Which crosstalk performers are truly "deserved"?

Dog God-There is no sect in Zhao Weizhou's phonograph circle. Before, Tianjin Satellite TV and Degang Guo cooperated to hype "the successor of Ma Pai", but Ma Zhiming always said that there was no Ma Pai, only Ma Shi.

But "Dog School" crosstalk is recognized by the industry because it is a conceptual stage style. There is a jargon in cross talk called "teasing dogs", that is to say, it is also called "teasing dogs". But building a dog is different from building a dog. Simply put, it is a collection of all the attributes of ordinary people, such as revenge, forgetting righteousness, being unreasonable and so on. The surface is tough and the heart is timid, and there is no logic in speaking, but you insist on not admitting your mistakes. To put it bluntly, it is "duplicity."

There are two master actors who take "dog" as the main expression technique, one is the dog holy horse and the other is the dog god.

From the inside out, Ma's Dog is a serious nonsense, which timely interprets ordinary people everywhere in daily life. On the other hand, dogs in Zhao Weizhou are from the outside to the inside. His lines are actually not funny, and many languages are actually serious. But Zhao Weizhou can make you feel that this is a burden through his absurd performance, which is why many jokes of Zhao Weizhou are ineffective except him.

Not to mention the jokes customized for Yang Shaohua, such as Dead Trees in Spring, and Zhao Weizhou's early satirical cross talk Superstar and Visiting the Shanzhai, many famous artists have performed them, but all of them have no effect. Because all the characters designed by Zhao Weizhou are created according to their own performance style, such as the swindler director in Superstar, only with the slightly exaggerated but aggressive typhoon in Zhao Weizhou can people get into the play and stand up.

And Zhao Weizhou is not only full of dogs on the stage, but also can't live without madness. The legend about him can be compiled into a novel "The Legend of the Dog God". For example, if you call Master first and then Dad, dare to call Ma "Saner" in front of you and write a joke, you will go to the community to run and play. The most famous is to expel Shuang Shuang from the Quyi team, and then run to the lounge and shout, "What am I swollen for?" ! ! "

Zhao Weizhou, now 7 1 year-old, is still not so popular. He and Wei Liu talked in a small theater in Tianjin, but his works and legends will be circulated in the hearts of comic dialogue fans forever, and the dog god has been imitated and never surpassed.

Joke Basket-Liu Junjie Liu Junjie is called the joke basket because he hosted a traffic station program in his early years, but Liu Junjie himself deserves this title because he is so good at joking.

Liu Junjie and Zhao Weizhou are classmates and peers, and both of them are "dog-like" in the typhoon. But what Liu Junjie is better than Zhao Weizhou is not his performance, but his creative ability.

How strong is Liu Junjie's creative ability? It is said that this person hates performing jokes written by others, including traditional jokes. If the organizer allows, he would rather write a paragraph temporarily and perform it again. In fact, most of Liu Junjie's performances in small theaters and TV programs are his own jokes, and he is still writing new jokes in his 70 s, which is completely different from some actors who mainly plagiarize at a young age.

Liu Junjie is good at any form of cross talk. Personally, if we want to select the top ten classic cross talks after 2000, Liu Junjie should have at least two sections on the list, one is Old Reason, which satirizes the phenomenon of touching porcelain, and the other is One Day and One Night, which praises the positive energy of society. Yes, the praise crosstalk, which is extremely despised by a certain society, can become a masterpiece in Liu Junjie. It is not only rigorous and lively, but also very intensive, and its quality far exceeds that of the Internet.

Joke basket also has a faceless creative experience, such as Liu's "Laughing God is Poor and Afraid", which earned 6000 yuan at the box office.

Bad water-Liu's name of bad water is well known in the industry. On the one hand, his typhoon is bad enough, and there is no old gentleman who uses dirty mouths the most frequently in Tianjin small theater. You can learn to blame Tianjin people for listening to his jokes.

On the other hand, this person has done a lot of things in private. Of course, Degang Guo's accusation against Liu Wenbu is mixed with a lot of bootleg goods, so don't believe it all. However, Liu Wenbu can be the "unlucky guy" that his colleagues are dying for, which shows that he has really done a lot of annoying things. Of course, this is also a welcome sign. The music industry pays attention to relationships to hang up, otherwise it is pure swearing. Everyone takes some of Liu's things as a burden, which shows that the relationship is good, except for following.

Liu Wenbu's crosstalk is not too brilliant, but he has two unique skills that are beyond the reach of his peers. One is Taiping lyrics. Liu Wenbu is the main student in Yang Shaokui's Apprentice. Liu Wenbu's Taiping lyrics are old-fashioned and belong to authentic singing, which is quite different from Degang Guo's. The other is a double spring. Liu Wenbu's double spring is said to be the first in the industry, and it is a stunt when it is checked in place.

Unfortunately, after leaving, there was no second Liu.

Ma, Ma Ji, Shi,,, Feng Gong, Niu Zaosheng and others all like it. Of course, there are others. I just can't remember it at the moment.

The new generation, Miao Sheng, are all very good.

As for Degang Guo, it is a product of the times. He told the darkest thing in many people's hearts: no one is allowed. Anyway, he is always fighting back at others. He has taken his heart to the extreme-as entertainment, he seems to have gone astray. If cross talk is also divided into black and white, Degang Guo will go in the black direction.

Not to mention the old actors, in the new generation, Wei, Sun Yue, He, Miao Fu, Qiu Yingjun and so on! Guo Qilin is still a little tender, while Zhang Yunlei has always been keen on attracting female powder, which deviates from the essence of cross talk!

This is Dai Zhicheng, lacking morality and art.