What kind of TV series is Dear Translator?

After watching several episodes of Dear Translator, I feel ok. Life is full of accidents.

I analyze the theme, characters and the relationship between them:

Select a title.

Compared with other domestic urban emotional and workplace dramas, the topic of Dear Translator is better.

For example, last year's hit "Beishangguang Don't Believe in Tears" also chose the workplace. I saw the play. Screenwriters and directors want to express the struggling situation of all social strata under the material impact, as well as the feelings and life of contemporary youth.

The efforts of the drama have made everyone see it, and the word of mouth has gained something, but some regrets can be written more deeply. Of course, I am picky.

Compare the story routine and the transmission of values in "Don't Believe Tears in the North" (at that time, the official media seemed to criticize the wrong values in "Tears in the North", but I don't think so. Since the audience bought it, it shows that the drama is close to life, and life is the result of the joint efforts of more than one billion people in our country. Because the play may reflect the status quo, the official media also criticized it, and the slapping and jokes in the middle came out.

Dear Translator simply puts aside any values and profound implications and tells a love story that mainly happens in the workplace. This love story is very popular with me and everyone, at least in terms of ratings ("I have set a new record for Hunan TV station in eight months, ranking first in the national ratings").

It is worth mentioning that the workplace chosen by dear translators is translation, which is very interesting. From an orthodox point of view, the play makes up for everyone's understanding of the unpopular workplace in the field of translation. From the audience's point of view, it seems that there are not many TV dramas related to translation, which are very fresh.

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Characters are the most important thing in a play, and shaping good characters is the key to the success of a play.

It is not easy to create a successful character, because there is only one good man in Naked Marriage, Liu Yiyang. If another one with the same function as Liu Yiyang appears in other plays, the audience will first say that this character is based on Liu Yiyang, which is the success of shaping the character.

However, vivid characterization like Liu Yiyang is a minority in film and television dramas, and the protagonist functions and highlights of most characters are still too similar.

In today's film and television dramas, the main story characters you see have many strange behaviors and hobbies. To some extent, the setting of these roles is to distinguish and shape a unique role belonging to the script and to shape a brand-new and eye-catching role.

However, this kind of gameplay can be played well, but it feels strange if it is not played well. There are four similar ones in front of the audience, such as the character setting of Lu Yuan in "Good Sir" that I spit out in the article a few days ago.

Dear translator, instead of focusing on remolding a new role that the audience has never seen before, it was made into version 2.0 of The Devil Wearing Prada or version 3.0 of The Promotion of Du Lala.

Andy and Du Lala are both lovely to choose such a role as the leading role. Such people have the same characteristics: principled kindness, stubbornness, firmness, principled, from the bottom of society, indomitable, independent, not attached to male chauvinism, and have their own friends and relatives in the story.

Similarly, in Dear Translator, Qiao Fei's personal design also follows this path. If the role of Cheng Jiayang is weakened in the story, then the story has great potential to be shaped into a feminist film/chicken film.

Famous chicken movies, such as Fuck off, tumor jun, Bai Baihe's role is a typical chicken movie. Why is this happening? Because the audience likes it.