Thoughts on reading Tibetan Opera, the second volume of the sixth grade

After reading a famous book, you must have a lot to share, and you need to write an experience. Have you figured out how to write your comments? The following are my thoughts on reading the second volume of the sixth grade, Tibetan Opera (selected 8 articles), for reference only. Let's have a look.

After reading Tibetan Opera, the second volume of the sixth grade, I felt the text of 1 Tibetan Opera, and introduced the origin of Tibetan Opera, the form and procedure of drama performance, and so on.

Some of them introduced the "masks" of the characters in Tibetan opera. The article said, "In Tibetan opera, the masks worn by people with the same identity are basically the same in color and shape. The mask of goodness is white, and white represents purity; The king's mask is red, and red represents majesty; The princess's mask is green. Green represents meekness; The mask of the living Buddha is yellow, and yellow represents auspiciousness; The dancer's mask is half black and half white, which symbolizes her two-faced character; The mask of the devil is blue face and fangs to show depression and terror; The mask of the old villagers was sewn with yellow cloth, and a hole was dug in their eyes and lips to show simplicity. " The article also said, "The use of symbols and exaggeration in the mask makes the characters stand out and have distinct personalities, which is one of the important reasons why tibetan opera masks has been preserved in the long-term development process. "

It can be seen from this passage that the mask of Tibetan opera is a kind of "symbol", and there is a certain symbolic significance behind the mask. In life, there are many symbols with certain meanings behind them. For example, the facial makeup of Peking Opera, as well as the "urban flowers and trees" in major cities, and so on.

This passage inspires us to observe and understand life: when observing a symbolic "symbol", we should not only see the appearance and color of the symbol, but also think about and understand the hidden meaning behind the symbol, that is, its symbolic meaning-what does the symbol "represent" or "predict" to further understand the culture there. In this way, when we introduce a symbol, we can introduce it clearly and let others know its meaning, from which we can get some enlightenment and lessons.

Someone told me that when I heard Tibetan opera, especially in a foreign country, it was like returning to the vast grassland and feeling the blue sky and white clouds on the plateau. This is not an exaggeration. The voice of Tibetan opera is long and loud, like the flowing water of a glacier. Is the singer's whole body strength investment. Its feelings are rich and rich, its tunes are beating and exciting, with a little sadness, a little melancholy and vicissitudes. Tibetan opera is an art of the plateau, which is integrated with the boldness and boldness of the plateau.

The ups and downs of a meal melt the joys and sorrows of life, so listening to Tibetan opera is actually a feeling and experience. A tune, a chapter and a paragraph, may be in line with your true nature in the deep heart, so some people listen and dance, which is the magic of Tibetan opera singing. There are many forms of Tibetan opera, only masks are diverse and expressive, a bit like Beijing opera. With the help of Facebook, the character image of the characters can be reflected, but the color of the former is not directly outlined on the face, and the mask worn by Tibetan opera is rough and abstract.

From the modeling point of view, Tibetan opera masks are straight and three-dimensional, and the texture is mostly leather, flannel or clay sculpture. As for the meaning of color: black stands for sinister, red stands for strength, and yellow stands for wisdom ... The tradition is long and profound, which is the root of Tibetan opera. The art of Tibetan opera, which has a long history of thousands of years, has experienced repeated trials and tribulations. Today, it is like a saussurea involucrata blooming on the Qinghai-Tibet Plateau, deeply rooted in people in Xizang's heart. Through it, people in Xizang praised the truth, goodness and beauty of life and lashed the false, evil and ugly in reality.

It can be said that she is a yardstick for the Tibetan people to measure their lives and an artistic treasure created by the sons and daughters of the plateau.

Thoughts on reading Tibetan Opera, the second volume of the sixth grade. Today, we learned Lesson 15 Tibetan Opera in advance. The author of the text "Tibetan Opera" is a famous writer Ma. Let me introduce my preview method to you first.

I found its beautiful words, sentence appreciation and reading experience from the words here and wrote it in the preview book. First, I extracted beautiful words from the text. There are: laughter, singing and dancing, eating and drinking, no hee hee, no fatigue.

I think a more beautiful sentence is: overturned in the wild horse-like torrent, swallowed up by the roaring river, the seeds of Tibetan opera are all over the snowy plateau, with snow-capped mountains and rivers as the background and grasslands as the background. Tibetan opera artists sing on the floor without curtains, lights and props, only accompanied by drums and cymbals, not without demand, as long as there is an audience. Different roles sing different emotions in different tones and have different dance movements to express them. Different schools and different troupes have different styles of performances.

Finally, I sat at my desk and carefully read the text of Tibetan opera. After carefully savoring his thoughts, my post-reading feeling is: Tang Dongjiebu is a kind-hearted person. He never gave up in the ridicule and incomprehension of others, and vowed to build a bridge, which was finally completed successfully. He will never bow to difficulties. I restrained my freewheeling mood and sat at my desk devoutly. I am full of passion and my blood is boiling. For my dream, I will spread my wings and never stop moving forward.

Thoughts on reading Tibetan Opera, the second volume of the sixth grade. These days, we talked about Tibetan opera, which made me understand other ethnic groups and benefited a lot.

This passage first uses three rhetorical questions to write three characteristics of Tibetan opera: performing with a mask, without a stage, and a scene can last for three to five days. I'm curious, because none of the plays are made up. Their faces are painted white, black, green and red … but they wear masks.

It turned out that Tang Dongjiebu, the creator of Tibetan opera, saw someone crossing the bridge by boat and was washed away by the flood. He couldn't bear it anymore and made up his mind to build a bridge. But there was nothing in Tang Dongjiebu at that time, and everyone around him laughed and thought it was a joke. In order to prove himself, Tang Dongjiebu met seven graceful girls by chance. They rap and dance together to form the first Tibetan Opera Troupe. People like to watch them perform, some give money, some give iron, and some give manpower. ...

I learned something from this story: I will succeed as long as I have the determination.

Once when I was learning to jump rope, I couldn't jump. I can only dance one, not several. Later, I made up my mind, and with my mother's encouragement, I finally learned to jump rope and do some acrobatics.

Thoughts on reading Tibetan Opera, the second volume of the sixth grade. Main content: First, summarize the main features of Tibetan opera in three parallel sentences: a play with a mask can be performed for three to five days without a stage.

Next, I wrote in detail the legendary story of Tang Dongjiebu, the originator of the mountain, creating Tibetan opera, and made a great wish, vowing to build a bridge to form the first Tibetan opera team in Tibet, leaving 58 iron cable bridges on the Yarlung Zangbo River and becoming the originator of Tibetan opera.

Then it introduces the important characteristics of Tibetan opera, the characteristics and functions of masks.

Then briefly explain other characteristics: simple stage; The plot is described by commentary and rap; A program with a fixed opening, plot and ending; Singing skills and movements are rich and colorful; Long performance time, etc.

Finally, it summarizes the full text in one sentence, pointing out that Tibetan opera, a national drama art, is inherited and carried forward by teachers.

In this paper, the author describes the formation process and distinctive features of Tibetan opera with a long history in vivid language. It shows the strong and distinctive national characteristics and irresistible artistic charm of Tibetan opera.

Thoughts on reading Tibetan Opera, the second volume of the sixth grade. A few days ago, I watched Tibetan opera. I was bored and had nothing to do, so I flipped through the Chinese book and inadvertently turned to the text of Tibetan opera. At first I thought: cut! This author is really boring. What is there to write about this play? Isn't the Henan Channel broadcasting the column "Liyuan Spring" every night? But after reading the first few sentences, I realized that "Tibetan opera" is not an ordinary drama.

The article begins: How many operas are performed with masks in the world? How many operas in the world are performed without a stage? How many kinds of dramas can be performed for three to five days in the world? Only from these words, I understand that Tibetan opera is different from Henan opera, Beijing opera and Huangmei opera, because I think: Tibetan opera has a mask on it and no stage yet. What's even more incredible is that a play lasts for three to five days, and the actors are amazing!

This will start with the legendary story of Tang Dongjiebu, a Tibetan monk. Legend has it that there is no bridge on the Yarlung Zangbo River, but many people try to cross the river and are swallowed up by the roaring river. In order to build a bridge for people to cross the river, Tang Dongjiebu made a promise to build a bridge, but at that time, Tang Dongjiebu had nothing but laughter. Tang Dongjiebu got married in Shannan, met seven girls who can sing and dance, and formed the first troupe to perform religious stories in the form of singing and dancing. Later, people were moved by Dong Tang Jeb and began to support Dong Tang Jeb. Some people paid money, some donated iron blocks, and some followed Dong Tang Jeb to help build the bridge. In this way, Dong Tang Jeb built 58 iron lock bridges on the Yarlung Zangbo River. At the same time, people fell in love with Tibetan opera. When people are intoxicated with the girls' handsome appearance and graceful dancing, they can't help sighing.

After reading this text, I understand that nothing is impossible as long as I dare to do it. I think of myself. When changing homework, I always like to ask others and seldom think for myself. Now I know that I can do it if I think about it myself.

Today, I read an article in the textbook called Tibetan Opera. This article says that Tibetan opera is one of the most distinctive operas in China. First of all, it is performed with a mask. Secondly, it takes a long time. A play can't be finished in three or five days, and there is no stage when it is performed.

I think it should be passed down, because it, like our national quintessence-Peking Opera, is a opera that China people should be proud of. It has been circulated in China for more than 500 years and is considered as the quintessence of China. Should not be lost in our generation.

In a word, we should protect our baby in China and not let it disappear!

After reading the sixth volume of Tibetan Opera, 8 Tibetan Opera is a very huge drama system. Due to the differences in natural conditions, living customs, cultural traditions and dialects in different regions of the Qinghai-Tibet Plateau, there are many artistic varieties and schools. Tibetan opera is the mother of Tibetan opera art, which was spread to Qinghai, Gansu, Sichuan, Yunnan and other Tibetan-speaking areas through monks and pilgrims who came to the Uygur Tibetan temple for further study, and formed three branches: Huangnan Tibetan opera in Qinghai, Gannan Tibetan opera in Gansu and Seda Tibetan opera in Sichuan. Tibetan operas are also circulating in Tibetan inhabited areas in India, Bhutan and other countries.

The Tibetan name of Tibetan opera is Ajram, which means fairy sisters. It is said that Tibetan opera was first performed by Seven Sisters, and most of the plays were fairy tales in Buddhist scriptures, hence the name. Tibetan opera originated from Tibetan religious art in the 8th century. /kloc-in the 0/7th century, it was separated from the religious ceremonies in monasteries, and gradually formed a life-like performance with singing as the main part, combining basic programs such as singing, reading, dancing, table tennis and acrobatics. Tibetan opera sings loudly and forcefully, basically because people set the tone, and every aria is helped by people. Tibetan opera was originally a square opera, accompanied by a drum and a cymbal, and there were no other musical instruments.

The performance is generally divided into three parts. The first part is Dun, mainly the opening performance of singing and dancing to worship the gods; The second part is the bear, which mainly performs the drama Legend. The third part is called Tashi, which means blessing and welcoming auspicious. There are thirteen traditional Tibetan operas that are often performed, namely Princess Wencheng, King Nuosang, Langsawen mussel, Zhuowasam, Sujinima, White Horse Wimba, Dunyue Dunzhu, Zhimeigengdeng and other eight Tibetan operas, in addition to Rijonwa, Prince of Yuncheng, and so on. There is only one costume in Tibetan opera from beginning to end. Actors don't wear makeup, but mainly wear masks to perform. Tibetan opera can be divided into white mask opera and blue mask opera. In the process of spreading, Blue Mask Opera has formed four schools: Juemulong Tibetan Opera, Jiongba Tibetan Opera, Xiangba Tibetan Opera and Jianger Tibetan Opera.