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What's the difference between crosstalk and jokes?
Here, "teasing" means teasing, and what makes people laugh is "telling jokes". So cross talk and jokes are inseparable. It's hard to imagine what cross talk would be like without funny jokes-in fact, there is no need to let the actors step down to amuse the audience.
Some people say that since cross talk is to tell jokes to everyone, let's tell jokes. Why should the art form of "cross talk" be derived separately? That's a good question
Crosstalk is the art of language, can it also be said that cross talk uses artistic language? In other words, the art of cross talk is to make everyday language artistic, and its "seasoning" comes from paragraphs, but it needs to extract the essence from them to make it artistic. The same joke, told by joke method, is different from that told by crosstalk method. Different channels and techniques have different effects.
For example, we know that someone was cheated in the market and the result was very cola. Tell it with a joke-
Hey, let me tell you something! Xiao Wang of our unit went shopping in the market yesterday and saw someone selling a secret recipe for itching. He bought one for ten yuan and went home to open it. Guess what?-A note! There are two words written on it: scratch!
Coke is coke, but its artistic appeal is not enough. Ma, the master of cross talk, changed to the famous stand-up cross talk "The Secret Recipe of the Ancestral Family", and the language became more artistic.
When I got home, I felt itchy and remembered that I had just bought a "secret recipe at home". Take it out and have a look. Open a paper bag, put it back in another paper bag, then open it again and put it back in another paper bag! Oh, dear! Itching! When I opened it again, it was a paper bag ... finally, I opened it, a piece of white paper with two words written on it-scratch!
Whoa, whoa, whoa. Boom!
This is a joke processed by artistic language, that is, cross talk. Crosstalk must have a "burden", and the language in front indicates the result in the back. This is what artists often call "shaking the burden". It is necessary to wrap the jokes layer by layer, and finally shake them off suddenly, so as to achieve artistic effects, cause hilarious laughter and entertain everyone.
For another example, I heard a joke the other day that two drivers met head-on, and they were both stubborn. As a result, they refused to give way to each other and blocked the traffic for more than an hour. Finally, the police came and they were fined 200 yuan. ...
If this joke is told in the form of a general joke, it is ridiculous, but the effect is average. So I changed it to stand-up comedy, and there was my work "Who is more stubborn"-
In this way, two people who don't give way to anyone, just spent here. A driver said to himself, boy, are you wasting your time with me? No way! I am a famous "stubborn donkey" in our unit, and even our leaders have been persuaded by me several times! With me? Listen, if your winner is!
But look at the man opposite, he is smoking leisurely-look at this meaning, it seems that you will be exhausted if you don't get out of the way. This one is angry.-good! You are great! I'm better than you-hey, I took out a novel from under my seat, which was more than an inch thick. I leaned back in my seat and fell in love without saying a word.
I looked at it for a long time, but I didn't move. I looked up and said, hey, the other side is coming. Heart said, took it this time? To put in a good word? See if you are still stubborn?
Who knows that as soon as he spoke, he made this man's nose crooked-master! Thank you! Can you lend me this book after you finish reading it?
In this way, the effect is very different. Of course, this is the technique of "stand-up crosstalk". If you use cross talk, it will be different. We should also add some "subtle" educational content to tell the consequences of bad temper and stubbornness for trivial matters, so as to achieve the purpose of entertaining.
Crosstalk is an artistic joke. The creation of cross talk is not always to make people laugh at low prices, but to be based on materials and sometimes people-oriented. Actors have their own artistic expertise, and they should adopt different artistic techniques from person to person.
For example, Mr. Lin Bao, a crosstalk master, is used to talking to his opponents. His works are simply classics, almost a sentence and a joke. Every word is carefully crafted! Therefore, we can never get tired of listening to Mr. Wang's works now. Another example is Master Ma's Li San. In his early years, he said that he was right, but in his later years, he was dominated by stand-up crosstalk. His artistic feature is that "burden" is particularly "thick", and he has made great preparations in front. At first glance, how can the horse's cross talk not be fun? I'm afraid in the end, the baggage shook off and the drama exploded! In retrospect, oh, the "nonsense" he said before turned out to be useful! Just like his masterpiece "The Secret Recipe of the Ancestral Family", a piece of paper is wrapped in a thick layer, and only when it is opened can it produce unexpected effects.
Other actors also have their own characteristics. The year before last, I was invited to write a cross talk for a garlic product. At first, I said Kobayashi would play it, and I used a lot of singing skills-everyone knows that Kobayashi's singing skills are second to none in phonology. Later, I don't know why it was changed to Li Jindou and Chen Yongquan. In this way, the script is not suitable because they are not good at singing. So I modified it-
Li Jindou: I'm Li Jindou, a crosstalk performer.
Chen Yongquan: Yes, look at your nose!
Li Jindou: What happened to my nose?
Chen Yongquan: Like garlic. ...
The topic came to our topic at once, and the performance was quite good.
In a word, there are similarities and differences between the creation of cross talk and jokes. As long as you understand it slowly and carefully, I believe everyone can create good cross talk works, entertain others and entertain themselves.
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