Comparative character fragment description essay

1. Comparative and descriptive fragment composition

At the station, two girls were sitting in the waiting room waiting for the bus.

The girl on the left is wearing a miniskirt, the most fashionable hairstyle, a pair of high heels studded with rhinestones, and an iPhone 6S in her hand. You can tell she is a child from a wealthy family; The girl on the right is wearing a white shirt and a pair of jeans that have been washed white, with only a pair of same old cloth shoes on her feet, and only holding an old-fashioned old mobile phone in her hand. Her family's family background should not be very good. Suddenly, it rained and water leaked into the waiting room.

The fashionably dressed girl screamed and kept lifting her feet up - she was worried that her high heels would be stained. At this time, the ordinary girl stood up, calmly took off her old cloth shoes and socks, placed them in front of the fashionably dressed girl, and walked out calmly and barefoot.

The fashionably dressed girl was stunned and stared blankly at the retreating figure of another girl, unable to recover for a long time. 2. Character description fragment through contrast, about 200 words.

Lu Xun’s novel "Hometown" uses sharp contrast to profoundly reveal the theme. Contrast is to compare and contrast two different things or two different aspects of the same thing in order to express ideas and explain problems.

1. Scenery comparison of environmental descriptions

Since it was late winter, as we approached my hometown, the weather became gloomy again, and cold wind blew into the cabin. There was a whining sound, and I looked out from the gap. Under the pale yellow sky, there were several desolate deserted villages far and near, without any life. My heart couldn't help but feel sad.

In my haziness, a piece of green sand spread out in front of me. Above, there was a golden full moon hanging in the deep blue sky. Below was the sandy land by the sea, with endless green watermelons growing there. .

Here, the contrast between the depressed and dilapidated hometown in front of me and the beautiful hometown in imagination is not only a contrast of scenery, but also a contrast of emotions. The hometown in my memory is a beautiful, strange and yearning "magical picture", which provides a powerful foil for the image of the little hero in the watermelon field, embodies "my" incomparable love for the young Runtu, and also reflects The author's deep yearning for a better new life; and the scene of desolate and deserted villages in reality is just a microcosm of the tragic scene of China's rural areas becoming increasingly bankrupt after the Revolution of 1911. The author expresses his infinite disappointment in the reality of his hometown and the resulting consequences. Extremely sad.

2. Comparison of character portrait descriptions

The young man Runtu has a "purple round face" and "red and round hands". "Wearing a small felt hat on his head, Put on a shiny silver collar." The middle-aged Runtu's complexion "has turned sallow" and "has deep wrinkles". His eyes "are like his father's, and they are all red". "He wears a broken felt hat on his head, and he has She only had a very thin cotton coat, and her whole body was "stringy," and her hands were thick, clumsy, and cracked, like pine bark.

Twenty years ago, Ersao Yang was young and beautiful, and she was known as the "sister-in-law." She worked as a "bean curd beauty" and used it to attract business. Twenty years later, her "protruding cheekbones", "thin lips" and "hands on her thighs" showed her bitterness and selfishness, and she "spread her legs" like a "The Compass with Thin Legs" depicts the overall appearance of Second Sister Yang.

Is the change in the portraits of Runtu and Second Sister Yang due to the passage of twenty years? Is it because they live in poverty? The portrayal is the ruthless mark left by the cold social reality on them.

3. Comparison of characters

The young Runtu is different from "me" and "me". "We got to know each other in half a day," and he had endless strange things in his mind. He taught "me" how to catch birds in the snow, told "me" how to pick up shells in the summer, watch jumping fish in the tide, and invited "me" to take charge of the melon patch on a moonlit night. Ci Yu... "hid in the kitchen, crying and refused to go out" when we were leaving, and even gave each other a beloved gift after the farewell.

He is lively, strong, wise, courageous, carefree, and knows a lot of production knowledge and life knowledge. He is simply a magical little hero. Twenty years later, when we meet, he is "respectful" and calls "me" clearly. He said "Master" and then asked Shui Sheng to "kowtow to the master". With this "Master", the innocent friendship in his youth was completely replaced by the feudal concept of hierarchy. "A pair of incense burners and candlesticks" reflects Runtu's numbness and indolence. He pinned his hope of changing reality on supplications and prayers to the gods. These changes in Runtu were caused by the oppression of farmers by imperialist and feudal forces.

Twenty years ago, Second Sister-in-law Yang "sit all day long", showing that she was quiet and law-abiding; twenty years later, when she appeared on the stage without seeing her, she heard her voice first and made a sharp and strange sound. , the language is harsh, and he asks "me" when he opens his mouth. When begging for things fails, they start to spread rumors, rob them overtly or covertly when they see objects and utensils, and even make false accusations about others. "Slowly walking out" is to look for things to steal. ...The changes in Yang Ersao are surprising and regrettable. Through her change from the past, it reflects the increasing depression and poverty in the countryside and the distortion of people's hearts from the perspective of the growing embarrassment of the small bourgeois class.

Both Runtu and Yang Ersao were oppressed, bullied and harmed. However, more than twenty years of different lives have shaped two different personalities. One became a "puppet man" and the other a "lonely compass with thin legs"; one was simple and honest, the other was sharp and aggressive; one was clumsy and slow, the other was sharp-tongued; one was honest and honest and relied on himself For the income gained from labor, the other is selfish, "taking advantage of others" and blaming others; the other "lives hard and numbly", the other "lives hard and recklessly"; the other pins his hope of escaping his miserable fate on wooden idols , and the other tries to become the strong man in life by relying on his own indulgence, taking advantage of others, and bullying others. These changes are caused by different degrees and different ways of oppression, exploitation and bullying, as well as all kinds of old traditional concepts, which have caused different deformities in the "spiritual and physical" of the two.

IV. Comparison of the relationship between two generations

Comparison of the relationship between Runtu and "I" and the relationship between Shuisheng and Hong'er. When we were young, "I" and Runtu were not deeply involved in the world, did not understand the harsh social reality of the world, and had a magical yearning for life. When we grow up, the ruthless life creates an "invisible wall" between us. Isn't the current relationship between Shui Sheng and Hong'er a reflection of our childhood relationship? If the change in the relationship between "I" and Runtu is a historical tragedy, then the relationship between Shui Sheng and Hong'er is full of hope.

The sharp contrast reveals that imperialism and feudal forces are the social root causes of the increasing bankruptcy of China's rural areas and the increasing poverty of farmers. It shows the author's varying degrees of sympathy for the unfortunate and his hope for a new life. Great hope, highlights the theme. 3. Use contrasting techniques to write fragments of people's compositions

Ever since my brother got married and my sister-in-law called my mother "Mom is long, Mom is short", I found that my mother has changed.

It turns out that the relationship between my mother and my grandmother is very "tense". Although they live in the same yard, my mother cooks in the east kitchen, while grandma built a small temporary kitchen on the south wall and cooks in it.

Sometimes when the family makes some rare and delicious food, my mother will not ask grandma to come over and eat it together. My mother always said: "Your grandma is partial and always favors your uncle's family."

With this as the "trigger", my mother and grandma even quarreled three times! Even on calm days, my mother and grandma have the tendency to stay calm. Looking at my mother now, before the braised pork was ready, she shouted loudly: "Mom, stop cooking, come and eat together!" Every time grandma heard such a shout, the wrinkles on her face would appear. The smile spread out.

Look, my mother has really changed. The reason for this change must be found in my sister-in-law.

Ever since my sister-in-law came through the door, our family has been filled with joy all the time. In the morning, while the whole family was still sleeping, my sister-in-law got up, filled her mother's face wash, and waited for her mother to get up and wash her face.

Then prepare breakfast for the whole family, put it on the dining table, and then urge everyone to get up and have breakfast. My sister-in-law always puts grandma's share in a bowl and sends it to grandma's hut.

When the weather is sunny, my sister-in-law is either washing her mother’s clothes or helping her grandma wash her hair. She is never idle for a moment. Seeing that my sister-in-law is so filial to her grandma and so considerate to herself, my mother's face always turns red and white, and she may have realized her own shortcomings.

Slowly, my mother often went to grandma's house to sit and give her a bag of cakes or biscuits. Winter is here, and my mother specially bought new cotton and made new cotton-padded clothes for grandma.

As for the topic of "partiality or not", my mother never mentioned it again. I know that all the changes in my mother are because of my sister-in-law.

Look, you grow by comparing! The young man Runtu was a "boy of eleven or twelve years old". "I" met him for the first time. Runtu "was in the kitchen, with a round purple face, a small felt hat on his head, and a bright hat around his neck. Silver collar". Twenty years later, "I" returned to my hometown and saw Runtu again. "His round purple face had turned gray and had deep wrinkles." "He had an old felt cap on his head. He was wearing a hat, only a very thin cotton coat, and he was shivering all over." "The hands were not the red and round ones I remembered, but they were thick, clumsy, and cracked, like pine bark. 4. Use contrast techniques. Write character fragments

The young Runtu was an "eleven- or twelve-year-old boy". "I" met him for the first time. Runtu "was in the kitchen, with a round purple face and a hat on his head." He wore a small felt hat and a shiny silver collar around his neck. Twenty years later, "I" returned to his hometown and saw Runtu again. His "previously purple round face had turned grayish-yellow, and had a lot of added features." "He had an old felt hat on his head and only a very thin cotton coat on his body, and his whole body was shivering." "The hand was not the red and round hand I remembered, but it was thick and clumsy. And it is cracked, like pine bark

This is the contrast between the young man and the middle-aged Runtu. The contrast makes the various characteristics of the characters more distinct

Highlighting the characteristics of the main description object , so as to highlight the central idea 5. Character fragment description essay

My childhood friend is named Qianqian. She has a pair of bright big eyes under her thick eyebrows, and a small cherry blossom under her straight nose. Mouth, very cute. He held the ball in both hands, took a deep breath, stood on tiptoes, bounced three or four times in place, and then suddenly ran toward the basket like an arrow from a string. Four or five meters away from the basket, he handed the ball to his right hand and threw it towards the backboard. The ball bounced back with a "bump". It was too late, but soon, he stepped to the basket in three steps, jumped up, grabbed the flying ball with both hands, raised it above his head, straightened his waist, and then yelled "Hey" and threw it The ball went into the basket. .

My sister is very cute. She is already 3 months old. A few days ago it was my sister's 100-day anniversary. My mother drove to "Love You Baby" and took some photos with her baby sister in her arms. My sister has a pair of small and bright eyes, a bulging face, and a particularly small mouth. She has a pair of cute ears, and a pair of small hands clenched into fists, waving from time to time. Look! Those chubby little feet that look like little steamed buns are so cute! I love my sister.

My favorite classmate in our class is the handsome boy Geng Hao, look! He is not tall, but he is very stocky, and his arms and legs are like mature corn cobs. He likes to wear his coat unbuttoned. He said: "That way it will look more majestic." Geng Hao's head is round, his rosy face is round, and coincidentally, so are his shiny black eyes. Round. I like his smile the most. When he smiles, his shiny black eyes turn into two crescent moons. His little red mouth loved telling jokes most, and his jokes always made us laugh before we laughed out loud. At this time, the crescent moon appeared again. 6. Use contrast to describe characters and highlight their characteristics

Writing articles is inseparable from writing about people.

When writing about people, you must not write them as paper people. They cannot stand up and become alive. When writing about people, the characters must be brought to life and written with flesh and blood.

How can we make the characters in our novels come alive? The first step: positive description. Positive description is to point the camera directly at the object of description to describe, or write portrait, or write language, or write action, or write psychology. Positive descriptions should avoid being dull or procrastinating, but should be both physically and mentally well-organized and full of business.

Writing a portrait refers to describing the appearance of a character, including appearance, posture, expression, clothing, etc. When writing portraits, one must be good at capturing features, be vivid and lifelike, express emotions through form, and portray thoughts and character.

For example, Sister-in-law Yang in "Hometown" has protruding cheekbones and thin lips; her hands are placed between her hips, without a skirt, and her feet are spread out, just like a thin and lonely compass in a drawing instrument. With just a few strokes, her appearance is sketched out. Through this feature, we can roughly understand her acrimonious character.

Writing the character’s language accurately and realistically can vividly express the character’s thoughts and personality. The language you write must fit the identity of the character and be personalized, otherwise it will be difficult to express the inner world.

Lao She said in "How I Learned a Language": "Dialogue is the self-introduction of the character's personality and so on." The dialogue is clever and does not need to describe the appearance of the character, so that the reader can seem to have witnessed the person speaking. people.

Lu Xun's "The Wise Man, the Fool and the Slave" is full of dialogue descriptions. Through dialogue, the thoughts and personalities of the three types of people, the smart man, the fool, and the slave, are vividly presented to the reader. When writing about psychology directly, you cannot talk about empty words, but you must be able to express the subtleties deep in your heart, so that the character's thoughts and personality can be deeply revealed.

For example, in Lu Xun's "A Little Thing", when the "I" in the work saw the driver taking the old woman to the patrol station, there was such a psychological description: "I suddenly felt I had a strange feeling that his dusty back suddenly grew taller and bigger, and I had to look up to see him. And gradually, he became almost a coercion to me, even to the point of threatening me. Squeeze out the "little" hidden under the leather robe."

According to the normal visual image, it should be large near and small far away, but in the feeling of "I", it is contrary to the normal visual image. , is "getting bigger as you go", using continuously rotating lenses to change the picture to highlight the tallness of the driver's image. The "big" creates coercion and squeezes out the "small". In front of the innocent coachman, "I" feel ashamed.

This kind of direct description of inner activities profoundly reveals the vibration and awakening of an intellectual's soul in "a little thing", which plays a soul role in shaping "my" ideological character. The second move: Profile description Profile description is to describe the surrounding things of the object, or to use objects to set things off, or to use scenery to highlight the characters, or to use other people to portray the person, making the depicted object more vivid and prominent.

In profile description, things around the object of description must be carefully selected. Things that can really set off or produce a contrasting effect should be selected, and things that are general and have no obvious characteristics should be avoided. For example, the Han Dynasty Yuefu poem "Mo Shang Mulang" describes the extreme beauty of Luo Fu, a mulberry picking girl. It is not a frontal portrayal, but used to highlight and exaggerate with the expressions and movements of the people around her.

The poem describes it like this: "The traveler sees Luofu and puts down his shoulder to smooth his mustache. The young man sees Luofu and takes off his hat and head.

The plowman forgets his plow and the hoeer forgets his plow. Hoe. Come back and be angry, but sit and watch Luofu."

Describes the expressions and actions of the traveler, the young man, the cultivator, and the hoeer when they see Luofu. All the performances focus on one point, that is, picking mulberry. The female Luofu is stunningly beautiful. If it is portrayed head-on, it is not subtle enough and cannot leave more room for the reader's imagination.

Another example is the article "Fan Jin Passed the National Examination", which describes three times in profile about Fan Jin's passing of the national examination. Write what everyone thinks: "It turns out that the newly rich people are crazy with joy."

One sentence explains the reason for going crazy. The second one is written as Fan Jinzhi going crazy.

The reporter came up with an idea and proposed a prescription to cure the disease - to kill Fan Jin's joy, but said that it was not successful. The butcher executed it, hit Fan Jin in the mouth, and said in a fierce voice: " Damn beast! What did you get?" Madness is caused by phlegm in the heart, which is a heart disease. The treatment of the heart disease is to highlight the depth of Fan Jin's poisoning and his inability to extricate himself from the imperial examination and fame. This is revealed from a deeper level.

The third is the reaction of everyone and neighbors when Butcher Hu hit Fan Jin in the mouth: "I couldn't help but laugh." The three aspects depict Fan Jin's pursuit of fame and wealth from different angles, which is pitiful, despicable, pathetic, and ridiculous. image.

By depicting characters from multiple angles, the characters’ individual characteristics can be fully demonstrated. The third trick: simple outline. Simple outline is to use extremely concise language to outline the basic characteristics of the characters, without color or background, giving people a clear impression. This method is also called line drawing.

When using this technique, you should "have true meaning, avoid embellishment, be less pretentious, and don't show off", and win with a little bit of pen and ink. For example, the portrait of Lu Xun depicted in "One Side": "The yellowish-white face is so thin that it makes people worry; the inch-long hair sticks straight up on the head; the long gown with yellow feathers and gauze; the beard that looks like the character '一' in Li style; He held a yellow cigarette holder in his left hand, one end of which was already blackened by the cigarette."

Thin, straight hair, and a beard that looks like the Chinese character "一", these characteristics capture the character's portrait. Outlined with a pen, the resolute image of a veteran soldier whose health was destroyed by hard work emerges before his eyes. The fourth trick: Meticulous and detailed description. Meticulous and detailed description focuses on meticulous carving, using delicate brushwork to carve characters, so that the described objects can be seen in detail and give people a real feeling.

There is such a description in Lao She's article "Sacrifice": "His face, when I asked him, seemed to be particularly hollow. A little darkness came from the most hollow place, and slowly, It covered the whole face, like a foggy shadow.

His eyes, which were already deep and difficult to see, now went deeper, as if they were going to be completely hidden from each other. He clenched his teeth a few times, and his ears moved a little, as if he was keeping a tight lid on what was in his mind, lest it escape.

Then, his eyes suddenly glowed. The dark shadow on his face gradually rolled up and got entangled in his hair. What he might have said had nothing to do with what I asked him.

He won. After a long time, he teased me a few times with the corners of his eyes. "The author gave a detailed description of the character's face, eyes, and teeth, including how hollow the face was, how deeply the eyes were hidden, and how tightly the teeth were closed. The situation is meticulously carved one stroke at a time, and the character's dark and cold personality is vividly portrayed.

The fifth trick: detail description. 7. How to write a composition fragment that uses contrasting techniques to write about people

Ever since my brother got married and my sister-in-law called my mother "Mom is long, mom is short", I found that my mother has changed. It turns out that the relationship between my mother and my grandmother was very "tense".

Although they live in the same yard, my mother cooks in the east kitchen, while grandma built a small temporary kitchen on the south wall and cooks in it. Sometimes when the family cooks something rare and delicious, my mother won’t ask grandma to come over and eat it together. My mother always said: "Your grandma is partial and always favors your uncle's family."

With this as the "trigger", my mother and grandma even quarreled three times! Even on calm days, my mother and grandma have the tendency to stay calm.

Looking at my mother now, before the braised pork was ready, she shouted loudly: "Mom, stop cooking, come and eat together!" Grandma often hears such shouting The wrinkles on his face stretched out with laughter.

Look, my mother has really changed.

The reason for this change must be found in my sister-in-law. Ever since my sister-in-law came through the door, our family has been filled with joy all the time.

In the morning, while the whole family was still sleeping, my sister-in-law got up, filled her mother's face wash, and waited for her mother to get up and wash her face. Then prepare breakfast for the whole family, put it on the dining table, and then urge everyone to get up and have breakfast.

My sister-in-law always puts grandma's share in a bowl and sends it to grandma's hut. When the weather is sunny, my sister-in-law will either wash her mother's clothes or help her grandma wash her hair. She will never be idle for a moment.

Seeing that my sister-in-law is so filial to her grandma and so considerate to herself, my mother’s face always turns red and white, and she may have realized her own shortcomings. Slowly, my mother often went to grandma's hut and gave her a bag of cakes or biscuits. Winter is here, and my mother specially bought new cotton and made new cotton-padded clothes for grandma. As for the topic of "being partial or not", my mother never mentioned it again.

I know that all the changes in my mother are because of my sister-in-law. Look, you grow by comparing!

The young Runtu was an "eleven- or twelve-year-old boy." "I" met him for the first time. Runtu "was in the kitchen, with a purple round face and a small felt hat on his head. , put a bright silver collar around your neck." Twenty years later, "I" returned to my hometown and saw Runtu again. "His round purple face had turned gray and had deep wrinkles." "He had an old felt cap on his head. He was wearing a hat, only a very thin cotton coat, and he was shivering all over." "The hands were not the red and round ones I remembered, but they were thick, clumsy, and cracked, like pine bark. 8. Character description fragment. , Composition

I have a good father. My father is a man of few words.

When he is with his mother, he hears his mother talking non-stop. He just kept smoking and occasionally responded, which was mostly just one or two words. When guests came to the house, my father would accompany them to dinner, neither letting them drink or asking for food.

He only took care of himself. It seems very impolite to eat your own food. The same is true for us children.

He rarely interferes with our studies. He thinks that if we have questions, we should ask him. I also say you should ask the teacher.

My father is a farmer, but in my eyes he does not look like a real farmer in many ways. My father finished primary school and dropped out of school in the second grade of junior high school due to poverty.

Then he and several companions ran to Baotou without telling his grandparents, and attended a technical secondary school there for two years. Later, due to the three-year natural disaster in the 1960s, the school was disbanded, and his father returned. When he got home, he continued to be a farmer.

His father wrote very good calligraphy. Whenever there was a wedding or wedding in the village, his father would always be respectfully invited to be the accountant and keep track of the members. The Spring Festival is a busy time for my father, so the villagers send big red papers to my house early and ask my father to write Spring Festival couplets.

My house is often filled with a festive atmosphere before the Spring Festival. When I was learning calligraphy when I was little, my father asked me to learn how to write letters to my uncle in Shandong.

My father taught me step by step the format, how to address, and how to sign. I have never been good at practicing calligraphy, and even now I have no ability to do so.

When I go home and drink with my father, my father will always point at me and say: "You are the only one who is still majoring in Chinese. Teacher, writing is not as good as me, a farmer. "I can only smile and nod.

My father is a book lover. Every time he goes out, he always stuffs a book in his bag.

Even if there is nothing to read, I have to take it with me. A few newspapers. I remember that the books my father bought included the three-volume "Water Margin" published in 1975, the first and second volumes of "Stories of the Eastern Zhou Dynasties", "Stories from a Chinese Studio" and "Three Words" by Feng Menglong. >

During the off-season, other men would play cards or gamble, while my father would sit on the kang and read a book all day long.

In the past two years, my father has been dazzled. I bought a pair of flower glasses, but I still don’t forget to read. Sometimes I look at it and see that the old man really looks like a scholar.

When I went home during the summer vacation, I emptied the bookcase and found a set of Ming Dynasty Bao Weng. The old man's "Wonderful Views of Modern and Ancient Times" was printed during the Daoguang period of the Qing Dynasty. Unfortunately, one volume was missing. I said to him, give this book to me.

My father said that it would be fine, since I can't read it anyway. No more.

My father often said to me with emotion: "During the Cultural Revolution, all the books your grandfather left behind when he was a private school teacher were burned as firewood when I was cooking, for fear of getting into trouble.

Otherwise, I would keep them. It’s valuable now.” So I was very emotional.

Fortunately, our generation will not catch up with the era of "book burning" again. Among the three children in my family, my father loves me the most. He says that I can sit still and be calm.

In winter, I ran around on the streets all day long, sweating all over my body, and the cotton pants I wore were so hot that they became wet. Before getting up in the morning, my father always lit the stove early, then turned my cotton trousers over with his hands, and moved them closer to the stove to bake them little by little, shaking them slowly while roasting. After a while, I saw the cotton trousers on the stove. A wisp of heat rises.

After the baking is finished, my father will use his two pairs of big hands to rub the cotton pants to make them soft. When I put it on again, I felt very warm.

My father is a restless person. He often cleans my shoes and cleans them carefully every time. My father took out the bicycle I rode to school every day, and when I got home at night, my father stored it for me every time.

It is his job to clean up the car and cheer him up. In his eyes, I seem to always be a child.

My father personally wrapped the covers of the books I read when I was in school and wrote my name on them with a brush. I have been a teacher for so many years and I still have my high school textbooks intact.

Sometimes I read him and said, "This book is useless. You should sell it." My father always said: "Just leave it, leave it, you will regret it when the book is used."

I went to college in Nanjing for four years, and every time my father wrote me a letter, the letter The ending always says, don't worry about money, eat well and take care of your body. He rarely told me to study hard, but after reading my father's letters, I naturally knew how to study.

Now, I have been a father for more than ten years. When my child was young, I beat him frequently because he was sick and refused to take medicine. When he got a little older, he received a lot of beatings from me because he didn’t like to go to kindergarten.

Until now, when I don’t do well in studies or exams, I always beat or scold my children. Thinking about my father's treatment of me, and then thinking about my treatment of my children, I feel really ashamed.

My father and I meet several times a year. Once we meet, he gets older. Isn't it? I'm almost forty, can my father not grow old?

In my eyes, my father is a silent person, a person who loves me and loves me, a person who loves reading and writing, and a person who guides more than controls. In my eyes, my father's image is very tall, and I have to look up to see him.

I hope my father can live healthy and I am willing to be his child forever. My teacher I am proud to have such a good teacher. She is my head teacher, Teacher Jiao.

When I first entered the middle school, I heard that our head teacher was an excellent teacher, Teacher Jiao. With some excitement, I silently imagined the image of this excellent teacher in my heart. In my anxious anticipation, finally at night, Teacher Jiao appeared in front of us. First of all, I thought in my heart that she should not be our future teacher, Teacher Jiao! So young. Just when I was thinking about this, she couldn't help but introduce herself to us. The strange thing is that she is not much older than us? Why did he become an excellent teacher? But in the days that followed, I gradually got to know her. Teacher Jiao’s handwriting is also very good, but she is our English teacher. She is very strict in class, but she is not strict outside class. I I remember that she used to chat and heart-to-heart with us. She really seemed to be like her own sister. If we had anything on our mind, just look for her and she would chat with you for a while, and there would be no worries. What a joy! It's like some students like to make mistakes, but as long as they get into the hands of Teacher Jiao, they will get nothing. That is to say, she explains them simply, just like "big things are reduced to small, small things are reduced." . In fact, I am also a person who sometimes likes to make small mistakes, but sometimes I can control it, and sometimes I can't control it, but.

9. A 300-word composition about people, including detailed descriptions of characters and contrasting descriptions

A rickety back and an old face. The weathering of the years has stripped her of her original flowery appearance; she has made too much effort, and even though her children are well-fed and well-fed, all she is left with is a wandering life.

She was sitting on a small wooden chair in front of the door, holding a bowl of thin porridge in her hand. Life is like a year, and there is always such a reincarnation every day. She thought for a while, brushing her pale hair on her forehead with her hand, while staring at the extremely thin bowl of porridge in her hand. Then, a few drops of muddy old tears slid down the ditch to her cheeks, but she quickly wiped them away with her sleeves.

After simply satisfying her hunger, she carried a cloth bag and a rusty hook in her hand. She hunched over and slammed the door hard, then staggered down for less than three seconds. Steps up the stone steps, you have to rummage through the various trash cans in front of each house until you find some waste that can be exchanged for money, put it into a cloth bag, then carry it on your back, leaning on the iron hook, and continue to the next house. Go to the trash can. She is very stubborn and will not go back until the bag is full every time. Sometimes, she would meet her son inadvertently, but she always avoided it. There was really no other way, so she could only bump into him. Then her son glanced impatiently, and she could only stay behind him silently. To bear it, sometimes just wipe away the tears.