Seven days after death: Shen Yingjie was too impulsive. Is the plot worth watching?

Ha, ha, ha, it's interesting to watch the play of killing devils; Whoops, watch me kill the devil. It should be another "masterpiece" in the broadcasting trend of Japanese dramas (please allow me to put a quotation mark), which is jointly created by Sichuan Chinese Film and Television, Sichuan Star Film and Television and Shanghai Runyao Film and Television. Actors include Wu Jian, Du Zhiguo, Tian Luhan, Sean, Liu Hailan, Zhu Hui and Xu Huangli. Mainly tells the story of our army, the Kuomintang die-hards, the latent Japanese puppet traitors and the treacherous struggle between the Japanese devils.

"Very burning! There is a sweeping trend of killing devils, a thrilling struggle of hidden fronts, and the preciousness of love, affection and friendship between revolutionary soldiers. " Forgive me for putting another long quotation mark! This is a battle story that happened in seven days, which was released by the team of Seven Days of Death, with a total of 34 episodes. It's all dog blood and coincidence. The biggest "highlight" of this movie is that in our magic drama, anything is possible. Details are as follows:

"Highlights1":The 7-day drama actually made up 34 episodes, and the screenwriter had a big brain hole.

It's called Seven Days of Desperate Death. In seven days' time, we will accomplish many earth-shattering events, such as "diving into Hushan to rescue the traitor Dai Suichang, secretly getting rid of the traitor if the rescue fails, fighting with the Japanese puppet traitors in Hushan, fighting to the death with the Japanese aggressors, and having revolutionary feelings or friendship between men and women". Men and women are really busy, but with the aura of the protagonist, they can always fight a heroic road on the line of life. I remember the first 19.20 episode, when a man and a woman escaped from a cave, it was just like a martial arts novel. The funniest thing is that the character's name is actually "Fan Jian".

That once made me wonder if the men and women had time to stop, and made me completely forget the setting of "seven days", "I wonder if there are Han people, no matter Wei and Jin Dynasties". It feels like everything that can only happen in n years has come together. I really admire the screenwriter. Everything can be integrated into this play. It is also a precedent for spy war dramas, anti-Japanese dramas and love dramas. For example, a pot of Buddha jumps over the wall to make the audience "cool".

"Highlight 2": Rene Liu's younger brother Wu Jian is handsome, but he is not a real man.

Actor Wu Jian once played Rene Liu's younger brother in Newly Married Times. He looks like David, and his acting skills are good. Once, I was very optimistic about this niche. Later, in the military themes such as "In that faraway place" and "Brothers in the World", it did live up to expectations and performed well. But "Seven Days of Death" didn't make much breakthrough, and the scenes were basically Shuai Shuai's handsomeness, fighting and killing. Episode 26 doesn't even know a woman's male "dragon slayer", which really makes people feel that the handsome guy is stupid.

As for the heroine Tian Luhan, I don't know why she is obviously a young lady, but she looks very old in the film, but it doesn't matter. She has a first-class ability to climb over the eaves and endure torture, which fully shows the excellent quality of me as a revolutionary soldier who would rather die than surrender. The actor who surprised me a little in the film should be Mr. Du Zhiguo. Mr. Du, with a righteous face, played a Japanese aggressor, which made me feel very uncomfortable.

"Highlight 3": Kill the devil, kill and kill. I'm afraid the Japanese audience will think our play is too second-rate.

An old-fashioned question, can our Japanese dramas really only repeat the cycle like this? It can be seen that Seven Days of Death is actually an attempt to downplay Japanese dramas with spy war dramas and other contents, which is out of the pattern of traditional Japanese dramas. At least it is a little more objective than the movies I have seen, such as Hitting the Devils All over the Mountain, Leaving None of the Devils, and Hitting the Devils. However, it is not easy to make a movie compared with the movies such as The Pretender and The Hidden Peace Hotel. Because of the grand scenes, the war theme is not easy. Every penny is worth spending, shooting and cherishing carefully.

After all, once the video is broadcast, not only the audience in China can see it, but it will even flow outside the wall, so as not to be criticized as much as possible.

Above.