Help me find the film reviews of gun hunting, starting with shooting techniques, montage techniques and so on, what commercial value is there, and what aspects are elaborated?

After watching the movie Looking for a Gun, I have a very special feeling. I always feel that it has a strong flavor of life, but in addition to describing life, many artistic factors have been added, such as shaking shots, psychological descriptions of characters and many other places, which are extremely artistic. A very simple gun-hunting plot, through the author's screen, is very dramatic.

"Looking for a Gun" is based on a quiet and tidy Guizhou town with steep terrain, which is very original. The description of the original national scenery in the film seems to bring the audience into an isolated "border town". It is precisely because of this environment that we have a feeling of being unreal. What is true is the truth of that kind of life. What is not true is the seriousness of Mashan's consideration of the situation after losing the gun and his mental state.

The image of "gun" is also typical. Guns are forbidden by the state, and ordinary people can't carry guns. Moreover, the guns here are also symbolic-responsibility, morality, power, etc. Therefore, after losing their guns, Mashan seems to have lost his soul, and he is indifferent to everything. Annabel Lee's teasing and the inducement of bonuses are full of thoughts. At first, I was still lazily reading my son's "dirty" composition, and I didn't feel angry. But when I touched the gun bag, I found that the gun was gone. Suddenly I made a 18-degree turn, and everything changed. I quickly rummaged through it at home. After that, my thoughts suddenly turned to the safe of the police station, and there were repeated appearances. The noise, footsteps and images of guns in the safe quickly appeared. But suddenly it slowed down, as if the gun had sunk into the sea, and the next story was-looking for a gun. The film handles this process very well, portraying the impatience of people after losing things very vividly, and letting the audience see it through the screen. The picture of the film changes very quickly, and the use of montage accelerates the originally slow rhythm, so that people are bored. In the film, there are many places to learn from each other. Some scenes in Looking for a Gun are very similar to Lola Run. For example, when Mashan's mind shows the image of who stole the gun, the voices of Lao Shujing, his sister, Liu stutter, Zhou Xiaogang, Annabel Lee and others have been shown in his mind, which is very similar to Lola's mind when he shows who is rich. The handling after the death of the ending character is also reminiscent of Japanese director Sabu's Stealing Letters. At the same time, it absorbs many elements of Hollywood movies. The image processing and plot setting all give people the feeling of watching Hollywood. For example, the part of chasing thieves in Mashan is integrated into the common robbery drama in Hollywood, except that Hollywood uses cars, while "Looking for a Gun" uses bicycles, which is more distinctive, without damage or shooting, but it vividly depicts the characters' psychology and adds some dialect dialogues.