Chinese architecture with China style.

"Chinese style" (more people call it "Chinese style") architecture generally adopts the following techniques: manual wood carving, wood carving, brick carving, stone carving, color painting and so on. Its techniques and modeling are very exquisite, and some of them are almost lost. In our ancestors' time, the "Chinese style" once spread all over China, with different styles in South, North, East and West.

China's architectural system is an independent architectural art characterized by wood structure, which has made brilliant achievements in urban planning, architectural groups, single buildings, artistic treatment of materials and structures. Various roof shapes, cornices, colorful paintings, Zhu Zhu Jinding, indoor and outdoor decorative doors, and garden scenery in traditional architecture fully reflect the skill and appeal of China's architectural art, and mortises and tenons existed in Hemudu culture 7000 years ago. Banpo village is divided into an anteroom and a back room. Tall palaces appeared in the Yin and Shang Dynasties. Bricks and tiles were used in the Western Zhou Dynasty, with a quadrangle layout. During the Spring and Autumn Period and the Warring States Period, architectural drawings were handed down from generation to generation. The indoor and outdoor beams, columns and buckets of Jingyi Taixu Palace are decorated, and murals are painted on the walls. During the Qin and Han Dynasties, wooden structures became more and more mature, with magnificent buildings, rich decorations and beautiful stretches, and huge architectural groups such as Epang Palace and Weiyang Palace appeared. During the Wei, Jin, Southern and Northern Dynasties, Buddhist temples and pagodas developed rapidly with various forms, and kissing ornaments appeared on the roof. Glazed tiles used in the Sui and Tang Dynasties were even more magnificent. The halls of Nanchan Temple and Beigao Temple built at that time still exist, attracting worldwide attention. During the Five Dynasties and the Song Dynasty, urban architecture flourished and commerce flourished. Luxury restaurants and shops have their own flying pavilion bars with beautiful styles. Palace gardens and private gardens in Ming and Qing dynasties have been preserved so far, and the buildings are more magnificent, complicated and dignified than those in Song Dynasty. Chinese modern architectural art has been developing and innovating in the practice of inheriting excellent traditions and absorbing the advantages of today's world architectural art. Buildings with "Chinese style" should be modern first, and then China's. Such a building will have strong vitality, continuity and popularity.

When discussing the localization style of architecture, some people don't want to use the word "Chinese style" and think it is synonymous with "fashion", "romance" and "fashion". In fact, "Chinese style" came into being as "European style", but more importantly, it calls for the return of China's local "style".

In fact, the pursuit of Chinese style has never stopped in the history of architecture. I.M. Pei's Xiangshan Hotel in the 1970s and Jinmao Mansion in Lujiazui in the 1990s are successful explorations of China's national architectural forms. Under today's market mechanism, "Chinese style" is blowing again, and we should regard it as the awakening of developers and architects' pursuit of local architectural consciousness. In the past, people always criticized our buildings for being too westernized and too plagiarized, and the "European style" prevailed. Finally, someone came to discuss the Chinese style. Broadly speaking, the definition of "Chinese style" should not be limited to the architectural forms of white-walled tiles such as Beijing quadrangles and Jiangnan dwellings. For example, the Shek Ku Lane in Shanghai is very characteristic of China, and the Xiaoyanglou in Tianjin is already a characteristic building in Tianjin. Even those Russian buildings in Harbin belong to China's native architecture, which has become the unique style of these cities. The exploration of "Chinese style" needs to be extended and cannot be limited to one type. To form localization, different places should have different contents. I'm afraid it's a joke to simply move the house of white wall deva around.

The understanding of "Chinese style" needs a process of discussion. From the development point of view, it can be roughly divided into three types: the first type is pure imitation, and the products made are very similar to those made one or two hundred years ago. This kind of imitation is valuable, and many scholars like it, but it must not be more; The second is the combination of tradition and modernity, which is purely traditional in form but modern in function; The third is the innovation of ideas. First of all, it is modern in procedure, made with modern materials, structures and modern ideas, but it also expresses the common customs and symbols in China, which are not found in other countries. Buildings with "Chinese style" should be modern first, and then China's. Such a building will have strong vitality, continuity and popularity.