What is the soul of storytelling and cross talk?

The soul of storytelling is comment. Book review, book review, book review. Appropriate and philosophical comments are the meridians and soul of storytelling. Dan Tianfang, a famous storyteller, gave full play to the role of this word. His storytelling has a strong sense of the times, quoting classics, making the past serve the present, and has strong reality and warning.

The soul of cross talk is a burden. Cross talk is a cross talk because its soul is a burden, and so is stand-up cross talk.

Storytelling is also called storytelling, storytelling, commonly known as Guangdong Cantonese telling the ancients and telling the ancients. It is an ancient traditional oral performance art form of Han nationality, which was popular in Song Dynasty. Storytellers all over the world tell people different stories in their mother tongue, so they are also part of dialect culture. In the late Qing Dynasty and the early Republic of China, storytelling was a person sitting behind a desk, holding a folding fan and waking up, wearing a gown. By the middle of the 20th century, props such as tables, chairs, folding fans and awakening wood were no longer used, while standing, talking, performing and clothes were not so fixed. However, after China's reform and opening up, under the impact of electronic media and the promotion of Putonghua, the storytelling culture of some dialects has gradually declined and is on the verge of disappearing, but it still has its vitality.

Crosstalk, a kind of folk rap art, the word "Crosstalk" originated in ancient times, initially referring to imitating other people's words and deeds, and then developed into "image sound". The image sound is also called the image sound next door. Crosstalk originated from the folk rap art in northern China and prevailed in Ming Dynasty. After the development of the Qing Dynasty until the early years of the Republic of China, crosstalk gradually developed from a person imitating ventriloquism to stand-up crosstalk, and its name was changed to crosstalk. One type of stand-up crosstalk has gradually developed into many types: stand-up crosstalk, counterpart crosstalk and group crosstalk, which are integrated into one. Crosstalk has different development modes in three places.

There are three cradles of crosstalk in China: Beijing Tianqiao, Tianjin Quanyechang and Nanjing Confucius Temple. Crosstalk originated in North China and is popular in Beijing, Tianjin and Hebei. It is popular all over the country and enjoys a good reputation at home and abroad. It began in the Ming and Qing Dynasties and flourished in the contemporary era. Mainly oral performances. The performance forms include stand-up crosstalk, mouth-to-mouth crosstalk and group crosstalk. It is a popular performing art form of Quyi, which is rooted in the people and comes from life. The originator of cross talk is that the schools mainly include school, Hou school, Baoyu school, Su school, Ji school and so on. The famous crosstalk performers are Ma, Hou, Chang, Su He. In the late 20th century, a generation of crosstalk masters, represented by Hou and Ma, fell down one after another, and the cause of crosstalk fell into a trough.

Since 2005, with the spread of emerging media such as online video websites, cross talk actor Degang Guo and his Deyun Society have sprung up, making the public pay attention to the art category of cross talk again and realizing the second revival of cross talk.

In a word, crosstalk is the art of comedy in content and dialogue in form. These two characteristics of cross talk in content and form are not isolated and irrelevant, but are mutually inclusive, infiltrated, interdependent and transformed.