In the early hours of that night, I was sitting on the film review of The Red Van from Mong Kok to Tai Po.

The film was a suspense at first, and then it got out of hand, with various style elements mixed together, such as jokes, horror, science fiction, strangeness and so on. Suspense setting and climax, the director's imagination flew to the sky. Watching movies alone has surpassed all the movies before Chen Guo. Although the special effects in the film are rough, the bizarre death in the first half of the film can be regarded as hanging the appetite of the audience; In the second half, I suddenly turned around and fell into the "trap" of traditional Hong Kong comedies: breaking the horror with funny stalks from time to time; The ending is an unprecedented "pit". Chen Guo, who is not good at telling stories, made a joke about it. This "pit" is more like his intention. There are 17 passengers on the red van, representing all walks of life in Hong Kong. Just like the characters representing the bottom of Hong Kong society in the trilogy, Hong Kong Hollywood, durian fluttering, this projection is more comprehensive and chaotic. The dangers that frequently appear in the film are interpreted as various anomalies in Hong Kong's social reality. Chen Guo's super-commercial means, the core of literature and art, and his feelings highlight his mood at this time. In fact, The Red Wagon is Chen Guo's return after ten years of dormancy (Bao Jing Review).

The film's imagination is amazing, but the scene setting with strong contrast with reality increases the interest of the film from fantasy, psychological thriller and suspense (Tencent Entertainment Review).

The film is a "schizophrenic" work in which the crisis consciousness in a tiny place collides with the innate optimism in the blood of Hong Kong people. The warmth is not forgotten in the horror, and the horror is mixed with the comedy. The title of the film is extremely gimmicky, with a strong niche flavor and a slightly weird content, but it has a unique personality when you look closely. Unfortunately, some places didn't justify themselves in the end (2 1 Century Business Herald Review).

This film is a mix of styles, and the suspense of sci-fi horror comedy is completely different from the cold and serious realism of other films made by Chen Guo. However, under the seemingly B-class banter style, it is still the director's concern about the contemporary social problems in Hong Kong (Southern Metropolis Daily).

The film does not follow Chen Guo's creative thinking, but presents a social and political fable after Hong Kong's return to China and Hong Kong's position in Asia in the 2nd/kloc-0th century. Instead, it presents a hodgepodge of doomsday complex that is too meaningless and difficult to digest (review by Hollywood Reporter).

The film is ingenious, but I can't understand it. When I look at it, I can only feel what Chen Guo wants to say, but I can't understand it. From the perspective of suspense, there is no surprise ending (Dongsen News Review).

This film is full of imagination. It takes the audience to an unusual Hong Kong in the form of black humor and fables. This is a surreal film, which takes the audience farther and sees a strange Hong Kong, the crisis it faces and how a group of Hong Kong people rebuild their lives. Very predictable (commented by Zheng, vice president of Hong Kong Film Critics Association).

In the early hours of that night, I was sitting in a red van from Mong Kok to Tai Po, and the plot even made people feel a little puzzling (Guangzhou Nanfang Daily commented).

The Red Van not only involves the sensitive topic of universal suffrage for the Chief Executive, but also expresses Hong Kong people's imagination of today's Hong Kong: an empty city, the great escape in the red rain has already crossed the political line, and even the poster of the movie can be used as the poster of "Occupy Central". It is worth mentioning that this film is the real feeling of Hong Kong people, and the only question is whether it can withstand the pressure of ideology (Netease Entertainment Review).