Jiang Kun's "Laughter Theater" is about to appear. Can he surpass Guo Degang's "Deyun Society"?

Who can tell about the future? Anything is possible, so it is useless to predict the result. The voice of the audience is high, you are the winner, the audience is loud, and you are the loser. The phonograph world has opened up the trend of Chu River and Han Dynasty. As an audience, we just sit and watch.

Jiang Kun is an old artist in the phonology field, and also the chairman of the Chinese Quyi Artists Association. He has also broken his heart about the cross talk. He is bent on supporting and carrying forward the traditional cross talk, but there is also great resistance. Crosstalk, an art form, was the earliest accepted form of folk art by the audience. In the past, when we watched the Spring Festival Evening, we liked to watch cross talk on TV, but it was gradually replaced by sketches.

Traditional cross talk has become less and less exciting. The audience has lost interest in watching it, and the actors have no soil for survival. Many actors have changed careers, some as sketch actors, some to shoot TV dramas and so on. At that time, the status quo was still very sad. Therefore, any form of performance must be innovative, accept new elements, and integrate with society in order to have vitality.

Degang Guo's cross talk performance gives new vitality to traditional cross talk, which makes our audience accept and like cross talk again. I'm not a fan of Degang Guo myself, but I like his opening remarks "The audience is our food and clothing parents" in the cross talk performance best. Only those who fully respect the audience can be liked and sought after by the audience.

It's really hard to say whether Jiang Kun's Laughter Theater can surpass Degang Guo's Deyun Society. However, I don't think it's really meaningful to surpass and compete. If we can win * * *, it will be a boost to the cross talk cause, and it will also be a great event for Jiang Kun, the president of Quyi Artists Association.