The third issue of "This is Hip Hop 4" has made progress and is worth seeing.

As an ordinary audience, I don't know much about dance. I'm just a dancing little white. The only good thing is that I have watched hip-hop for one season. So I don't comment on this program from a professional point of view, just from the perception of ordinary viewers. Of course, most people who watch variety shows now are ordinary audiences. Everyone comes to see and enjoy it, right?

First of all, it should be emphasized that the captains of this issue have begun to have a stalk. Han Geng, the ice king, can still make Liu Jiahui's cold jokes not ice, but unfortunately there is one person missing, that Luo Mou! For the program, it is also a necessary skill for the captain to get active and throw away the baggage to drive the atmosphere.

Next, the review order of each dance is purely based on personal preferences, from like to no feeling, in turn.

Next is Xiaohai. Sure enough, hip-hop still needs fun. The great soldier turned his opponent's horrible dance into a comedy. I was amused when I went on stage and waited for music. Every movement stuck in the beat is awkward, and the whole scene is a harsh surprise smile. Oh, I like it, especially the part without the beat.

Brother GOGO's dance today is a combination of lock dance and shock dance. Surprisingly, the great god's shock dance is also very good. I can see that every movement is not only beautiful, but also combined with the rhythm just right. As others said, I only danced for a short time, but I really didn't dance enough.

Followed by Imada's cut dance, the action was very strong and explosive at first, and then she switched the rhythm and jumped out of the soft dance steps. She is beautiful, expressive, salty and sweet, and charming, which is different from AC's constant cutting around the field to drive the atmosphere. Although she is a cutting dance, it gives me the feeling that it is not the pure cutting that street dancers used to show, but that the movements are more diverse and the ground movements are absolutely unique, so

The cheerful dance "Butterfly", as he himself said, he danced for comfort. He danced so casually and comfortably on the stage, giving me the impression of an ordinary audience as the word "comfort", and the whole dance was very comfortable.

Nelson's dancing reminds me of Wang Yide and Yang Wenhao. Obviously, his technical level is higher, but personally, he prefers Yang Wenhao, or dancing depends on his face. Looking forward to Chen Yanzhen.

Bubu's signature moves can't attract ordinary audiences. They are very skillful and difficult, but as a layman, I never like them. JC Jun has new movements, dances, stories and music, which are very consistent and more popular with the general audience. But it is obviously better to control the movements in fineness and strength. Indeed, as Yibo said, the pace is not very stable, even I, a small white, saw it, which is a deduction, but his improvisation is already very powerful!

AC is a little tired of aesthetics, although starting to bend over makes me expect something different. But when the rhythm of the song changes, it is really a quick hand throw, and then a circle around the field shows a strong gas field, plus a new action to beat the chest, and the end. Strength and movement are definitely meaningless, but there is really nothing new for the ordinary audience.

Christian, the girl who chooses to sing. The overall dance is beyond the evaluation of an ordinary audience like me, but the dance is absolutely visible to the naked eye. I like the back slide very much, and the interpretation of the song is also very good. This dance gives me a little goose bumps, and the time is short, which also shows the preferences of ordinary audiences.

This dance of Bozi is not personal. Maybe I watched too many dazzling floor dances for two or three seasons. I think the captain should give a challenge. I really want to watch the gum ball. Yang Kai and George went on stage and broke his head. Whoever is more stable wins. Watching street dance always makes me feel that some domestic floor dancers are not as stable as foreign dancers in floor and hand movements. Is this the difference in strength?

Ruan, a unique player, is there spring in his bones? The giant who started the attack was absolutely amazing, and then the transition from just to soft was very natural and powerful, but I didn't like this dance very much-

Choreographer, Ma Xiaolong, the choreography for Dad in the second season is a masterpiece. I watched it many times that year. But this doesn't affect my indifference to his dance "Chess", because I don't know Go, I don't have any dance literacy, and I don't like this type of dance very much, so as a small white audience, I don't like it.

Mr. Murakami, Mr. Xiao and Mr. Wang can dance, but they don't like it. Yang Wentao's dance can understand the lyrics and know the story, but it is not as amazing as last year's Double Happiness. Zhu is far away from his hometown, with a beautiful front and some forced sensationalism behind it. Although the content is similar to Ma Xiaolong's dance, it is not as strong as that dance. I don't particularly like the choreography in this issue.

Generally speaking, this issue has made progress and is interesting, which makes people look forward to the next issue. I heard that Han Yu is going to lose?