Hou Yaohua's disciple Degang Guo? It's actually a small matter. What's the big deal behind it?

Brush the news and brush a short message. Crosstalk actor Zhou Bai is the teacher.

At first sight, I was shocked. The second eye, that's what it is. The third eye, very interesting. General manager Zhang, who can come to his senses, has something big behind this.

At first glance, although Zhou is unknown, he is now attached to two major forces in phonology. Master Zhou is a human being and the owner of Quyi Club. He has two identities, one is Hou Yaohua's apprentice. The other is the boss of a local national top 500 private enterprise in Hebei, a serious successful industrialist and businessman.

According to the number of crosstalk speakers in this country, Zhang Hongshun is almost the richest man in the phonological world. And the strength of Hongshun Quyi Club is not weak. Li Rugang, the leader, is Hou's apprentice. The combination with Dr. Kang in the 1980s is also famous. At the same time, two people became Hou's apprentices, and Li Rugang was also an actor in Hou. This is the qualification in today's crosstalk circle. It is said that Hongshun Quyi Club has been to perform abroad, accompanied by Zhang Hongshun, a rich monitor, so it is natural to eat and drink.

In other words, Zhou is a disciple of Ma, so Zhou is still a serious cross talk direct line of Ma. You said that he had a master who was the richest man, and a master who crossed the three families of crosstalk, so he suddenly learned from Degang Guo, which was very shocking.

The second eye, Zhou Jian, is a disciple who entered the storytelling door. No big deal. Originally, storytelling and cross talk generally did not directly talk about seniority. You see, Wang Yuebo and Wang Pangzi are smaller than Degang Guo in storytelling, but they are peers in crosstalk.

So far, I haven't seen any sound from Hou Yaohua. I guess one is because of this storytelling door. Second, Hou Yaohua has many disciples, and his disciples are all over the streets. He may not know this disciple. Besides, Degang Guo, his disciple, even his peers will not suffer.

So there won't be any waves in this matter.

The most important thing to say is this third eye.

Zhou is a stand-up comedian, but I haven't seen him perform stand-up crosstalk in the "Crosstalk Newcomer" competition he participated in. What he was performing was called a talk show!

Talk show and stand-up comedy are not the same thing. Although they are all said by one person, their contents and methods are different. Generally speaking, stand-up crosstalk originated from storytelling, so it mainly tells stories and creates characters in the middle of stories to increase the burden. Whether it's a long stand-up comedy or a few minutes, it's basically a story. For example, Nine Cases and Zhang Shuangxi monster hunt, which have attracted much attention, are typical stand-up crosstalk, while Ma's Teasing You is a typical short stand-up crosstalk.

But do you think that Zhou said it was called stand-up crosstalk when he participated in Crosstalk? Grasping a theme, setting several small paragraphs in parallel, basically ignoring the story structure, two or three sentences will be a burden. This is a typical talk show, almost no different from Xiao Shenlong.

Zhou participated in the crosstalk contest held by CCTV after "New Couples Say Crosstalk". He also succeeded in amusing the judges in the competition, but the judges' scores were not high. Some people on the internet say that the judges are selfish. Bullshit. It is also said that Feng Gong Jiang Kun scored low because he can't speak stand-up comedy and doesn't like stand-up comedy. This is ridiculous. The reason is simple, because Zhou is not talking about cross talk, so it is good to score. It's as interesting as singing pop songs when you take part in a traditional Chinese opera competition.

As for what someone says, any talk show that speaks Chinese is stand-up crosstalk. As long as he succeeds, what he says is stand-up crosstalk. The author thinks that saying this is equivalent to deceiving teachers and destroying ancestors. Treating talk shows as stand-up crosstalk is lowering the threshold of crosstalk and destroying the industry. I'm not saying that talk shows are low-level. On the contrary, talk shows are also difficult. But if it's a talk show, you can call it a talk show. Why do you have to label yourself crosstalk?

If a traditional industry pursues commercialization too much, it may get commercial returns in a certain period of time, but in the long run it is equivalent to destroying this traditional industry. Just as many cross talks begin to stretch their words infinitely and emphasize the interaction with the audience infinitely, it is tantamount to killing the goose that lays the golden egg. When this traditional industry loses its boundaries and thresholds, it can basically die out.

The author is not dissatisfied with Zhou here, but hopes that the traditional industry of cross talk can adhere to its own traditions and boundaries. The vitality of cross talk lies in its inclusiveness, while the life of cross talk lies in its tradition.

Zhou seems to want to develop in the direction of storytelling by learning. If his storytelling in the future follows the artistic characteristics and laws of storytelling, it means that this study is win-win, even win-win. If he tells stories that taste like talk shows in the future, it is not who will suffer, but the industry.