In the music industry, it is common to slander peers and sow discord. Why are there so many grievances in the music industry?

Hatred is widespread in the art world, but it seems to be more serious in the phonograph world. The main reason is that crosstalk is more famous and concerned than other art forms, so the story of resentment is invisibly enlarged. As for the internal reasons, it is mainly because the cross talk art comes from the bottom of society. In the early days, in order to make a living, we had to form gangs, circle territory, build relationships, and crowd out foreigners. Many of these bad habits were also inherited and never caused confusion and resentment in the cross talk circle.

Crosstalk has a strong Jianghu flavor from the beginning. It has been circulating for more than a hundred years, at least in the late Qing Dynasty. At that time, crosstalk artists, like most street performers, were from poor families, and street performers made a living from it. At that time, Beijing opera actors had become guests, so the art of cross talk can be said to start from the bottom.

Since it belongs to busking, it's just like wandering the rivers and lakes. If you want to get along in the Jianghu, you can't fight alone, so you have a gang. In order to prevent others from stealing, you have to learn crosstalk, so you have a teacher. Over time, all the other disciples under the same teacher have become small gangs, and Christina is the only one who has no mentoring relationship. Christina couldn't eat this meal at that time. You're behind. You have to go.

In fact, there is nothing we can do about it. If everyone talks about cross talk, then real cross talk won't make money. In order to support the family, the phonograph circle began to make rules. Christina is not allowed to speak cross talk without a teacher, but in order to speak cross talk, he has to learn from the teacher and have a group of people. Besides, he has to abide by the rules of the phonograph circle. It can be said that crosstalk has a strong Jianghu flavor from the beginning, which is of course limited by the times. Without these rivers and lakes.

The grudges in the phonological circle come from the Jianghu atmosphere. The first generation of phonology circle was Zhu Shaowen, whose stage name was "Being poor and not afraid", but in fact Zhu Shaowen was also the bottom of society at that time. His main activity was in Guangxu period during Tongzhi period of Qing Dynasty. In order to make a living, Zhu Shaowen first studied Peking Opera, then became an overpass, and then mainly sang ditties and told jokes, gradually forming the embryonic form of cross talk. In order to strengthen his own strength, Zhu Shaowen accepted A Yantao and Shen as his younger brothers and grew stronger day by day.

Ma said that since Zhu Shaowen, there has been a mentoring relationship and industry concept in cross talk, and there has also been a cross talk pedigree. However, crosstalk was weak at that time. Later, with the development, crosstalk gradually formed strict Jianghu rules, such as Christina can't go on stage and steal art, the apprentice should show his knowledge and the apprentice master should sign a life-and-death contract. It is with these Jianghu rules that cross talk can grow and develop. In the later stage of cross talk, there was a door-length system, which was similar to the head of the Jianghu, managing all kinds of affairs in the phonological circle in a unified way and reconciling contradictions.

With rivers and lakes, there will be various contradictions in the phonological circle, especially between different factions, such as the Ma Ma family. It is said that he was exploited while studying with Ma's father. Zhang Shouchen, as a doorman, is said to have offended many people. Rumor has it that Ma was demoted, and Ma's father may have offended his peers before his death. In short, the feud in the phonograph industry mainly comes from the Jianghu atmosphere.

After liberation, due to the efforts of Master Hou, crosstalk performers became folk artists, and once occupied the TV Spring Festival Evening after the reform and opening up, which was the most concerned folk art form at that time.

In the field of Quyi and even the art world, there is a certain degree of grievances, some of which are the continuation of grievances before liberation, and some are caused by the struggle for fame and profit after liberation. In short, such things are common. The reason why the grudges in the phonograph circle are the most impressive is mainly because of the high attention paid to cross talk, especially in the 1990s, Ma Ji, Jiang Kun and other cross talk actors are household names.

In recent years, Degang Guo and Deyun Society have sprung up, and Degang Guo, as a cross talk actor who is not in the system, is more willing to share his story of being bullied, which makes the grievances in the phonograph circle picked the most and spread the most widely. The main reason is that crosstalk has been heated up and the attention has increased. This is the external cause, and the internal cause is that the cross talk atmosphere has been going on. The combination of internal and external causes leads to the grudges in the phonology circle, which gives people a particularly serious feeling.