Is there a Henan pendant in Sichuan Qingyin Suzhou Tanci?

Sichuan voiceless.

Sichuan Qingyin, which originated from popular songs and Sichuan folk songs in the Ming and Qing Dynasties, contains traditional folk tunes from Shanxi, Shaanxi, Gansu, Henan, Hebei, Zhejiang and other regions. Mainly spread in cities and commercial areas of small and medium-sized towns in Yibin, Luzhou, Chengdu and Chongqing, Sichuan. Sichuan Qingyin sings in Sichuan dialect.

There are rich tunes and beautiful vocals, including eight major tunes, more than one hundred minor tunes and more than two hundred aria. The accompaniment instruments of Sichuan Qingyin are pipa, bamboo drum and sandalwood. In the early performance, the actress sat alone and sang solo, hitting the bamboo drum with her right hand, hitting the sandalwood board with her left hand and singing by herself. Representative works include Zhao Jun's Embankment and Nun Down the Mountain.

Extended information

Sichuan Qingyin is very similar to other musical forms such as Henan Quzi, Dan Xian Paizi Qu, Hunan Yaoxian and Northern Shaanxi Mei Yi, and is almost identical in some aspects. Most of their qupai also come from North-South songs or Ming-Qing ditties and other folk songs. Therefore, there is bound to be an unclear sister relationship between the above-mentioned Quyi.

According to the above speculation, its origin may also be the afterthought of "Zhugong Tune" written by Sheng Xing of Cheng Jin and Yuan Suo, which gradually absorbed all kinds of folk songs circulating in the southwest of China in the late Ming and early Qing Dynasties, rose from the early Qing Dynasty, and gradually formed a large-scale folk art form in the process of continuous absorption and development.