Joke Collection Website - Cold jokes - Li Jindou scandal, Cao Yunjin turned against him, and Zhang Yunlei laid mines. Why?

Li Jindou scandal, Cao Yunjin turned against him, and Zhang Yunlei laid mines. Why?

Crosstalk has a history of over 140 years, which originated from Zhang Sanlu (the earliest written record) in Daoguang period of Qing Dynasty, and was later derived from Zhu Shaowen (Zhu School), Shen Chun (Shen School) and Yi (Yi School). So far, cross talk has developed to the tenth generation. Crosstalk, as a form of folk art, is an intangible cultural heritage. From 2007 to 20 19, 3,068 inheritors of intangible cultural heritage of crosstalk were audited, but only 3 people passed, namely Jiang Kun, Changbaoting and Ma Zhiming.

Is such a low pass rate a high threshold for cross talk or is there no successor to cross talk? Why is Degang Guo Crosstalk by Deyun Society so popular? What is the inheritance of today's phonology?

Is "Rooted in Red Zheng Miao" the biggest inheritance? You need to learn from teachers in the music world. Even if you are famous, you are an amateur without a teacher. Only after a teacher is an orthodox and seemingly infinite landscape in the phonological world. On weekdays, the dispute between sects is extremely fierce. The famous crosstalk performer studied under Hou, but his initial apprenticeship was not as smooth as expected.

We got off to a rough start, from Li Jindou to Hou. Although he finally bowed to a famous family, this cannot hide that he was a "business" player who became a monk halfway, but became an "orthodox" player after learning from Hou. Crosstalk is not born. Degang Guo started his career in Yang Zhigang. Because of the different ideas of cross talk, master and apprentice parted ways.

In order to make a living, a "respected" teacher is particularly important in the phonograph industry. After Li Jindou's failure, he went through a lot of hardships and worshipped under Hou's name. Now he has a veritable title.

The road to being a teacher is extremely bumpy. Why do many crosstalk performers flock to it? This is because the phonological circle is a circle that looks at seniority, and your seniority can get more respect. When you can't choose seniority, you can only choose a good teacher, preferably from a famous family, who can bring resources to your career. The starting point is different, and the future development path is different. This is the key point for crosstalk performers after they worship famous families.

"Root Red Zheng Miao" can be said to be passed down from generation to generation in the phonological circle, but it can't be regarded as cross talk. There are five generations of "virtue, longevity, establishment, benevolence and righteousness" in the voice coil, but some of them are chosen by themselves, but they must be linked to the entertainment industry or ethics.

Is "Virtue and Art" the inheritance of cross talk industry? There is often an idiom in the phonograph circle, "both virtue and art are wonderful". Although not many people can find this idiom in the phonograph circle, there are indeed many people. Ma, Hou, Su and others can find a lot among the older generation of crosstalk performers, but it is hard to find them among the new generation of crosstalk performers. If Degang Guo belongs, it may be a bit far-fetched and need more time to hone in art

When we look at it from another angle, we may have different understandings of the inheritance of the phonological world.

Li Jindou, the older generation, put himself in danger because of two things, because his personality is so cool and helpful, but the first thing is false endorsement, which casts a shadow over his image; The second thing is that "whoring" was cheated in his later years, which made Li Jindou's reputation plummet.

Besides Li Jindou, there are Hou Yaohua, Degang Guo, Cao Yunjin and others, but some of them we know and some of them we don't.

Apart from the older generation, Zhang Yunlei is at the peak among young crosstalk performers. But some time ago, when he was performing, he used vulgar language to ridicule the older generation of artists Li Shiji and Zhang. This cross talk can be said to have violated the moral bottom line and was criticized by CCTV. In fact, this stems from Zhang Yunlei's teasing with the old-school artists as gimmicks, which is an extremely disrespectful behavior towards the old artists.

One is the personal life behavior of crosstalk performers, and the other is the performance behavior on the stage. Among many crosstalk performers, there are still many things we don't know. As a crosstalk master, I have been engaged in crosstalk industry for many years. Every master will teach the truth of "being a man" at the beginning of the introduction, and then teach skills. When there is chaos in my private life, I will make it public. How many people will listen to such cross talk?

Undeniably, under the leadership of Degang Guo, cross talk has re-entered everyone's field of vision. In order to win the public's attention, the traditional cross talk "speaking, learning, teasing and singing" has been extended, which is an inevitable way. Attracting customers' attention and not breaking the moral bottom line is the way out for cross talk in the future. If you blindly "vulgar", such cross talk will only be a flash in the pan.

The word "inheritance" seems heavy, and people are not saints. What's the matter? When a person has made great achievements in his career, from a psychological point of view, both men and women will seek a matching quality of life. It is precisely because of this that today's cross talk is booming. Cross talk actors can't control their inner bottom line and give up their moral bottom line.

The most common example in life is that you obviously "hate" that way, but over time, you find yourself becoming that way. This situation is more forced by life, and the influence of the outside world on oneself is enormous, while the crosstalk performers are basically artists. On the basis of successful career and material conditions, it is human nature to pursue the excitement in life, and this psychological desire will continue to climb.

Often fall into the abyss on the edge of pursuing excitement, and let yourself regret it.

Because the inheritance of phonology is not standardized, every master takes his apprentice to sort out the knowledge he has learned according to his own preferences, and the truth of being a man is more that the apprentice learns from the master. A good teacher can set an example for you. If you were a bad teacher, what would you become? From small to large, I can do what the master can do, and the master has done it. Why can't I do it? This may be the idea in every disciple's heart.

Since we are engaged in the cross talk industry, the "hidden rule" in the industry is to make everything clear. While practicing your skills, you should learn to be a man and be a teacher for life, but if your son doesn't teach, your father will be guilty. As his second father, if the teacher was strict in the teaching process, there might not be an incident in which Cao Yunjin angered Degang Guo and staged a master-apprentice confrontation, nor would there be an incident in which Zhang Yunlei teased the old artist.

The inheritance of voice coil is not rooted in the truth, nor how many things have been learned, nor how popular it is on the stage. Crosstalk that keeps pace with the times is not "three customs", but shows its own "having both ability and political integrity" on the stage, taking its dross from the changes of the times and inheriting its essence. This may be the real inheritance of the phonological circle.

Although today's inheritance is somewhat "stale", at least we have seen the efforts of the phonograph industry. If a master doesn't know what the real inheritance is, Tang Jiezhong, an old man in the phonograph field, is a respectable person and can be used as a reference. When improving their artistic attainments and performance ability, how to go deep into the people and carry forward traditional skills is the greatest inheritance.

To sum up, there is a folk saying, to be ahead of others, to practice martial arts with martial arts virtue, and to learn arts with artistic virtue. Crosstalk is no exception. In today's cross talk industry, gangs are formed, peers are squeezed, and vulgar things are repeatedly banned. While gaining fame and fortune, can you be worthy of the skills you have studied for many years and the audience who love cross talk? The world of the phonograph should be a clean stream, without the gossip and gossip that ordinary people see, and without putting on a big face. This is what the phonograph world should look like.

Zhang Yunlei laid a "thunder" for himself, but when he was rich and famous, he forgot his roots. He looked for reasons from himself, and some things were wrong. He should learn to take culture as the root and moral art as the foundation, so as to gain respect. Hou, a cross talk master, once said that cross talk should not be "swearing" or "swearing". This is the bottom line of crosstalk performance. Keep fresh taste and dare to abandon ethical baggage. Crosstalk should be like this.

As a traditional skill, if you want to be remembered by the times, you must learn this art first, which will be the most important inheritance of cross talk, otherwise it will be abandoned by the stage one day because of its unbearable artistic virtue. What do you think is the inheritance of crosstalk? Please comment below.