What do you think of Dapeng's new work, "The Dangerous Road of Fragments"?

From the opening of Dou Laoxian's "Tomorrow is Longer", I knew that this movie wouldn't be too bad. Dapeng has really made progress. At a time when many Chinese films are going backwards, he has made serious progress once. Since Sewing Machine Band, he has really changed me. Dapeng, there are still pursuits. His directing skill is really improving, the lens language is richer, the lens levels are more diverse, the landscape layout is more profound, and the rhythm control is more mature. But the most important thing is that the integrity of the script is very high, all the foreshadowing and drama conflicts are in place, and the relationship between the characters is quite reasonable. The low and depressed soundtrack is quite suitable in a comedy, which saves the greasy and affectation of most domestic comedies. The jokes are no longer the focus, just the adjustment of the plot, and the sense of rhythm and balance has reached the passing line. Of course, this film is not without its shortcomings. Some of the transitions and conflicts are still relatively exaggerated and blunt, but it is probably ... plausible in context.

and then it's role-building. Although Dapeng's acting is not the first gear, it is true and free and easy. He plays Wei Ping-an, actually himself, but his slightly exaggerated modeling is not inconsistent, and the characters are clearly set off. He showed the stubbornness and dissoluteness of middle-aged men, especially those scenes with his daughter in the movie. The clumsy and arrogant appearance of middle-aged men made people unforgettable.

In the middle, when he set foot on the road, "The First Class in the World" sounded really interesting. Of course, it's not just that I like Wu Bai and Andy Lau, but that this soundtrack really fits Wei Ping 'an's temperament. This life is full of ups and downs, seemingly down and out, but in fact it's full. For a moment, I even forgot that this is the Dapeng who once made diors man and Pancake Man. The vicissitudes of life and real face are really tasty under the changing light and shadow.

why are many of our recent movies just embarrassing? Because creators are too far away from life, they don't want to lean down to be close to the masses, but fantasize and fabricate their own "life" under the paralysis of capital. What is commendable about Dapeng is that he can try his best to return to the lives of ordinary people and express some thoughts and feelings that belong to us ordinary people. In fact, the plot of the film is not complicated, and there are not many narrative lines. Each link of the rumor is relatively independent. The advantage is that each link is enough to make people laugh, but the disadvantage is that the connection is not strong, and there is a sense of separation. After watching the movie, I often can't remember too many plots. There are problems, but the good thing about his script is that it has a beginning and an end, and it echoes the beginning and the end, completely and solidly telling what he wants to say. This should be the most basic requirement of movies, but it is rare in today's Chinese movies. Dapeng really told a story seriously this time. He didn't tickle you stiffly, nor did he tell cold jokes and vulgar jokes, but amused you with plots and details.

its core is nothing more than a topic. Where did the rumor come from? Who spread the rumor? When will the rumor arrive? "Although thousands of people are going!" This is Wei Ping-an's attitude. As he himself said, it won't do him any good. He just thinks it's bad if he doesn't do it. This answer is wonderful. Many times, we just feel that something is wrong. It is this simple thought that upholds justice, and it is this "strength" that leads to social evil instead of justice. You can be broke or grumpy, but you must never turn your back on injustice, because it is the last conscience of society. For thankless things, people often ask: Why bother? Then step back gracefully. But it is this retreat that has become the origin of evil. It is very simple to "kill" a person, even if she is dead, especially on the disorderly and infinitely expanding network, a certain browsing, an echo and a wrong idea of people may become a mountain, and this mountain can destroy a person's life. "Yes is, no is not", the reason is as simple as that. But as far as I know, the truth is not valuable. People hide behind the internet and use words to "design" another person's story at will. This kind of carnival of fools is the most barbaric thing in civilized society. Just like the people watching Liuzi in Let the Bullets Fly, they don't care how many bowls of powder he ate. They just want to watch Liuzi cut open his stomach, that's all. From this point of view, Mr. Lu Xun predicted that the descendants of Ah Q have never stopped. It seems that the spectators in his works are also the same.

it's really not possible to make a rumor, and sometimes it's just a matter of breaking your leg. Wei Pingan went retrograde all the way, and everyone who had nothing to do with it became an accomplice and spread of rumors. It was as silent as an epidemic disease, but it spread rapidly, but its initial reason really made people laugh and cry, which made people sigh for this. The firm denial of rumor spread, coupled with the ridicule of self-media and live streaming, constitute Dapeng's best satire on this barbaric internet age. It takes courage to do this, because Dapeng himself became popular in his early days by showing off vulgarly and grabbing traffic. Wei Pingan is definitely not a hero, nor a brave man, but an ordinary man with a conscience. He has an attitude and an idea. His unusual hair tries to tell us that he doesn't want to melt into the crowd. His baggy and ill-fitting trousers add a little bit of Chaplin's antics and persistence to him. How can I be disrespectful to people who fight for the truth and work hard for others?

apart from the main line of refuting rumors, Dapeng obviously paid attention to other things. There is the love between him and his daughter, and the growth of his daughter Wei's self-improvement. Although there are not many foreshadowing before and after this period, the arc is natural and the transformation is not abrupt, which can be regarded as a successful portrayal. There is also the oppression of power exerted by the rich with their wealth, as well as the oppression of people by the social environment, violent bullying on campus, etc., which can be seen everywhere.

But what surprises me most is that in this movie, Dapeng even vaguely discussed some topics about life and death, which may of course be my wishful thinking. Zhuang Ziyun: "Life and death are also great, and we must not change with them;" Although heaven and earth fall, they will not be left behind; The trial is not false and does not move with things. It is also a matter of life and keeping its Sect. " In the face of life and death, people are often extremely afraid and taboo, which is out of the desire for self-life. But there are always people who go beyond life and death. "If you are not afraid of life and death, you really have your own life.". In the movie, Han Lu grew up pitifully and suffered from diseases, but she chose to die peacefully. Dapeng handled it very well here. He left out the process and only explained the results, and then let the characters point out the reasons later, which saved the sadness of death, but really made people understand the meaning of death.

people will die. It doesn't matter whether you seek fame or profit in your life. If you can meet the end calmly, it's not death, but return. This reminds me of a musician I like very much-Zhao Yingjun, the little brother. Things are impermanent. Fate has taken away this versatile and free-spirited soul, but it can't take away the traces of his existence. I like the elegance of his "Choose All C", the cheerfulness of his "The King asked me to visit the mountains" and the warmth and calmness of his A Little Red Flower. Brother Xiao Xiao is generous and relieved about his death, because his story has long been left in people's hearts, so the journey is worth it.

I can't forget his outstanding talent in Sewing Machine Band, and Dapeng can't forget his good brother. This film is of course dedicated to him. The silent subtitles at the end are only a few words, and everything is said without saying anything. In a word, I haven't seen such a movie in the cinema for a long time, and I haven't seen such a touch in the new movie for a long time. The last time I saw a movie, I wrote thousands of words at once, but don't get me wrong, it wasn't sentiment, it was anger.

This movie is definitely one of the top ten movies I have seen this year. Different from tragedy, comedy is undoubtedly more difficult to control. If you are not careful, it will be vulgar, and a little depth will make people unhappy. This is where Stephen Chow has been working hard, and it is also the reason why Chaplin is called a master. They have temperature, empathy, and a sense of justice. They bring laughter to others, but they leave their sadness to themselves. Perhaps this is the real comedy, which is happy without lewdness and sad without injury.

This film "Keep You Safe" is certainly not a first-class film, but it has many problems, which have been pointed out above. Moreover, it tells serious issues in a playful way or is relatively frivolous. In addition, many places are actually driven by emotions, so it is often immersed in the movie, but easy to forget after watching it. But it has an attitude, which is better than a lot of greedy things where money is paramount. After all, we just watched a comedy movie, which can make people laugh and think at the same time, that's enough.

Even if tomorrow is longer, I am still the first in the world. The world is a good place. Let me send you a little red flower.