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Which emperor in China writes poems best?
There are hundreds of emperors in the history of China, many of them are arty, and a few kings do have real talent and practical learning. Anyone who can write poetry doesn't want to be told through the ages. However, there are not many people who can really board the literary palace. Liu Bang, Emperor Gaozu of Han Dynasty, was the first emperor to write poems. His work is just a great wind song, but it can last forever and be admired by later emperors. In fact, Liu Bang was born a street rascal. However, when he successfully fought many times and returned to his hometown, he remembered that the world was at the beginning and the country was unstable. He expressed his thirst for talent with the phrase "Andrew Meng Xi Shi hands everywhere". Some people don't understand the origin of Liu Bang, and think that how can a person who doesn't study sing such a heroic poem? In fact, Xiang Yu can write poems without reading. When the Han soldiers were short-lived, he sang the famous sentence "If the mountain is pulled out, it will be angry, and if it is unfavorable, it will not die", which fully embodies that it is a moderns with both civil and military skills and surging clouds. In the history of China literature, Wei Wendi Cao Pi has a prominent position. Cao Pi is the son of Cao Cao. He usurped Han's independence and persecuted Cao Zhi. He has a bad political reputation, but his literary achievements should not be underestimated. Ge Yanxing by Cao Pi is the earliest complete seven-character poem in the history of China literature, which has made outstanding contributions to the formation of seven-character poems. Ge Yanxing, a seven-character poem, has two sentences. The first sentence is "bleak autumn wind, freezing in cold weather", which is his masterpiece: bleak autumn wind, freezing in cold weather, grass shaking frost, geese flying south. I miss you, your heart is broken, you are homesick, and you can't stay long. I am alone in my room, afraid of forgetting my worries, and I don't feel tears on my clothes. Short songs cannot be long. The bright moon shines on my bed, and it's still early for the stars to flow west. Petunia and Weaver Girl face each other from a distance, why not limit the river beam! The poet described the homesick woman with the autumn night as the background, and subtly and tactfully expressed her lingering lovesickness. The language is simple, beautiful, vivid and touching, which can well express the overall style of Cao Pi's poems. The end of Sui Dynasty and the beginning of Tang Dynasty were an uninhibited era. The representatives of this period, Yang Di and Emperor Taizong, both wrote poems. Yang-ti's poems are like a moonlight night on a spring river: the river is quiet at dusk and the spring flowers are brilliant. The waves will leave the moon, and the tide will bring stars. Taizong's poems are like early summer: spring and summer change, birds and flowers bloom overnight. Yin and Yang leaves are deep and shallow, and light smoke is heavy in the morning and evening. The warbler is still ringing in the temple, and the horizontal silk is in the sky. Pei Gaolan's shadow is connected with fine grass. The green scales are on the side, in front of the xuanyan dance eaves. Why Fenyang, only after the mountain spring. Yang Guang's Li Shimin's poems are just so-so, lacking self-confidence. Their poems have been handed down because of the poet's special political identity. If we compare them from the perspective of pure literature, I'm afraid their works are not even "inferior" when they are placed in Tang poetry with a bright future. When it comes to writing poetry, we can't help but mention Li Yu, the ruler of the late Southern Tang Dynasty. He was teased by history and reached the peak of his time in literature. Li Yujing is good at calligraphy, painting, learning metrical poems and writing, with Ci as the highest achievement. His poems such as Yu Meiren, Langtaosha, Wuyeti and Meet Huan are all masterpieces that have been handed down through the ages. Among them, Yu Meiren's When is the Spring Flower and Autumn Moon, which is the most famous, is still sung today. In the early days of his reign, the style of his poems was beautiful and soft, and he did not get rid of the habit of "flowers". After the national subjugation, in the house arrest career of "Everyday Lacrimosa", he made the king of national subjugation become the "son of heaven" in the eternal poetry circle with a swan song of crying to the death. It is "the unfortunate poet of the country is lucky, and the words didn't start to work until the vicissitudes of life." The artistic conception of these late ci poems is sad and profound, which lays the foundation for Su Xin's so-called "bold school" and plays a role of connecting the past with the future for a generation of great masters in the history of ci poetry, as Wang Guowei said in "Ci Poetry on Earth": "When ci poetry arrives, one's horizons begin to widen and feelings begin to deepen." As for the beauty and harmony of his sentences, it is unprecedented. Li Yu's poems are also very distinctive. After he was captured, he shed tears when crossing Zhongjiang to see Shicheng, which was touching: the hometown of Jiangnan Jiangbei, a dream for 30 years. Nowadays, Wuyuan Palace is neglected, and Guangling Taidian is desolate. The clouds are full of sorrow, and the rain hits the boat and tears flow. There are four brothers with 300 mouths. I can't just sit back and think. Song Huizong Evonne's experience is similar to Li Yu's, and he is also good at writing lyrics. He once wrote: "People dare not say it. A vivid sentence like "I can't bear to look up, I'm ashamed to see the old moon" describes the feeling of lovesickness, and Yanshan Pavilion expresses the pain of national subjugation: ... How can this pair of swallows speak with the hatred of sending them away? The sky is far away, and there are thousands of waters in Qian Shan. I know where the Forbidden City is. Why not think about it, except in dreams, sometimes I'm gone. There is no evidence. And dreams, sometimes not. Emperor Qianlong, who is known as the first man in literary martial arts, also loves to write poems, and he is very diligent, leaving tens of thousands of poems in his life. Unfortunately, the most blessed emperor has a poor foundation. Some are like doggerel, some rhyme like prose, such as "The Royal Lake was born in March, the breeze does not move the glass flat", and another example is "Entertainment today, recalling the past", which is not as good as an ordinary intellectual who loves reading ancient poems today. However, in the eyes of courtiers, the poetry of the son of heaven is also "fine garbage" no matter how rubbish it is. Who dares to gossip? Therefore, the emperor's poems came out one after another. There are many jokes made by Emperor Qianlong in culture. For example, he wrote an inscription for Lingyin Temple, and the cloud prefix above Zi Ling was enlarged. The following words were not enough, so the courtier changed his mind and renamed it "Yunlin Temple"; Qianlong once regarded "Xushuguan" as "Xushuguan" and "Xichuan" as "Sichuan", and courtiers silently changed the place names, which are still in use today. Gan Long wrote thousands of poems, but none of them are well known to later generations. Liu Bang, a "street fighter" who doesn't study, will be immortal with an impromptu work. History seems to tell people that Emperor Li Hong, who loves to "offend people with words" and is particularly interested in literary inquisition, not only delayed the times, but also vilified himself. ( 1
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