What are the metaphors of Indians in crossing hennessy?

Chinese and Indians in crossing hennessy are metaphors for hope. With hope, everything is possible.

In crossing hennessy, Indians appeared five times.

1. For the first time, an Indian became a waiter in a restaurant. This was the first time that Tang Wei and Jacky Cheung ate alone. The Indian's words made Jacky Cheung and Tang Wei laugh.

2. The second Indian appeared in Jacky Cheung's dream, in which he dreamed of his dead father. The mysterious Indian was dominated by God or death. When Jacky Cheung was extremely confused, he dreamed of his father and the mysterious Indian, which had far-reaching implications.

3. The third Indian appearance was before the relationship between Tang Wei and Jacky Cheung broke down. Jacky Cheung saw the Indians in a trance in the electrical store, but he followed them for a long time but didn't find them. The fact is that Tang Wei sent the pumping unit sent by Jacky Cheung's mother back in a rage, and the relationship between them fell to the bottom.

4. The fourth Indian imagination in Jacky Cheung. When Andy On beat him up, Jacky Cheung imagined the mysterious Indian as a policeman, and kept muttering: No wonder I can't see him. It turned out to be a policeman in plain clothes ... In fact, Jacky Cheung was deeply in love with Tang Wei at that time. When he was beaten up for love, Indians were a hope in Jacky Cheung's heart.

5. For the fifth time, an Indian appeared at the end of the film. The Indian led a woman across the street where Jacky Cheung and Tang Wei had walked countless times. Obviously, the woman was a lover, and it happened that Jacky Cheung and Tang Wei accepted each other.

Extended information:

crossing hennessy is a love movie produced by Gravitational Film Company, directed by Ivy Ho and starring Jacky Cheung and Tang Wei. The film tells the romantic love story that Alai and Ailian met on a blind date, from not calling each other to getting to know each other, and finally loving each other. On April 1st, 21, the film was released in Hongkong, China. In 211, Ivy Ho won the Best Screenplay Award at the 17th Hong Kong Film Critics Association Award for this film.

crossing hennessy is different from previous Hong Kong-style literary films. What it pursues is not romance, but meeting the right person at the right time and in the right mood. There is no love between life and death in this film, but it is full of affection because of many emotional details. Throughout the whole film, Alai and Ailian communicate mostly with some short-form chores in their parents.

But it is such a short film that has touched many audiences. What is mentioned by most audiences is the warmth between the ordinary life of the film. What Alai and Ailian discuss most is mystery novels. Between seemingly simple dialogues, the love between men and women has completed a gradual process from scratch and from cold to hot. This kind of emotional experience is the experience of most ordinary people. As long as the rhythm is properly controlled, the warmth can't be stopped.