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After reading three essays on the true story of ah q.
After reading The True Story of Ah Q: Part One
It's really hot this summer, so I fell down on the bed when I had nothing to do. I grabbed a book to read-The True Story of Ah Q, which was quickly borrowed from my brother's house. So I just opened a page and looked at it. Soon, I was attracted by the plot of Ah Q flirting with a little nun, which made me laugh ... so I turned to the first page. ...
I finished it in one breath, but I couldn't calm down for a long time after reading it, and I felt ridiculous and sad. At the same time, I admire Lu Xun's talent. The True Story of Ah Q takes the countryside around the Revolution of 1911 as the background, and creates an unconscious peasant image poisoned by feudal oppression. Expose people's weaknesses and write people's souls. Between the lines of the work, I can understand the author's "sorrow for his misfortune, anger for his indisputable." At the same time, the author also focuses on describing and criticizing Ah Q's spiritual victory method, and profoundly summarizes the lessons of the failure of the Revolution of 1911 through Ah Q's performance and tragic fate in the Revolution of 1911. In the story unfolding and characterization, the works successfully combine the profound background with the fate of the characters, tragic factors and comedy factors.
Ah Q, a typical national figure at that time, had two regrets before he died. One was that the circle he drew was not round enough, and the other was that he didn't sing a few plays while wandering the streets. How ridiculous and pathetic this is! This is by no means fearless in times of crisis, but extremely ignorant. He has no real spiritual world, and even animals will sympathize with his spiritual victory method. Ah Q has no soul. Even if he dies, he can't go to heaven. He only has a bullying body, and his existence is meaningless to others. More than him, less than him, at most, becomes the talk of people when they are bored.
After Ah Q's death, people have different attitudes. Someone said, "Ah Q is a bad guy, and being shot is evidence." Some said, "It is better to be beheaded than to be shot." Others said: "I have been wandering the streets for so long, and I have never sung a play, so I followed it for nothing." These numb words, for those who think they are higher than Ah Q, are the last "blessings" for Ah Q, sad! The true story of Ah Q is like a concave lens. At that time, people were like a light. This beam of light passes through a concave lens and becomes a bright spot. This is Ah Q, who collected all the things of China people at that time ... I hope Ah Q will disappear in today's society and become a really humorous joke.
After reading The True Story of Ah Q: Part II
Today, I read The True Story of Ah Q, and from Lu Xun's critical articles, I feel that Lu Xun was fascinated by the revolution through Ah Q and was killed by the counter-revolutionary forces who stole revolutionary power, which profoundly revealed the manifestations and serious harm of Ah Q's "spiritual victory law", inspired people to cheer up and smashed the spiritual shackles that hindered their progress. At the same time, it also profoundly criticized the weakness and compromise of China bourgeoisie, thus making an artistic summary of the inevitability of the failure of the Revolution of 1911.
In this paper, things are vividly described by line drawing. For example, Grandpa Zhao doesn't let Ah Q take his surname Zhao, which vividly depicts Grandpa Zhao's overbearing and barbaric landlord image.
I think Ah Q is optimistic. "When others laughed at the scab on his head, he was proud of it and said," You don't deserve it ... "In real life, when someone laughed at a boy, he not only wouldn't fight, but the boy should learn from Ah Q and be tolerant and optimistic.
As a universal spiritual phenomenon, Ah Q's "spiritual victory law" is mainly the product of semi-feudal and semi-colonial society, bearing a deep national humiliation. At the same time,
He made some efforts, including speculative revolution, but each time ended in failure. Ah Q was still Ah Q, and material despair was bound to be comforted by spirit.
After reading The True Story of Ah Q: Part III
Ah Q, there is not a tile on the top, and there is not an inch of land under it. He lives alone in Tugu Temple and only makes a living by doing short-term jobs for others. In him, the most striking feature is the "spiritual victory method": bring disgrace to oneself and bring disgrace to oneself are self-deprecating and narcissistic. His "spiritual victory law" was widely representative at that time, which was not only unique to the lower class farmers like Ah Q, but also reflected some national characteristics.
In the face of imperialist aggression and humiliation, the rulers at that time still called themselves "China", indulged in the comfort of "Oriental spiritual civilization" and advocated that Chinese civilization was "looked up to by the whole world". Is this different from Ah Q's "spiritual victory method"? Looking at the present, the society is developing continuously and people's living standards are improving, but there are still many "Ah Q" who are ignorant and idle, complaining about others all day, not striving for progress, and gradually degenerate into a social burden. These people are pathetic and pathetic.
The fierce heart of the lion, the cowardice of the rabbit and the cunning of the fox. This is Lu Xun's description of the character of rural local tyrants and evil gentry in Diary of a Madman. Grandpa Zhao and his son were representatives of local tyrants and evil gentry in rural areas at that time. In the novels, they basically do not show kindness, but are arrogant because of wealth and prestige, and timid because of corruption and decline. They deprived Ah Q of his minimum right to exist. They can have wives of their own, but they appear as defenders of feudal ethics to punish Ah Q who courted my mother. News of the revolution reached Wei Zhuang, and they humbly called Ah Q "Old Q". When they saw the overwhelming revolutionary storm, they speculated and became a destructive force in the revolutionary ranks.
When creating the typical image of Ah Q, Mr. Lu Xun pays great attention to the relaxation of plot and the details of light and shade: the activities of the protagonist Ah Q are exposed, while those of other foil characters are hidden. The activities of Ah Q in Wei Zhuang are described in a complicated way, while those in the city are understated. In addition, Mr. Lu Xun is also good at satirical and humorous language.
Lu Xun's intention in writing The True Story of Ah Q can be expressed as follows: focusing on enlightenment, he wrote about the life in old China, mainly about the suffering, indignation and ignorance of the exploited and oppressed working people, hoping to improve this miserable life and awaken the sleeping people.
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