Why is Degang Guo's crosstalk getting more and more boring?

Those who say that Degang Guo's cross talk is like this because he stays away from ruffians actually disagree. Because although comedy comes from life, it is usually dominated by small people (because the audience needs to have a certain sense of superiority), it does not mean that all comedy masters need to be mixed at the bottom all the time. Stephen Chow was a rich man for more than ten years when he filmed "shaolin soccer", and when he polished the jokes, he would still impress the ordinary audience.

What are the disadvantages of being out of life at most? For example, Stephen Chow's idol Xu Guanwen appeared in king of comedy before him. His creativity declined after middle age, and some of his comedies were divorced from reality. He designed a scene in "Eight Liang Xin Jin", where a roadside stall sells snacks and uses his newspaper as wrapping paper to express that his newspaper has no market and no one reads it. The principle of comedy is similar to Zhao Benshan's "there is no paper in the village toilet". However, it was booed by the audience, because in the 1990s, no vendor used rice rolls to wrap newspapers, which was a habit in the 1970s. But no way, Xu Guanwen and his team haven't eaten a roadside stall for a long time.

As you can see, despite such mistakes, the comedy model is still correct. It's a question of packaging at best. But Degang Guo's problem now is not that he is out of the bottom, but that his audience has changed.

Many people compare him who used to be a small theater with him now, and come to the conclusion that he is more and more shit, his jokes are more and more scattered, he is more and more dependent on money, his wife and his father, and he is not as "cross talk" as before.

But in Shang Yan, how many of these crosstalk critics, including me, often support him? Don't they all start from the crosstalk jar, from listening to live recordings to watching live videos, and feed out a wave of cloud fans? Although Degang Guo keeps saying that everyone listens to him, I know in my heart that on the one hand, I give you money, I support you unconditionally, and you are happy with whatever you say. On the other hand, I don't give you money, and I have many demands, and I always show my deep responsibility for love. Who do you like better? Without asking, right?

Just like Gao Xiaopan said about Degang Guo, his current tickets are more often not sold to the old audience who listen to cross talk, but given as gifts to strangers.

As an audience who likes cross talk, I am naturally deeply disappointed with his defection. But there is also a helpless attitude. Put yourself in others' shoes. When you almost don't have to make any effort, you only need to make patchwork skills, but you can get more applause and more benefits than polishing with your heart. Don't you let others make money at this time? What's your position? Are you his long-lost unrelated biological father?

Degang Guo's previous performance "The History of China Crosstalk" was almost coaxed out by the audience because everyone thought it was "not strong enough". Who is this man? It's the ticket buyer. Not all people are experts in cross talk. Many of them may just listen to a few cross talk clips like "Yu Qian drinks urine" and "Yu Qian tests fart" on the Internet, and buy such a ticket when they are free. He can't recognize any omissions in your skills or structural problems in your jokes. But if you work too much, write too much and pave too much, he will definitely scold the street. Because it's not what I heard before!

After the History of China Crosstalk, there is no elegant Degang Guo!

So if you pay attention to Shang Yan in Degang Guo in recent five years, you will find that 80% of the programs are basically the love story of Yu Qian and his daughter-in-law, the story of how Yu Qian and his son played tricks, which is an output of values. This is the most suitable for buying tickets. As an old listener, you may feel that you have no bones and no meat, and you can only make a living by taking a shit. But in the eyes of the audience who don't understand, fuck, that's the smell! It's so funny, it's almost a burden for two minutes, and I occasionally interact with the audience. As for the story logic? What's the matter with you? Crosstalk is not about telling stories, telling jokes and having fun.

Can you say that these viewers who spent real money are wrong? I think they are right. They are even better than the parallel imports that we call ourselves "loyalty tightrope". Because they, like the recipients, do not hesitate to support your beloved Degang Guo. Ignorance is not a crime, nor is shallowness a crime. On the contrary, in Degang Guo's mind (or in everyone's mind), you always find fault with what you hear, which is a big sin that you can't eliminate even if you shoot for ten minutes and then light a lantern.

Fortunately, however, Degang Guo also left a trace of awe in his beloved art. Therefore, I often talk about stand-up crosstalk in iQiyi and do long-term related programs. This shows that his artistic attainments have surpassed those of his peers, and the level of cross talk has not deteriorated because of different audiences. There are at least half of the online "Gang Si". If Yu Qian is not around, I don't want to listen to his nonsense there alone. Moreover, he can spare time to think of the rest of these people, which often makes me find no reason to blame his Shang Yan. It is not easy for everyone to get what they want.

I think if I guess correctly, Degang Guo is very envious of Liu Laogen's big stage in Zhao Benshan. Because the business of the big stage is always good, it always attracts foreigners to buy tickets as tourist attractions, and when they go, they laugh like assholes. Even if everyone has never heard a duet before, even if everyone knows that there is no Liu Laogen in the theater.