Cross talk is very easy to say, very difficult to say, very difficult. Who wrote all the jokes in Deyun Society?

Each theater has its own writers. Combining some changes to traditional jokes and adding some personal factors of the actors, theater cross talk is born. Creation is divided into two aspects

One is the innovation of old jokes. It was once a classic piece, but the content may not be appropriate for the times. It was re-created by the actors and then presented on the stage. Guo Degang is a master of this kind of creation. Another direction of creation is originality. This is also Guo Degang's strength. For example, the shocking work "On the Current Situation of Crosstalk in Fifty Years" was produced at that time.

I have always felt that the audience was so lucky to be able to listen to this cross talk in the theater. There were no "boos" in the entire cross talk, but cheers and applause. The frequency is surprisingly consistent on and off stage. Guo Degang and Zhang Wenshun were talking cross talk in the front stage, while Yu Qian was crying alone in the backstage. It is unprecedented for Guo Degang that a cross talk can be so profound. Personal Creation

An actor who can create is an actor who can continue to develop. For Deyun Society, you must know a certain amount of traditional jokes before you can perform on stage. At the same time, you also need to continuously create new works yourself, otherwise you will not have enough to eat. The income of Deyun Club actors is linked to their performance. If there is no popularity, no works, and no breakthroughs, you will not be able to stay long as an actor in Deyun Club. This is probably the reason why many actors turn to behind the scenes. There are hundreds of people in Deyun Club who are full-time crosstalkers. With so many brains, they will definitely come up with interesting works and short paragraphs. Many other small cross talk theaters plagiarize the works of Deyunshe. Traditional adaptation

Almost every traditional cross talk by Lao Guo has been greatly adapted, such as "The Bodyguard". Mr. Ma Zhiming's outstanding characteristics are his energy and oral skills, which makes people feel enjoyable to listen to. Lively, Lao Guo's adaptation focuses on comedy and baggage. It seems that the framework has basically remained unchanged, but in fact it has been completely renovated, with many nonsensical elements added, lots of laughs, and an explosive response from the scene. Crosstalk baggage

Many baggage in crosstalk actually appear in a flash of inspiration on the spot, which is the so-called "now hanging". In addition, there are also adaptations mentioned above and written by the actors themselves. But in addition to these, there are other sources. In an interview, Lao Guo said that many fans would hand over dozens of printed Internet jokes to the stage during performances at Deyun Club. Sometimes, Lao Guo thought this joke was good, so he would pick it up and use it in cross talk.

Crosstalk actors half watch performances and half rely on creation. Guo Degang is famous because he wrote many popular jokes. It is easy to learn jokes but difficult to create. You can't build a career simply by performing old jokes.