Why is Deyun Society in Degang Guo not recognized by its peers?

Degang Guo is the first traffic star in the music industry, and Degang Guo is the first traffic star in the music industry. He often hype, peers don't hype, can only be regarded as a living target of Degang Guo, Degang Guo's background board. Some colleagues don't practice well, saying that their biggest enemy is themselves, and they don't always want to improve their level and ability, so they can only become superficial.

Deyun Society is a private enterprise. Deyun Society is a private enterprise. They don't have a system of "sweating for flood control", that is, they pay their wages on time every month when they go to work. If you don't go on stage for a day, you won't get paid for a day. Being on stage often may not make money. But there is no illegal business. The official media praised him as an encouragement and spur. Crosstalk is a folk art and a popular culture, which serves the people and is rooted in the grassroots. Quxie is an association of various Quyi groups, which has the function of guiding and urging all Quyi groups. However, Qu Xie never accepted Deyun Society in Degang Guo. Although Deyun Society has contributed to the traditional cross talk, it also has many drawbacks and problems.

At this cost, what has become of the crosstalk industry? However, Deyun Society did not violate the rules or cross the border, and it was also loved by the masses. Its purpose is to make money and pursue the maximization of interests. Therefore, their cross talk will always be market-oriented, and we will say whatever the audience likes to hear. Their business crosstalk always puts comedy and entertainment first. Degang Guo is indeed a success. He earns so much money that he can't spend it all his life, and there are a group of filial children and grandchildren waiting for him to enjoy a big meal. There are many brainless fans who are comparable to top idols, but what has become of the crosstalk industry?

Degang Guo's success is the result of the actor's long-term abandonment of the small theater crosstalk stage and his strong interest in radio and television crosstalk. The popular expression is that the actors in the system are used to the false effect caused by TV broadcast editing and recording, but they have not adapted to the performance form of face-to-face communication with the audience. As for Degang Guo, a self-employed person who is not in the system, they can't control it organizationally, but they can only suppress and crowd out outside the system. The mainstream phonograph world is on its high horse, trying to teach Degang Guo how to be a man in a few minutes. Unexpectedly, I was later made up by Degang Guo.