Drama evaluation of the bonfire situation in the border area

Not boring, first of all, because its "funny" is based on the artistic truth of the characters' emotions. Although the plot makes people feel "funny" and even exaggerated, it is reasonable when a man has sincere love for a woman, especially for a rich and powerful figure like King Yulin.

It is not boring, but also because the "funny" of the play is bonded with the profound theme to be expressed in the plot. Children in the Loess Plateau love their hometown, and the activities and influence of the underground party in China have always been based on the "funny" level. For example, under the cover of the owner of a local fur shop, He Shaohuai, an underground party worker, agreed to the conditions put forward by Gao Dechang, the "King of Yulin", and made a fake marriage with the girl around him in order to rescue his arrested comrades. It seems "funny" from the plot, but from the countless revolutionary ancestors who gave their lives and everything for the cause they pursued without regrets, the emotional impact of "funny" in the performance is heavy. How to leave Yulin to say goodbye to Gao Dechang, Gao blurted out: "Go to Yan 'an!" " He Shaohuai was suddenly stunned by this sentence, but all the "funny" before Gao Dechang had different connotations (Xinmin Evening News comment).

Different from ordinary anti-Japanese dramas, the emotional lines of male and female protagonists are mainly used to compare the cruelty of war and the helplessness of the people. The theme of the Battle of the Border is love, which makes the narrative of this type of drama have another possibility (Oriental Morning Post review).