A joke praising the author of the novel.

Hello, landlord: The novel Camel Xiangzi was written by Lao She, a famous modern writer. Camel, a modern writer whose real name is Shu Qingchun and whose real name is Snake, tells the tragic story of Xiangzi, a rickshaw driver in the ancient city of Beijing, China. Xiangzi came from the countryside, and the decline of the countryside withered day by day, making it impossible for him to survive. He came to this city, eager to create a new life with his honest work. He tried all kinds of jobs and finally chose a rickshaw. This career choice shows that although Xiangzi left the land, their way of thinking is still farmers. He is used to starting his own business and is eager for a reliable car, such as land. Buying a car is an independent worker. "This is his goal, hope, and even religion." "The city seems to have given Xiangzi a chance to realize his ambition. Struggled for three years, bought a car, and beat the man away in less than half a year; However, Xiangzi refused to give up owning his dream car. Although his pursuit of distrust wavered several times, he continued to pull himself together and fight again. The life of starting fighting constitutes the plot of the novel as the main content. As a result of the battle, Xiangzi ended in failure, and he finally couldn't help being his own dream cars. The realism of this novel is meaningful. It not only describes Xiangzi's poor living conditions, but also describes his ideal life, which seems to be exhausted in autumn. " He doesn't mind his heart being replaced by the next person. "A hardworking and kind rural youth turned it into a zombie-like plastic unemployed.

Xiangzi's tragedy is the product of his social life exposed to the environment. The characters and relationships in the novels around him show the real dark side of Xiangzi in social life, the ugly faces of warlords, spies and car factory owners, and their oppression dominates the nets they weave, and the relationship and changes reflected by Xiangzi's oppression. The novel does not shy away from Xiangzi and Tigress' mutual attachment and a little instinctive love desire, but also profoundly describes that even such love between men and women is based on monetary interests, so Tigress always gets money. "The money in her own hands was forced out by herself." The combination of Tigress and Xiangzi was undoubtedly aggravated by Xiangzi's tragedy.