloo university of Jinan and Shandong University of Qingdao, where he wrote novels and short stories such as Cat City, Divorce, Legend of Niu Tianci and Crescent Moon.

Camel Xiangzi was published in 1937. After the outbreak of War of Resistance against Japanese Aggression, the director and general manager of the Ren Zhonghua National Association of Literary and Art Circles against the Enemy engaged in the literary movement of the Anti-Japanese War. The novel "A Family of Four Generations" was written here. 1946 went to the United States to give lectures, 1949 returned to China at the end of the year.

He used to be a member of the State Council Culture and Education Committee, vice chairman of China Federation of Literary and Art Circles, vice chairman and secretariat secretary of Chinese Writers Association, deputy to the National People's Congress and member of the Standing Committee of Chinese People's Political Consultative Conference. He has created such repertoires as Longxugou, Looking at Chang 'an in the West, Teahouse and Novel under the Red Flag.

Persecuted in the early days of the "Cultural Revolution",/kloc-0 committed suicide by throwing himself into Taiping Lake in Beijing on August 24th, 966. There is a complete book of Lao She.

Extended data:

Lao She's literary contribution;

Lao She is committed to the popularization of literature and the transformation of folk art, and is a pioneer of folk art reform.

Among the modern writers in China, Lao She is the only one who can personally combine literature with Quyi, pay attention to the development of Quyi for a long time, and personally participate in the socialist transformation of Quyi, especially the main genre (crosstalk) after the founding of New China.

In the early days of liberation, Lao She, as a famous writer, took an active part in the socialist transformation of crosstalk, and together with scholars such as Luo Changpei, Zhu Xi and Sun Yukui, Zhu Xi and Hou, he formed a crosstalk improvement group.

By writing a large number of works and theoretical articles, it not only guided crosstalk to get rid of the survival crisis caused by its outdated form and content in the early days of liberation, but also made crosstalk and even Quyi, an art form, complete its own position in the new society and new situation, laid its own artistic position, set the tone for the development of new crosstalk, and has been affecting the development of crosstalk today.

Lao She's Teahouse and Longxugou laid a unique style of Beijing People's Art and founded Beijing People's Art Theatre Academy.

Longxugou is the foundation work of the Theatre Academy of Beijing People's Art Theatre. The script establishes a realistic and vivid foundation for the performance, emphasizing the creation of vivid images from life.

This has played a fundamental and key role in China's drama career and the growth of Beijing people's arts. On this basis, the gradually formed Beijing People's Art Theater style has been inherited by the directors and actors of Beijing People's Art and has been used to this day.

People's Network-Culture-Laoshe