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The firmness and purity of Mr. Qi Gong in Tsui Hark's works

Qi Gong, Bai nationality, Manchu nationality, 19 12 was born in Beijing on July 26th. He is a professor at Beijing Normal University, a doctoral supervisor and an honorary member of China Federation of Literary and Art Circles. He is an educator, expert in cultural relics identification, expert in classical literature, linguist, calligrapher, painter and poet. He is the author of Qigong Calligraphy and Painting Collection, Qigong Manuscripts Collection, Essays on Poetry and Rhythm, Essays on China Phenomenon, Qigong Rhyme, Qigong Preface, Qigong Redundant Words, Poems on Books and so on.

Mr. Qi Gong is an elder I admire, and I never deny this worship. Worship is a very important word After I reached the age of being responsible for my words and deeds, I hardly used it, but I did not hesitate to use it on Mr. Qi Gong. Is it because of his extraordinary and meaningful calligraphy? Or is it because he is all-encompassing and knowledgeable? If you ask me, these are admirable, but they are not enough to constitute a reason for worship. I admire Mr. Qi Gong because of his unique personality charm: modest and kind, indifferent to fame and fortune, open-minded and tolerant. When I miss Mr. Qi Gong, my first thought is not his knowledge or calligraphy, but his personality. In my opinion, Mr. Qi Gong is almost perfect.

Mr. Qi Gong has a Gu Yan with the inscription: "A stone with one punch takes its firmness, and a spoonful of water takes its net." Mr. Qi named his small bedroom and study "Jianjingju" and renamed it "Jianjingweng". Ten years ago, when I first saw this inscription, I just regarded it as a self-encouragement from Mr. Qi. With the deepening of Mr. Qi's understanding over the years, I really realized that the words "firm" and "clean" are not a true portrayal of Mr. Qi's life.

Say "firm" first. Strong, firm, firm, firm. In people's impression, Mr. Qi Gong is a very humorous and easy-going old man who seems to have more soft ingredients. But in my opinion, there are many "rigid" elements in Mr. Qi's character. Mr. Wang is always modest, but he never goes with the flow. On the issue of principle, he is unambiguous. Who wants to compare with the truth, who can't help it. I have met him seriously several times. For example, he is detached from someone counterfeiting his calligraphy; However, Mr. Wang was very angry when he found that someone used his name to identify ancient paintings and calligraphy, and wrote an inscription with his name on the fake. He specially called me and made a statement for him in the newspaper: From now on, Qigong will no longer identify the authenticity of calligraphy and painting for any individual, and will no longer sign the ancient calligraphy and painting collected by any individual. He said seriously, "I must speak to this kind of behavior, which is different from making up my lies." This is cheating others in my name. I will reserve the right to pursue criminal responsibility for such criminal acts. " After the announcement, many friends of Mr. Qi didn't believe that he could do it, because they knew that Mr. Qi was easy-going and easy to talk to. But Mr. Wang really did what he said and left a good story in the field of cultural relics appraisal. It has been 10 years since this incident, and I can still recall Mr. Qi Gong's serious and anxious expression at that time.

Mr. Qi Gong's calligraphy is famous all over the world, and people who seek words are eager for it. Mr. Qi is a scheming bodhisattva, who rarely refuses others, and almost gives whatever he wants. But when it comes to lovers, even if the other party promises a lot of money, Mr. Qi will not pretend to use words. A businessman once asked Mr. Qi to write a plaque, but Mr. Qi refused. Some people blame Mr. Qi for losing face. Mr. Qi said that I was still polite to him. This man has no sincerity. I want to let him know what sincerity is today. When Mr. Qi inscribes, he always asks "simplified or traditional Chinese characters" first. It is his habit to respect others. But whenever he writes a book or plaque, he must write simplified Chinese characters. Does anyone ask him if he likes to write simplified Chinese characters? He said seriously: "This is not a question of whether he likes writing or not, nor is it a question of whether he looks good or not. The norms of Chinese characters are stipulated by national laws, and I have to implement what the law stipulates. "

Say "net" Clean, clean, clean, no impurities. There is a book about Mr. Qi Gong called Quiet River. This name is really good, which vividly summarizes the charm of Mr. Wang. Mr. Wang is not a towering mountain, standing in the clouds; Nor is it a surging sea, surging; He is a quiet river-quiet, peaceful and clear. He is childlike, free of thought, puts life and death at risk, and regards fame and fortune as a feather. A few years ago, he set up a scholarship fund with the money from selling calligraphy and painting, but not in his own name, but in the name of his teacher Chen Yuan (played by Li Yun). He has created many paintings and calligraphy works for others free of charge, and has donated money to Project Hope for many times to help out-of-school children, but he himself has been living a poor life in simple living.

Mr. Wang's life is full of legends and many people want to know him. Some people have to write an article or two after meeting (some have never seen it at all), and some are inaccurate. In this respect, Mr. Qi Gong is always quite philosophical and doesn't care. "When you open the door, people will bow their heads." But he has always been firmly opposed to writing a biography for him. He once said to himself, "shame is nothing more than good and evil, and making a fortune is a conscience." He doesn't want a false name. He doesn't recognize the "home" given to him, but only thinks he is a teacher. There is a well-known joke that Mr. Qi Gong was ill behind closed doors because of poor health, but was annoyed by the constant visitors, so he wrote a note and posted it on the door with his usual humor: "The giant panda is sick, so he refused to visit!" From then on, he got the nickname "Giant Panda". This joke has been around for a long time and many people believe it. On one occasion, Mr. Qi seriously asked me to "refute the rumor" for him: "Some people outside said that they claimed to be giant pandas, which were all misinformed by others." "In fact, what I wrote was:' I began to hibernate and declined to visit. Knocking on the door and pushing the door will be fined one yuan. ""Mr. Qi said. "I still have self-knowledge, how dare I call myself a national treasure?" Although this matter is just a joke to the teacher, it can also be seen that he is serious and modest.

I especially like a couplet written by Mr. Qi Gong: "I can share weal and woe with all the sages and be unmoved by the world." I think this is the best annotation for the words "firm" and "clean". Mr. Qi Gong was praised for his integrity, honesty and noble character. He is broad-minded, indifferent to fame and fortune, and never cares about personal gains and losses. It is really appropriate to use the words "firmness" and "purity" to summarize his character, ethics, interests and even the whole spiritual world. One of the most diligent and effective occupations in my life is calligraphy and painting appraisal. I summed up seven taboos from practice, or the unfairness easily brought about by social resistance, that is, first, imperial power, second, expensive, third, long, fourth, justifying shortcomings, fifth, respecting sages, sixth, far harm, and seventh, accommodating the masses. In short, the first three come from the pressure of social authority, and the last four come from the selfishness of evaluators.

Let's take an example: Take my respected Mr. Zhang Xiaobin as an example. He is my predecessor. Because I am familiar with him, I speak casually. In his later years, he collected a painting of the Qing Dynasty. There happened to be a painter of the same name in the Yuan Dynasty. Someone added a postscript to this painting, saying that it belonged to that painter in Yuan Dynasty. My husband and I wrote an article to clarify this problem, and Mr. Zhang was very unhappy when he learned it. When he saw us again, he said half-jokingly in a tone of reprimanding the children, "Will you be naughty in the future?" We said, "Don't be naughty." Everyone passed with a smile. Although this is an elegant joke that can be included in Shi Shuo Xin Yu, it is enough to show that the phenomenon of "relying on long" and "relying on expensive" exists.

The key to "exalting" and "exalting" is superstitious authority, which also includes superstition about some descriptions. For example, Duan Fang wrote a book "The Summer Tale of Human Voice", and he always wanted to put the oldest and most important figures in front of the book. When a man named Kuaiguangdian heard the news, he walked to the door with a statue of the heavenly king painted by monk Wei Chiyi and flashed in front of Duan Fang. Of course, Duan Fang knew that monk Wei Chiyi had painted such works in the description book, so he had an appetite and quickly said, "I can't take the paintings you brought today." I have many good things here. You can choose whatever you want, and I'll give it to you as long as you keep this painting. " This is exactly what Kuaiguangdian wants.

Later, I saw this painting at the freire Museum in Washington, DC, USA. Really not good. It was pasted on a board with many inscriptions on it, but most of them were fake. Only one note of the Song Dynasty is old, which records that this painting was circulated at that time, but it does not mean that this painting belongs to monk Wei Chiyi. Qi Gong: Don't say I'm a calligrapher.

Calligraphers, cultural relics, historians, all auras are sideline in his view.

After becoming a well-known calligrapher, naturally many people admire and seek calligraphy. Regardless of their status, they are willing to do anything they ask. Mr. Wang doesn't choose ink and stone when writing books. He put some old newspapers under Xuan paper, with poems in his mouth and straight books in his hand, all over the paper, and the composition was natural. Getting started after becoming famous is very tiring, but Mr. Qi has always maintained a tolerant, generous and open-minded attitude towards life.

With the computer becoming an indispensable tool, people gradually got rid of the traditional "pen, ink, paper and inkstone". More and more people are used to using computers to "write" characters, and they also hope that computers can "write" good characters in various styles. When Founder Group launched the new font of Founder Qiti 18, Qigong was invited to the Font Department of Founder Group to watch the demonstration of computer word-making process with great interest and put forward constructive suggestions on computer word-making. As a famous calligrapher, he praised the combination of traditional calligraphy art and modern computer technology, and even said three words "good". Nowadays, the Founder regular script stippling originated from this is lively, clear, delicate, graceful and generous, which embodies the elegant, elegant, bold and chic calligraphy style of regular script and has the characteristics of liveliness and generosity. He laughed and said, "I just didn't write in the public toilet." This is a celebrity interview program of "The Son of the East". The reporter interviewed the great calligrapher Qi Gong. However, Qi Gong first declared that he was not a calligrapher. He said that he was a teacher first, and then a painter. Calligraphy is just his hobby.

Indeed, Qi Gong's poems and paintings are very successful, and he won the "China Calligraphy Art Lifetime Achievement Award", but painting and calligraphy are not his main business. His main business is literature and history. He taught classical literature and Chinese all his life, studied ancient literature, history, Confucian classics, philology and Zen Buddhism, and wrote Essays on China Phenomenon, Essays on Poetry Rhythm and Essays on Ancient Fonts. He is familiar with the history of the Qing Dynasty, and he proofread the draft of the History of the Qing Dynasty for seven years. Notes on A Dream of Red Mansions in 1950s.

When Qi Gong was young, his grandfather loved him and made him learn from the Lama in the Lama Temple. He lost his father at the age of 1 and his great-grandfather and grandfather at the age of 10. Due to the repayment of debts, the family has fallen into poverty, so that the seven men are unable to study. With the help of his great-grandfather's protege, he managed to get into this school. 1933, 2 1 year-old Qi Gong did not finish middle school, but his calligraphy and painting articles were radiant. Grandfather's favorite pupil, Fu Zengxiang, found Chen Yuan, then president of Fu Jen Catholic University, with qigong works. In order to make a living, Chen Yuan helped him find a job teaching Chinese in the middle school affiliated to Fu Jen Catholic University. For Gong Kailai, who was born in poverty, it is not easy to do this job. However, despite his conscientious teaching, he was fired. There is a simple reason. He didn't graduate from middle school and didn't have a diploma.

Calligraphers, cultural relics, historians, all the auras are "sideline" in his view. He said, "My main business is teaching." But he never calls himself a "teacher". He is always so modest and restrained that he will not be called his "student".

Someone pointed to the fake and asked, "Carol, did you write this?" Kay smiled and said, "Better than me."

Famous experts and scholars at home and abroad who integrate poetry, books, paintings and cultural relics appreciation. He knows the characteristics of works of past dynasties and the author's style like the back of his hand, and he is knowledgeable. In addition, he has rich knowledge of cultural relics, literature and history and is familiar with allusions. Inferior products and fakes will never escape his eyes. It's hard to understand that he never values his personal works. There is a shop that specializes in selling "fakes". The price is not high. Someone looked at the shopkeeper and asked, "Is it true?" The shopkeeper was also very happy: "Can you really pay this price?" Later, when Kai Lao heard about it, he came to this store and took a closer look. Teacher Qi doesn't know anyone! Someone came over and asked, "Carol, did you write this?" Kay smiled and said, "Better than me." Everyone present laughed. After a while, Carol changed her mind again: "I wrote this." Afterwards, he explained to us that he said, "People write in my name because they respect me. Besides, his life must be hard and he is short of money. If he asks me for money, shouldn't I lend it to him? " He wrote an article praising Wen Zhiming, Tang Yin and others in the Ming Dynasty, saying that some people forged their paintings and calligraphy at that time, and they not only did not argue, but even wrote an inscription on the fake, which made poor friends sell more money. Let those poor little owners earn a few dollars to make a living, and the rich will not lose much when they buy real paintings. Although this concept does not conform to the intellectual property protection law, it embodies the benevolent feelings of Qigong.

Qigong feels that time is not enough. He wants to leave his life's research and learning experience to future generations as much as possible. In order to arrange papers and manuscripts, he often calms down and works overtime at night. Sometimes, in order not to interrupt my thoughts, I stay up all night.

In the article "Going to College", Qi Gong particularly emphasized that "the word" grace "of Teacher Chen Yuan is not a general grace, but a grace to recreate my thoughts and knowledge!" In order to thank Mr. Chen Yuan for his cultivation and to commemorate him forever, Qigong sold his paintings and calligraphy works in August, and 1988 raised funds to set up the "Li Yun Scholarship Fund" for Beijing Normal University. In the next two years, Qigong almost reached the creative realm of "never stopping waving", often writing in the middle of the night, and donated 10000 yuan as a mounting fee. 1990 65438+February, Qigong Painting and Calligraphy Exhibition was held in Hong Kong. The word 100 and the painting 100 selected from more than 300 works were snapped up by enthusiastic educators in Hong Kong, plus the remuneration for100 works written by Qi Gong to meet the needs of all walks of life. * When the school suggested that the scholarship be named after him, he declined. He said, "The original teacher Li Yun Bookstore was named after the word' Li Yun'. The purpose is to learn from Mr. Chen Yuan's patriotic thought, inherit and carry forward Mr. Chen Yuan's spirit of hard work and rigorous scholarship, reward and cultivate later learning, and promote the development of teaching and scientific research."

He always said that life was really hard when money was needed. My mother, aunt, teacher and wife, when they were alive, I didn't have the money to make them live a good life. What's the use of asking so much money? He said: "We are in the same boat, but we are not blessed. Therefore, the better my conditions are, the worse I feel. I can only be more balanced if I work harder. "

"China Jiuquan Satellite Launch Center", right in the center of the launch tower is the "China Jiuquan Satellite Launch Center" inscribed by the famous calligrapher Qi Gong. 1978, when Qigong was 66 years old, his wife, mother and teacher had left him successively. Looking back on the hard years of half-life, Qi Gong wrote this humorous and refined "self-written epitaph" in his grief:

Middle school students, associate professors. Bo is not good, but he is not an expert. Although famous, it is not enough. Neither high nor low. Left paralysis, send to right. The face is slightly round, the face is not thick, the wife is dead, and there is no queen. The loss is fresh, but the illness remains the same. Sixty-six, not longevity. Babaoshan, getting together. Plan your life, be modest. The body stinks with the name. (6) Reading like a slipstream, see "Tang") After the first anniversary of Mr. Qi Gong's death, the ashes were invited from Babaoshan and buried in "Beijing Xiangshan Wan 'an Cemetery". Mr. Qi Gong's cemetery covers an area of 3 square meters. The tomb faces east, looking at Yuquan in front and leaning against Xishan in the back; Pine is left-handed, and the smooth road leads to the right. On June 30, 2006, on the morning of the anniversary of Mr. Qi Gong's death, Zhang Jinghuai, a nephew of Mr. Qi Gong and a 30-year-old servant, slowly sent Mr. Qi Gong's urn to the grave with the blessing of a "mentor". In the box with Mr. Qi Gong are some daily necessities of my hostess and a photo of my parents-a photo painted on plexiglass. Jenny died in the "ten-year catastrophe" 1975, and her ashes swayed, so she had to settle for the second best. However, even if there were no ashes to be buried together, Mr. Qi Gong's wish came true: after his mother died, Mr. Qi Gong had "twenty painful chapters" to pour out his grievances, and finally he prayed blankly: "Dad has gone to sleep, and my sister will live forever. I don't know if my bones are gray or not, and I can't * * * soil. " (Qigong "called her aunt her father since she was a child". Her old man was unmarried all her life and helped her grandmother raise Qigong. "Sister" is the name of Qi Gong for Jenny. )

Mr. Qi Gong's tombstone, pedestal and epitaph are unique in style, which can be said to be the perfect presentation of Qi Gong's spiritual cultivation all his life. The tombstone is an enlarged inkstone made of dark and shiny marble. The middle row is engraved with the signature of Qigong standard, and the date of birth and death (19 12-2005) is engraved horizontally under the name. The next row is engraved with Qigong calligraphy "Mrs. Zhang Baochen". Similarly, Jenny's birth and death dates are also engraved under her name (65435 tombstone is simple, elegant, simple and dignified.

Two inkstones were cleverly carved on the tombstone. One is the imperial book and inscription on the inkstone of Emperor Kangxi of Qing Dynasty collected by Qi Gong: "A stone with one punch takes its firmness, and a spoonful of water takes its purity", with two seals of Kangxi and Imperial inscription on it. Qi Gong, the ninth grandson of Yongzheng, was born in the second year of the Xinhai Revolution. He refused to use the royal family name all his life. After the reform and opening up, members of the royal family called themselves "Aisingiorro", but he still kept his ambition and wrote sincere allegories. Qi Gong did not regard this imperial inkstone as a family heirloom, but liked the connotation of this imperial inscription. He named the room "Jianjingju" with this imperial inscription and called it "Jianjingweng". Even more ingenious and intimate is another inkstone: "Bai Yuan Diligent inkstone". Who dares to make such an inkstone? Who wrote it? The calligrapher is "Chen Yuan", the teacher of Mr. Qi Gong and the old president of Beijing Normal University. 1990, he went to Hong Kong for a charity sale of his calligraphy and painting to set up a "Li Yun Scholarship Fund" named after the old headmaster to make up for the regret that "hops are old and cannot be repaid" in his later years. People who come here to pay their respects to Mr. Qi Gong in the future can't tell how many associations and feelings they have after reading this tombstone.

The base of the tombstone is a stretched lotus, which is the lotus seat in Buddhism. At the age of three, Qi Gong kowtowed at the Lama Temple to accept the initiation ceremony, and he worshipped all his life. Before his death, he was seriously ill and admitted to the intensive care unit of Peking University Hospital. He has a needle in his left arm and a rosary in his right hand. When he is in a coma, he often counts rosaries inch by inch with his fingers. Qi Gong said: "I learned from Buddhism and my teacher that people should be compassionate, compassionate and care for all beings;" Caring for friendship, being kind to others and being generous; With detachment, face the present world and get rid of suffering. "It is a kind of philosophical accomplishment to be lonely when you are young and bumpy in middle age, to suffer great hardships and to be considerate of others, and to hide your sufferings in your heart and love all sentient beings. However, there is an iron man in the bones of Qigong, just as the confession in his poem: "On the boulder with the same texture and color connected to the pedestal in front of the tombstone, there is an epitaph written by himself before Qigong's death. This is a three-character poem, which says, "Middle school students, associate professors. Bo is not good, but he is not an expert. Although famous, it is not enough. Neither high nor low. Left paralysis, send to right. The surface is slightly round and the skin is not thick. Wife is dead, and there is no queen. The loss is fresh, but the illness remains the same. Sixty-six, not longevity. Babaoshan, getting together. In my life, I said I was ugly. The body stinks with the name. " The only thing that didn't quite match the expectations of that year was that he was not in Babaoshan after his death and lived in seclusion in Wan 'an. But the folk have long regarded "Babaoshan" as the code word of "death", and this idea is still in line with the original poem. 19 12 was born in Beijing on July 26th.

The founder of Qigong was the son of Yong Zhengdi in Qing Dynasty, ranking fifth, named Hongzhou, and was named "Prince of Peace". Their descendants gradually left the palace, and by the time of their great-grandfather, the family had lost its shadow and needed to find a way out through the imperial examination. Great-great-grandfather Pu Liang was admitted to imperial academy and joined the Imperial Academy. In the late Qing dynasty, he served as the minister of rites and commander-in-chief of Chahar. Grandpa Yulong, who is also an academician, is a bachelor of rites, has studied politics and is an examiner.

1922 Ten years old.

Great-grandfather died. The family business declined due to the repayment of debts.

1923 Eleven years old.

Grandfather passed away.

The family sold the books collected in the world as funeral expenses. At that time, mother Ke Lianzhen and unmarried aunt Heng Ji Hua, both in their twenties, provoked the burden of family life. In order to raise his nephew, Henderson decided not to marry for life and regarded himself as the man in this family. Qi Gong also called his aunt "Dad" (full of customs, "Dad" means uncle).

1924- 1926 Twelve to fourteen years old.

Studied in Huiwen Primary School and Huiwen Middle School in Beijing. When I was a child, I saw a big landscape painting hanging on the wall next to grandpa's box, which was painted by my uncle. I also saw my grandfather drawing bamboo stones with a small fan, which made me feel wonderful and made me want to be a painter. His school works have been selected as gifts for celebrities by the school.

1927- 1929 Fifteen to seventeen years old

Mr. Jia Ximin studied painting under the leadership of his eldest brother. Mr. Jia is knowledgeable in the history of painting and is also knowledgeable and insightful in the appreciation of painting and calligraphy. I often take Qi Gong to the Palace Museum to see the ancient paintings and calligraphy on display. Sometimes I will watch and comment with some friends, and I will write down Qi Gong one by one. These activities are of great inspiration and education to Qigong. Qi Gong wanted to learn more painting skills, and Mr. Jia introduced him to Mr. Wu Jingting. Professor Wu is very patient with painting. He never generalizes, but points out the most important tricks to make great progress. Once, an elder asked him to draw a picture and said that he would frame it and hang it. He felt very honored. But the eldest brother said, "Don't sign after painting, please ask the teacher to sign", which greatly stimulated him and made him practice calligraphy angrily from now on.

1930 18.

After being introduced by family friends, he studied China classical literature under Mr. Dai and wrote ancient poems. Thanks to the teacher's careful cultivation and hard self-study, he has laid a solid foundation for China's classical literature and history since he was a child.

1932 Twenty years old.

Married to Zhang Baochen. Zhang, Manchu, is two years old. To make a living, I teach houses, and sometimes I paint and sell money.

1933 I am twenty-one years old.

Introduced by Mr. Fu Zengxiang, he studied under Mr. Chen Yuan. After reading his works, Mr. Chen Yuan thought his writing was excellent, so he arranged for him to be a Chinese teacher in Fu Jen Middle School. Since then, he has been engaged in education for decades, mainly teaching classical literature and selling calligraphy and painting in the middle, but he said, "that's just a sideline."

I was twenty-three years old in 1935.

He used to be a teaching assistant in the Fine Arts Department of Fu Jen Catholic University, and engaged in painting and calligraphy creation in his spare time.

I was twenty-six years old in 1938.

He is a lecturer in China Literature Department of Fu Jen Catholic University. After the victory of the Anti-Japanese War, he also served as a special member of the Palace Museum, responsible for reviewing manuscripts and identifying cultural relics in the literature museum.

1949 37 years old

Associate Professor of China Literature Department of Fu Jen Catholic University and Professor of Peking University Museum Department.

1952 Forty years old

The national colleges and universities adjusted their departments, Fu Jen Catholic University merged with Beijing Normal University, and served as an associate professor in the Chinese Department of Beijing Normal University, teaching classical literature. In the same year, he joined the "Jiu San" Society and was elected as a member of the Beijing Branch of the "Jiu San" Society, and later served as a member of the Beijing Municipal Political Consultative Conference. Since then, he has played Dunhuang Bianwen folk songs with Xiang Da,,,, Gong, and others. Later, he annotated Cheng Yi's A Dream of Red Mansions published by People's Literature Publishing House, which was the first annotated version of A Dream of Red Mansions published after the founding of the People's Republic of China.

1957, my 45-year-old mother and aunt died one after another.

1962 Fifty years old

I have written two manuscripts, namely "On Ancient Fonts" and "On the Rhythm of Poetry".

1963 5 1 year

He wrote notes about a dream of red mansions.

1966 54 years old

When the Cultural Revolution broke out, all public reading and writing activities were forced to stop, but they continued to study in private. Because he is proficient in calligraphy, he is often ordered by the rebels to copy posters.

197 1 year 59 years old

Participated in the punctuation work of Twenty-four Histories and Draft of Qing History organized by Zhonghua Book Company, and was jointly responsible for the punctuation work of Draft of Qing History with Wang Zhonghan.

1975 63 years old

Mrs Zhang Baochen passed away.

1976 64 years old

After the downfall of the Gang of Four, Normal University resumed its operation.

1977 Sixty-five years old

On Poetry and Prose was published by Zhonghua Book Company.

1978 66 years old

After the Cultural Revolution, he was still employed as a professor.

Sixty-seven years old in 1979

The manuscript of ancient Chinese characters is published by Cultural Relics Publishing House.

198 1 year 69 years old

Cong Manuscript was published by Zhonghua Book Company. In the same year, China Calligraphers Association was established and promoted to vice chairman. At the invitation of the Chinese University of Hong Kong, he went to Hong Kong to give a lecture on Chinese and A Dream of Red Mansions.

1982 Seventy years old

A national planning group for the collation and publication of ancient books was established and served as a member of the group.

1983 Seventy-one years old.

Invited by the Office of Complete Works of China Fine Arts of the Propaganda Department of the CPC Central Committee, he was hired as the consultant of Complete Works of China Fine Arts. The China Ancient Painting and Calligraphy Appraisal Group, composed of seven experts organized by National Cultural Heritage Administration, is responsible for appraising and evaluating the authenticity of ancient painting and calligraphy works collected by museums in Beijing and major cities in China.

1984 72 years old.

Be hired as a doctoral supervisor. Elected President of China Calligraphers Association.

1986 74 years old

He was appointed chairman of the National Cultural Relics Appraisal Committee.

1989 77 years old

In April, he served as deputy curator of central research institute of culture and history. Qigong Yu Yun was published by Beijing Normal University Press.

1990 78 years old.

One hundred quatrains about books are published by Hong Kong Commercial Press and Beijing Sanlian Bookstore. This book summarizes the systematic theory of his calligraphy practice in the form of poems, comments on calligraphers of past dynasties, and has unique views on calligraphy writing and writing. In order to set up the "Li Yun Scholarship Fund", the "Qigong Painting and Calligraphy Exhibition" was held in Hong Kong.

199 1 year 79 years old

Consultant of the national planning group for the collation and publication of ancient books. On China Phenomenon is published by the Commercial Press (HK) Limited. At the end of the same year 1 1, all the proceeds from the charity sale of calligraphy and painting were donated to Beijing Normal University to set up the "Li Yun Scholarship Fund". In September, I went to Tokyo and Osaka and visited the treasures of China paintings and calligraphy collected by Osaka Museum.

1992 Eighty years old

China People's Political Consultative Conference, Beijing Normal University and Rong Baozhai jointly held the "Qigong Painting and Calligraphy Exhibition", which was exhibited in Beijing, Guangzhou and Japan. Talking about stereotyped writing, Notes on Qigong Prose and Qigong Calligraphy and Painting Collection are all published by Beijing Normal University Press.

1994 82 years old

Go to Korea for calligraphy and painting exchange. Rong Baozhai and Korean Oriental Gallery jointly held "Qigong Jin Yingxian Calligraphy Exhibition", which was exhibited in Beijing and Seoul successively. Yu Xu Qigong is published by Beijing Normal University Press.

1995 83 years old

Rong Baozhai published 100 quatrains in the Book of Qigong and a Collection of Qigong Paintings and Calligraphy.

1996 84 years old

/kloc-Visit the United States, Germany and France in October and visit the treasures of China's paintings and calligraphy in the national museums of the three countries.

1997 85 years old

In April, central research institute of culture and history organized a painting and calligraphy delegation to hold an exhibition of paintings and calligraphy works of librarians of the Central Literature and History Museum headed by Mr. Qi Gong. 10, at the invitation of the Hong Kong Commercial Press, went to Hong Kong to attend the celebration of the centenary of Hong Kong's return to the motherland and the establishment of the Commercial Press, and created many paintings and calligraphy works for Hong Kong's return. The Japanese translation of Qigong Shu 100 quatrains was published in Tokyo.

1998 86 years old

Professor and doctoral supervisor of Beijing Normal University. Member of the 5th Chinese People's Political Consultative Conference, Standing Committee member of the 6th, 7th, 8th and 9th sessions, Chairman of the National Cultural Relics Appraisal Committee, Deputy Director of central research institute of culture and history, Honorary Chairman of China Calligraphers Association.

93 years old in 2005.

He died in Beijing at 2: 25 am on June 30th. 20 12 collection of ten classic figures in China.

2013,6543816, sponsored by China Folk Writers Association and China Famous Collectors' Committee, and undertaken by Collectors magazine and other units, "Ten Classic Figures of 20 12 Affecting China's Collection" was announced in Beijing. Qigong became the winner.