About Miaoyu's life experience?

Miao Yu is a special person in the Grand View Garden. She was originally from Suzhou, and was born in an official family in the city. Because she was ill since childhood, she had to convert to Buddhism and take her hair to practice. As Xing Xiuyan said, Miaoyu was "aloof and out of place", and she was addicted to cleanliness. Grandma Liu went into the Grand View Garden and took a sip of tea at the Qicui Temple, but Miaoyu didn't want it because it was dirty.

Miao Yu claimed to be an outsider, but in fact she failed to step out of the worldly threshold. When her master was dying, she advised her to stay in Beijing. When it comes to time, there will be her result, but Miaoyu and others will be kidnapped and humiliated by powerful people. Is this because her prediction is ineffective, or is Miaoyu not home yet? (according to Gao E's "false" continuation)

Miaoyu came from a family of scholars and officials, which made her inherit a kind of elegance and cleanliness; However, her life experience was unfortunate. After becoming a monk, her parents died. In order to see the remains of Guanyin and the legacy of Baye, she went to Beijing with her teacher from Suzhou. Jia Fu hired a nun for Yuan Chun's return to the province. Because she "heard that there were Guanyin relics and Baye's legacy in Chang 'an", she was invited to the Ruicui Temple in the Grand View Garden.

There are four people in the Jia family who are congenial to Miaoyu: one is Xing Xiuyan, the other is Xichun (Gao E's sequel), the other is Daiyu and the other is Baoyu. But these four people are not all in harmony with Miaoyu. When Xing Xiuyan was a child, Miaoyu was literate. Miaoyu's association with Xiuyan was mostly due to the friendship between teachers and students, and it was not necessarily true that Xiuyan was valued. Although Cherish Spring has the same language as Miaoyu, Cherish Spring is full of fireworks and aura. Miaoyu alone with her can talk about the Buddhist scriptures, but to communicate with the mind, Miaoyu probably still thinks that cherishing spring is a short cut. Daiyu was originally a noble and withdrawn person, but Miaoyu's noble and withdrawn was three points better than Daiyu's, so that Daiyu also had the meaning of far and wonderful jade; If Baoyu still has a vulgar feeling for Daiyu, then he dare not have this feeling for Miaoyu. Even if he thinks about it for a moment, he will consider it a sin. All he has is a kind of respect for Miaoyu. In this way, Baoyu's alienation from Miaoyu is also reasonable. Miaoyu, who is in her prime of life, has no friends around the age when she needs friends. She lives alone in a quiet temple, and her heart is lonely.

But Miaoyu is one of Cao Xueqin's cherished figures. Although she made only two positive appearances in the first 8 times, and was the only woman among the twelve women in Jinling who had no relationship or marriage with the four families, she ranked sixth, ahead of the "powder hero" Wang Xifeng. She loves to read Zhuangzi's articles and thinks she is a freak, which means she has no interest in politics or power. He also sees through the society, the secular world and fame and fortune; She is a loner, living on the edge voluntarily and enjoying loneliness. But because she can achieve harmony with the sky, the universe and nature, she feels that she is very dignified and valuable, and can't be contemptuous and awe-inspiring.

Cao Xueqin praised her in the song "It's hard to tolerate the world": "The temperament is as beautiful as the orchid, and the talent is richer than the fairy. It is rare for people to be lonely. " He added: "Your way is to spit meat, and you regard Kirara as vulgar; But I don't know that people who are too tall are more jealous, and they are too clean to share the suspicion. Alas, the people in the ancient temple of Qingdeng will be old; I have failed, the red pink floor is full of spring color. In the end, it's still dusty and against your wishes. Just like that, flawless white jade was trapped in mud; Why bother, the prince and grandson sighed. "

The fifth verdict "How to be clean if you want to be clean" and "I can't bear it" are wonderful jade. In the eighty chapters, there are several important plots related to it:

From the seventeenth to the eighteenth chapter, the story of Miaoyu was narrated from the mouth of Lin Zhixiao's family.

On the forty-first occasion, a female locust was robbed in Yihong Garden, a tea product of Plum Blossom Snow in Qicui Temple. The grandmother Jia and granny Liu and her party went to Qicui Temple to have tea, and the water Miaoyu made for the grandmother Jia was just "the rain of the old year". Chai and Dai were invited to drink "Tiji Tea", and Baoyu followed. The water used for them is "the snow on the plum blossoms". This is Miaoyu's first appearance.

In the 5th time, Baoyu was sent to the Cui Temple to ask for red plums because of Lu Xue's poems, and wrote "Poems of Visiting Miaoyu Begging for Red Plums".

On the sixty-third birthday of Baoyu, "Shouyihong Qunfang held a night banquet and died", he received a note from Miaoyu, which was signed "An outsider".

In the seventy-sixth chapter, "The flute in the Tubitang Hall is sad and the poem in the concave crystal hall is sad and lonely", the poem of Xiang and Dai in the autumn night is finished.

With regard to the ending of Miaoyu, Jing Benmei has such a hint, saying that she was stranded at Guazhou Ferry, and ..... a beautiful girl could not give in to her bones. Now, the story about Miaoyu in the last forty chapters is: In the eighty-seventh chapter, Miaoyu played a game with Xichun, Baoyu watched the game, and heard the sudden change of Daiyu's piano, and he was distracted after returning to the nunnery. In the ninety-fifth time, Baoyu lost his jade and asked for a wonderful jade. The first time, Miao Ni was robbed, Jia Fu was stolen, and the thieves hijacked Miao Yu and left.

Mourning for Qingfenglan-Miaoyu

You can't be invited because you are a beautiful jade. Idle pavilions don't ask about the sky, but dreams catch the moon. Since I lived in Tianshan Mountain, I have been red all night.

Liao xuanjing, steaming tea rain. Half a glass of cold wine is weak, and one is old. There are two places to look at when there are flowers. Who is smiling at him tonight?

Qing Qing, not long in the cage, ten years for a living?

Yunyunyun, who do you listen to at this time? Who is your bosom friend?

it's cold and dusty, but the piano is playing?

a plum blossom doesn't contain tears, but flying flowers can stop outside the threshold? Play off the rouge, and stop the delicate marks. Words are fearful, and there are disputes between them.

empty fireworks, I wonder where it is in the spring, and how many places are there? Is it that the castle is slow, and the opportunity is poetry? Wonderful words are empty girls, and one side is deep.

I am afraid to wear a skirt. People are still covered by plum blossoms, and the flowers in the house are hidden. Fold the plum, help to a storm; Looking at the snow, the empty clouds are faint in the morning.

When a hermit visits Fangzhen, the fragrance of the musk deer is clear; The rain forest flows not far from the eyebrows, and the grass is secluded in the ancient pavilion.

sigh, in this life, half of January is cold, I wonder if it's confusing?

I wish for an afterlife. Half a spring will take two days, even if it is a bell in the threshold!

the ice and snow are cold, but I want to be ecstasy! Poetry, however, does not wait for Yu Sheng!

true, true, true!

Miaoyu is annoying

It only takes more than 1, words to create a vivid artistic image and leave readers with a very broad imagination. This is where we have to be convinced by our ancestor Cao Xueqin.

I mean the wonderful jade in his works. In the official book of "Twelve Women in Jinling", Miaoyu ranks sixth, ahead of Wang Xifeng, and is the only woman who has neither Jia, Shi, Wang nor Xue's "four families" pedigree, nor is she married to any of these four families as a wife. In the authentic Dream of Red Mansions that can be seen now (in most cases, its first symbol is The Story of the Stone), Miao Yu's "true story" is only more than 1, words in the forty-first chapter-1,325 words according to the word-for-word calculation of Geng Chen's book; There seems to be no difference in the number of words in the existing manuscripts of this passage, and there are few different texts-although she made another appearance in the seventy-sixth time, the protagonists in that plot are Lin Daiyu and Shi Xiangyun, which can only be regarded as her "other biography". The rest of the words related to her belong to the "dark field", and the vague account of "suddenly seeing the Buddhist temple around the mountain, busy ... burning incense and worshipping Buddha ... and giving extra benefits and general kindness to you and Ni women" is also included, and it is only four times that the system is unified.

in the 1325-word story of Miaoyu, Miaoyu's character is mainly reflected by ten lines, with 321 words. Among them, Daiyu asked her, "Is this also the rain of the old year?" She sneered, "You are such a layman that you can't even taste water. Five years ago, I lived in Panxiang Temple, Xuan Tomb, and I collected snow from plum blossoms. * * * got a jar of flowers with a green face, and I was always reluctant to eat it. It was buried in the ground and only opened this summer. I've only eaten once, and this is the second time. Why can't you taste it? The rain in the next year is so frivolous, how to eat it! " Without much analysis, the reader tries to read these words twice, and a character with a strange nature has suddenly appeared in front of him.

I spoke to Wang Meng on the phone the other day, and he asked me what I was doing. I said that I was writing a novel called "The Death of Wonderful Jade". He bluntly said his intuition: "I hate Miaoyu." I think Cao Xueqin would be very proud if he could hear such a test. He only used 1325 Chinese characters, which can make readers pay something emotionally. In fact, in the original version of A Dream of Red Mansions, that is, the first 8 copies of the fat review, Cao Xueqin has expressed Miaoyu's personality tragedy through other characters in the book. Once it was the fiftieth time, Li Wan announced: "I hate Miaoyu as a person, so I ignore her." Once it was sixty-three, Xing Xiuyan, who was once a neighbor of Miaoyu for ten years, claimed to be a poor friend with Miaoyu, and was also a half-teacher. Although she provided some information on the origin and ideas of Miaoyu, she also criticized her for being "unconventional", "Monks are not monks, vulgar, women are not women, men are not men" and "what is the truth".

However, many readers are disgusted with Miaoyu, which is influenced by Gao E's sequel. According to Gao E's thinking, Miaoyu is a "prude". As early as the Qing Dynasty, critics such as Yu Rui saw that Gao Xu was against Cao Xueqin's original intention. He pointed out in "Idle Pen at Jujube Window": "The fake continuation of forty times ... the wonderful jade was possessed, and the ghosts in Xiaoxiang Pavilion cried, all of which ruined the scenery." Today, Mr. Zhou Ruchang even pointed out: "Miaoyu is the most important and peculiar woman depicted with grief and indignation in Xue Qin's book ... a girl who is too noble and noble (although a little too vulgar) and refuses to compromise at all. I am afraid her evaluation should rank first in the book." (See the True Story of a Dream of Red Mansions) I think Mr. Zhou's view is right, because in the fifth song "It's hard to tolerate the world" about Miaoyu, it is clearly written that she is "beautiful in temperament and more talented than fairy", and her ending is: "In the end, it's still dusty against her wishes; Just like that, the flawless white jade was trapped by mud, and "dust" here means "worldly" instead of "prostitute door", and "dirty" here should be pronounced as k m 4 ng z m 4 ng, which means unyielding; If Cao Xueqin's original works after the 198s still exist, there will be some pen and ink that echoes the forty-first chapter, but balances the "impression" of Miaoyu, so that there will be no more "misunderstanding" of Miaoyu. Here, I don't want to discuss the right and wrong of the two schools of view, namely, "jade-hating" and "jade-respecting". What I want to emphasize is that Cao Xueqin, in the 41st Story of the Wonderful Jade written by himself, used only 1,325 Chinese characters to jump out of an image of flesh and blood, and left readers with such a wide imagination space in the relationship between characters, suspense setting and fate ending, so that not only "different people have different opinions", but also "reason" for those who are disgusted. This kind of writing is really amazing!

At present, many contemporary writers in China, especially the younger generation, talk about the influence of their own creation, including Joyce, Kafka, Faulkner, Marquez, Borges, Nabokov, etc., which is not only a true situation, but also reflects that the nutritional sources of contemporary Chinese literature creation are becoming more and more abundant after the reform and opening up. But I think Cao Xueqin's writing style should be the first choice of our nutrition source. After all, we write with the same code as Cao Xueqin-square Chinese characters. The works of western people read by the above-mentioned "people who keep their word" are generally translated into square Chinese characters as "code recombination". The so-called "deeply inspired" is actually inspired by the style of Chinese translators.

Who among us, descendants of Cao Xueqin, can use less than 1,5 Chinese characters to make an artistic image come alive in ten times of "telling the truth" and arouse readers' strong emotional reaction and curiosity about the development of the role's destiny?

"Returning to Cao Xueqin", or "Starting from Cao Xueqin again", can at least be the pursuit of some contemporary writers in China.

Mystery of Miaoyu

Miaoyu is in the sixth place in the book "The Twelve Women of Jinling" written by "Misfortune Division" in Taixu Dreamland (page 5); In Twelve Songs of A Dream of Red Mansions, the song "It's hard to tolerate the world" implied by her fate is still the sixth after the songs involving Daiyu, Baochai, Yuanchun, Tanchun and Xiangyun, which is very puzzling. Among the twelve women in Jinling, she is the only one who doesn't belong to the four families of Jia, Shi, Wang and Xue. She is neither of her lineage nor the woman who married Li Wan and Qin Keqing. However, she is not only listed in the list monopolized by women from four families, but also ranked in the middle, which is really worth exploring.

The so-called ranking of women in The Classic of Twelve Women in Jinling and Twelve Songs of A Dream of Red Mansions is not in the order of seniority, let alone the members of Jia family before others, but is based on the importance of the women in the whole book of A Dream of Red Mansions. Therefore, Daiyu and Baochai rank first and second (they are one painting and one poem in the book and one poem in the song); Yuan Chun ranked third because he was the primary role in the relationship between the four major families, especially Jia's ups and downs. Followed by Tanchun, although she is younger than Yingchun and an unmarried woman, the author attaches great importance to her. This woman is the only one who can stand up to support the endgame when the family is in danger, so she ranks fourth. The fifth is Shi Xiangyun, who, to tell the truth, has an unusual emotional relationship with Baoyu like Dai and Chai, and finally stays with him, and only in the first eighty chapters, there is a lot of space to carefully depict and dazzle the readers, ranking fifth, and has a sense of injustice (which can also disprove how heavy the "powder hero" Tanchun is in the author's conception); Who should be ranked sixth? Shouldn't it be Wang Xifeng? The "original sigh" has come out of the second place. Shouldn't we welcome the spring and cherish the spring? However, it happened that even the overlord-like Xifeng and the welcoming and cherishing sisters at the main entrance were "sidelined", and the sixth one was actually a wonderful jade who didn't know her surname, but her real name was lost and only knew her law number!

Cao Xueqin wrote A Dream of Red Mansions, and it must be reasonable for him to put Miaoyu in such an important position in the overall conception. However, in the first 8 authentic copies left by now, except for the fifth album and fairy song, Miaoyu appeared only six times, and four of them were hidden, so I really stood up and appeared only twice.

say it four times first. Once, from the seventeenth to the eighteenth, the Grand View Garden was built, and twelve actresses bought from Gusu, as well as ten little nuns and Taoist nuns hired. Suddenly, Lin Zhixiao's family came to reply to Mrs. Wang, saying, "There is a man with hair practice outside, originally from Suzhou, and his ancestors were also the home of scholars and officials ... This year, he is only eighteen years old, and his dharma name is Miaoyu. Now that my parents are dead, there are only two old mammy and a little girl waiting on me. I have a good command of writing and ink, and I don't need to learn scriptures. I look very good ... I came up with my master last year, and now I live in the Muny Hospital outside the west gate. His master played the innate number of gods very well and died last winter. Miao Yu wanted to help Ling to return to his hometown, but his master's last words said that he' should not go back to his hometown for food, clothing and daily life, and live here quietly, and later it will naturally be your result'. So he did not return home. " Without waiting to finish, Mrs. Wang said, "In that case, why don't we pick him up?" Lin zhixiao's family said, "Please ask him. He said,' If you wait for the government, you will crush people. I won't go again.' "Mrs. Wang said with a smile," Since he is an official, he is naturally proud. Why not invite him for the next post? " So sure enough, Miao Yu was invited to the Grand View Garden in the next post. According to this, many researchers believe that Miaoyu's parents were convicted and removed, and Mrs. Wang's move was to hide the daughter of the guilty family, which was one of the reasons for Jia's "family death" after the 198s. However, according to my thinking, Jia had hidden the emperor for adoption before this.