Several ways to get rid of the burden in Liu Baorui's stand-up comedy

I am not particularly familiar with cross talk, and I seldom listen to cross talk since I was a child. Among many crosstalk performers, I have a soft spot for Mr. Liu Baorui's works. I have heard many of his jokes dozens of times. Today, I have nothing to do. Let's talk about some characteristics of Liu Baorui's stand-up comedy. Personally, I think the most important feature of Liu Baorui's stand-up comedy is to bury the burden in life: Liu Baorui's classic joke "Shandong Doudou" is the best interpretation of this point. At the beginning of the book, the old man first explained the main props in the book, paving the way for the shaking of the baggage behind: the hero of the fight is Sun Delong, who sells pork in the meat market and wears a cotton robe that has become satin (this cotton robe is a cotton robe, but Sun Delong smeared pig blood and lard on it after killing pigs, and dog blood also went up after killing dogs, so the cotton robe became satin). ), with a book under his arm, a tin hip flask slung around his waist and a pig hook in his hand. These things are the most important props in the whole paragraph. At the same time, the old man also made it clear that Sun Delong was drunk, and the man's nickname was know-it-all. The reason to explain this story is because the wine is strong and cowardly. If he is not drunk, if he is not a know-it-all, Sun Delong would never dare to tear up the empire list of this country. At the beginning of the joke, the old man explained the most important prop in the book. From the beginning of fighting, the old man let these specific props play specific roles in specific occasions. First of all, take the pig hook. Laodao kowtowed with one hand and closed his eyes, so that the first-class bodyguard in Ouchi threw himself up with a melon. The storyteller made it clear that he was going to fall, and it was this hook and pole that saved him. At the same time, Laodao also opened his eyes when he was about to fall and saw the "Judge Sun". Opening his eyes, the old man was shocked: "It turns out that Daming still has such a capable person. Look at this judge, Ding is auspicious. " It was the hook that saved Sun Delong's life, but it played a special role here. Lao Dao was afraid of Sun Delong's three points from the beginning. This is also the basis of a series of burdens. Secondly, satin cotton gown. Before changing props, the old man made it clear that Sun Delong was wearing a cotton gown, but because he often put lard on it for a long time, the cotton gown became a satin cotton gown. When fighting, the old man opened his eyes and got a fright. At that time, in addition to saying that he fell from the sky, there were four words that were crucial, golden light to protect the body. Sun Delong's satin cotton gown sparkles in the sun and looks like a golden protector. Apart from the golden light protection, the satin cotton gown has another function here, that is, when Sun Delong was burned by Samadhi, it broke the fire of Samadhi. The storyteller made it very clear that the true fire of Samadhi must be broken with black dog blood and pig blood, and Sun Delong's cotton gown just has these two kinds of blood, so it broke the true fire of Samadhi. The gold protective body of the three Ding Xiangyun in front laid the foundation for the baggage behind, and the satin cotton robe here made the old man afraid of Sun Delong. "Oh, I didn't see him pull out a magic weapon. How can I break my magic fire? " . Thirdly, hip flask and account book: the hook rod that saved Sun Delong's life and the satin cotton robe that can break the old samadhi's true fire made the old man give up in this battle. On the basis of these two points, Sun Delong hit the old man's hook rod with a pig, which naturally became my Buddha's eight treasures and purple and gold hooks. The books and flagons used for bookkeeping have naturally become the two treasures of Buddhism, the heavenly book and the heavenly seal. Speaking of hip flask, the first storyteller said that other people's hip flask was round and his was square. The reason for saying this is to lay the groundwork for the later battles. The whole burden can be divided into two parts. The first few props are only the first part, but the real burden is actually the dialogue between Sun Delong and the emperor. Because the old man didn't dare to fight with Sun Delong, he went down to see the emperor. The emperor asked Sun Delong how to win in public, which really got rid of this burden. In the eyes of sophisticated people, Sun Delong is a 18-year-old Lohan who picked Jin Xian, but when Sun Delong explained it in public, the two men formed a strong contrast and caused a joke. Analyze the whole fight, and it's over. In fact, there is only one sentence, what is a joke? Life is the best joke. I often think that the heavy burden of cross talk actually exists in life. Liu Baorui shake baggage is a kind of situation. In fact, in Mr. Liu Baorui's works, there is another kind of works. Props are not obvious lines, but hidden lines. This kind of book has agreed on every detail in front, and then shook out the baggage with strong contrast, which is itself a kind of shaking of the baggage. Its typical example is melting wax fibers. The content of this joke is very simple. Children do not support the elderly. The whole joke is divided into two parts. The first part is until the old lady goes to find the old girl, and the second part is from the old lady to her hometown until her brothers cry. Does the whole waxed fiber have props? Yes, it is a word, money. Before, the three brothers said that they didn't support their mother because of money. Later, the three brothers fought for filial piety because of money. In the first half, because the old lady had no money, none of the three brothers supported their mother. When the storyteller talked about the third child, "Oh, I'm not dead yet? Aren't you finished when you die? Isn't this a drag? If you die, we'll put on a white coat. " This sentence actually tells the psychological dynamics of the three brothers in the first half. In this part, the old gentleman reveals everyone's psychological dynamics incisively and vividly. In the back, when the daughter prepared something for the old lady and asked her to take the money to go back to her hometown by car, it was also because of the money that the three sons began to care about the old lady in every way. Liu Baorui's genius lies in that it is a tin cake, but he made it into the shape of gold bars and ingots, which made his three sons mistake it for a treasure of gold and silver. Finally, kiddo said, "aren't you afraid of neighbors' jokes, just to do something for the old lady's waist?" "Why don't I give you an idea? Second brother, you go and find a box and put things in it. The old lady will recuperate at the second brother's house. If the old lady dies in a hundred years, I will share this thing. How to share? Whoever shows more filial piety to the old lady will get more. What do you think? " Let third brother believe that this is a treasure of gold and silver. Whether it's the abuse in front or the filial piety behind, Liu Baorui shows it incisively and vividly. The real burden of the whole waxed fiber is at the end. The three brothers were crying around, and a neighbor asked, "Oh, why are you crying now?" Mom is dead. What can't live? Didn't you say that? Old funeral? ""Yes, it's an old funeral, but how can we pay the bill? "The reason for not being filial to my mother in front is money, and the reason for being filial to my mother behind is money. When the mystery was finally solved and the three money lovers lost their money because of this word, the strong contrast between before and after revealed a truth. What is money? The whole wax string also has the effect of innuendo, and he also attacked many people who denied others before.