Everything about the writer Zhang Xiaofeng.

Zhang Xiaofeng, whose pen names are Xiaofeng, Sankoh and Echo, is a famous third-generation essayist. 194 1, Jinhua, Zhejiang, Tongshan, Jiangsu. After the age of eight, he went to Taiwan Province Province and graduated from Soochow University in Taiwan Province Province, where he taught at Hong Kong Baptist College. He is now a professor at Yangming Medical College in Taiwan Province Province. She is deeply religious and loves to create. There are thirty or forty kinds of novels, essays and plays, which are reprinted in one edition and translated into various languages. In the mid-1960s, he became famous for his prose, and his works were selected 1977 Selected Works of Top Ten Prose Writers in Taiwan Province Province. The editor said, "Her works are China's, nostalgic and modern, and she is very human." Yu Guangzhong once called his article "combining rigidity with softness" and was listed as "the third generation famous essayist". Some people call it "the pen is like the heat of the sun, the frost and snow are innocent, the writing is like the fragrance of cold plum, and the words are like knocking on the ice." Be highly praised. She won the National Literature and Art Awards of Wu Sanlian and Zhongshan City, and was elected as one of the top ten outstanding young women.

Creative process

Zhang Xiaofeng's prose artistic creation can be roughly divided into three consecutive paragraphs. The first paragraph is marked by her first collection of essays, The End of the Carpet, published in 1966. She looks at the world with the eyes of a clever and naive girl, and the world is a clear and spotless gurgling stream. In the second paragraph, like a small stream rushing to a stormy lake, which is intertwined with love and hate, the prose collection Nostalgia Stone (1977), After Walking Down the Red Carpet (1979) to You Have Never Loved (198/kloc) The second period is relatively long. Rebirth Edge (1982) can also be regarded as an extension of this period, from here I am (1984), from your beautiful watershed (1988) and emerald thinking (1990). Let's make a hypothesis here. If Zhang Xiaofeng's prose creation stops at the second paragraph, although she is still one of the outstanding female writers in the history of modern prose in China, and breaks through the narrow and cramped world of ordinary female writers, she is not a prose master with great original brilliance after all. The originality of Zhang Xiaofeng's prose art lies in the second paragraph, especially in the third paragraph of Since I'm Here. Only this third paragraph announces the birth and completion of a prose master, whose purpose is the generation of life and creativity and the poetic interpretation of ontology. The poetic interpretation of life and ontology is the greatest contribution of this woman writer to the history of modern prose in China. She embarked on the road of poetic interpretation of the ontology of life, which has a process of never fully realizing full consciousness and from imperfection to perfection, but it has its inherent logical inevitability. Zhang Xiaofeng, born in 194 1, was born in Tongshan, Jiangsu Province and Jinhua, Zhejiang Province. After he was eight years old, he went to Taiwan Province, graduated from Soochow University in Taiwan Province Province, taught there and elsewhere, and is now a professor at Yangming Medical College in Taiwan Province Province. She is deeply religious and loves writing. Thirty or forty kinds of novels, essays and plays are reprinted once and translated into various languages. He became famous for his prose in the mid-1960s, and 1977 was selected as one of the top ten prose writers in Taiwan Province Province. The editor said, "Her works are China's, homesick, modern and extremely humanized". As early as 1977, 36-year-old Zhang Xiaofeng was rated as "Top Ten Contemporary Prose Writers in China" by Taiwan Province critics, and she was rated as "as hot as the sun and as pure as frost and snow". Every article has the fragrance of Lengmei, and every word can be said to be the first perceptual sketch of her poetic prose. 198 1 year, when her fourth collection of essays "You have never loved" was published, Mr. Yu Guangzhong prefaced the book and called her a "dripping pen" with a storm on her wrist. Zhang Xiaofeng's prose artistic creation can be roughly divided into three consecutive paragraphs. The first paragraph is marked by her first collection of essays, The End of the Carpet, published in 1966. She looks at the world with the eyes of a clever and naive girl, and the world is a clear and spotless gurgling stream. In the second paragraph, like a small stream rushing to a stormy lake, which is intertwined with love and hate, the prose collection Nostalgia Stone (1977), After Walking Down the Red Carpet (1979) to You Have Never Loved (198/kloc) The second period is relatively long. Rebirth Edge (1982) can also be regarded as an extension of this period, from here I am (1984), from your beautiful watershed (1988) and emerald thinking (1990). Let's make a hypothesis here. If Zhang Xiaofeng's prose creation stops at the second paragraph, although she is still one of the outstanding female writers in the history of modern prose in China, and breaks through the narrow and cramped world of ordinary female writers, she is not a prose master with great original brilliance after all. The originality of Zhang Xiaofeng's prose art lies in the second paragraph, especially in the third paragraph of Since I'm Here. Only this third paragraph announces the birth and completion of a prose master, whose purpose is the generation of life and creativity and the poetic interpretation of ontology. The poetic interpretation of life and ontology is the greatest contribution of this woman writer to the history of modern prose in China. She embarked on this poetic way to explain the ontology of life and existence, never fully conscious, never ending.

Main work

The novels White Handkerchief, Red Handkerchief, Mei Lan Zhu Ju and Panduna. Prose: going up the mountain, the end of the carpet, magic season, trees, I like it, a bucket of gold, I have it, homesick stones, the first snow, a poem, post-robbery, epilepsy, and rain. Where are Xu Shilin's Monologue, Encounter, Questioning Stone, Farewell Fight, Ten Scenes of the West Lake, Encounter, I'll Give You a Child, Night of the First Month, Women's View of Love, A Kind Word, Two Rules of Spring and Mistakes in the Woods? I know who you are. I have a dream. I want to walk into that joke. How can it be so easy to explain the feelings between you and me? What kind of person are you? You are like my teenager Chen Yi, with a wall in the east, six bridges, Chang Yu and him. I like life in the cracks: I hate that I can't complain like this. It's all bamboo, shrimp as lobster, flowers as roses, the vacancy of the president of the United States, aliases, aliases, meeting women, stupid women cooking without rice, a 98-second lie and so on. Such as Painting Love, The Fifth Wall, Wu Lingren, She Shi Bi, The Third Harm, Self-cooking, etc. Portfolio: Selected Essays in Ninety Years, Sanxian, Song of the Earth, Novel Classroom, Zhang Xiaofeng Modern Chinese Literature Department and Modern Chinese Literature Department (2): 1989-2003 Taiwan Province Province? Prose volume, heart, anthology, what? She? Yu Xiang, rebirth, the end of the carpet, if you have a song, safety, love, the world of love, blood flute, your silhouette is beautiful, you haven't loved it yet, I am here, and I know who you are. Sankoh has something to say: Grandma's cornucopia, the prayer room in the zoo, question novels, selected works of Zhang Xiaofeng, from your beautiful watershed, the first poem, the fifth wall, the temperature of this coffee is just right, cooking and marrying, painting love for you. Street Tree was selected as the seventh lesson of the Chinese textbook for Grade One in Senior High School of People's Education Press, and Street Tree was selected from Selected Works of Zhang Xiaofeng. Some people was selected as the sixth grade Chinese textbook of Beijing Normal University. "Just because I am young" (excerpt) was selected as an elective 4 textbook for senior high school Chinese in Guangdong Education Edition.

Love vision

Suddenly, I found that my love view was very rustic, and I couldn't help laughing. For me, loving someone is to "live" with him contentedly. HarmonyOS system is a desolate place. We can't imagine expanding ourselves into a space in all directions. We just want each other's embers to fill the life time that belongs to two people. When I came back in the dusk, I saw someone making out in the street, but I turned a blind eye. But every time I see a couple coming out of the market hand in hand, holding a dish and a fish in hand, my heart can't help but ache badly. The eternity of a vegetable and a meal is so delicious! Couples who embrace each other may break up tonight, but there is constant kindness in one pot and one wok! To love someone is to leave him an apple in the refrigerator until he comes back. To love someone is to keep pouring hot water into his cup on a cold night. To love someone is to put all the leftovers on the table together, listen to the music he washes the dishes in the sink-and then secretly wash the places he didn't clean afterwards. If you love someone, you have the right to say, "Don't wear that dress, it looks terrible." Wear this one. It's my new one for you. "To love someone is to urge him to go to work seriously, but he can't help hiding behind him and trying to pound a few small eggs. Loving someone is when you suddenly don't know what to say when you dial the phone, only to know that you just want to listen to that familiar voice. What you really want to dial is just a string in your heart. To love someone is to hide his letter in his purse, take it out and read it several times a day, cry several times and fantasize several times. To love someone is to think of a thousand bad possibilities when he comes back late, to experience various disasters in imagination, and to swear to punish him when he comes back, but to forget everything once we meet. To love someone is to swear in public: "Bah! Who is coughing! "But you said in a hurry," Alas, alas, he just has a bad memory. I should have bought a bottle of Chuanbei Pipa Cream and put it in his backpack! " "To love someone is to put a beautiful relationship in the most secret and safest tree hole for a quarter of an hour like a squirrel hiding nuts in winter, and then tell the world the proud news in the next quarter of an hour. To love a person is to see that he is just a child-a good boy or a bad boy-beyond his title, status, education, experience, good deeds and evil deeds, so to hurt him. Also, to love someone is to like to listen to stories about his childhood, how many times he lived, how naughty and annoying he was, and how good he was at playing marbles or "Shui Piao Drift". To love someone is to remember many past events for him. If you love someone, you can't help but hope that you are more beautiful, that you will be remembered, that your appearance and body will be seen by the other party in the heyday, and that you will never forget each other. Even in the winter when flowers bloom and trees fade, there is a person as heavy as a primary school student in history books to witness your glory. If you love someone, you can't help falling in love with that white hair: Dear, I am old, and my whiteness is as bright as frost and silver. Only you will always be my lover, always beautiful and gentle ... loving someone is often a series of strange contradictions. You will treat him as a father, but you will treat him as a son. Respect him as a brother and spoil him as a brother; Want to learn from him, but want to teach him to capture him as an apprentice; Treat him as a friend, treat him as an enemy; I want to be his queen, his only mistress, but I am willing to be his little maid. Loving someone can make people tacky. You have been thinking: should you eat beef tongue for dinner, or should you buy cabbage for pork tongue, or should you buy a cabbage house with three plows or six plows? Finally, in this secular world, you have learned about all beings, and you have participated in the trivial joys and sorrows of ordinary people since ancient times. Then you find that there are situations in this world that transcend elegance and vulgarity, just like sunshine transcends the palette. To love someone is to enjoy the present with him, but to recall the past with him. I like to hear him talk about how he secretly liked you and stared at you from a distance. To love someone is to take away his kiss at parting, just like a painting, which is appreciated by Athena Chu. To love someone is to settle down, combine your little gambling book with him and gamble on the big wheel of life. To love someone is to let that person's name be the last music in your mouth when you die. If you love someone, you will have the same desire and occupation. I want to know about his friends, his career and his dreams. I hope * * * has a dining table, is willing to share a pair of chopsticks, likes to have a cup of tea in turn, wear a dress together, go to a fate with my pillow and sleep in a grave together. Of course, there are people who can't have children in this world, so let the students who are educated together, the students who are doing business together, the children who are favored by sons and nephews together, the songs of life and the books of life together be their children. There may be more to say, just like at the moment, the meaning of love to me is to stay by a lamp all night, listen to the ebb and flow of the tide and then return to the high tide, watch the lavender sky getting brighter and brighter, stare at the water waves outside the long window that they both stared at together, experience the rhythm of a river in the contradiction between bleak and joy, feel grateful and thirsty, and write an article "Love View". The so-called happy marriage means that there is always no intermittent sweet talk from marriage to death.

Anti-cancer process

The Monkey King's battle with goblins in the new website on August 27th, regardless of literature or writing, Zhang Xiaofeng, an essayist from Taiwan Province Province, gave a speech in the Bay Area of San Francisco, USA today, and publicly shared her mental journey of fighting colorectal cancer for the first time in the past 20 months. She said that if you are sick, you should face it bravely, just like walking a thrilling mountain road. "Father and son don't help each other." No one can help you get sick and no one can replace death. According to the "Central News Agency" report, he was invited to give lectures countless times in his literary career, but when talking about his illness, Zhang Xiaofeng said that this was the first time in his life. She said modestly that when it comes to sharing, she is actually a mistress; After all, unlike other knowledge, illness can make you more confident on the stage by "enriching more". Blood tests are always anemic. In 2005 10, after colonoscopy, doctors determined that Zhang Xiaofeng was the second stage of colorectal cancer. At that time, she was still teaching at Yangming University, and the assistant drafted a letter and refused all activities. The assistant wrote, "The teacher is too ill to promise to give a speech." Instead, she confessed, "Just tell everyone that I have colorectal cancer, there is no need to beautify it, and there is no need to have taboos." Zhang Xiaofeng quoted allusions from China mythology. When the Monkey King fights with the leprechaun, if he calls the leprechaun's name, the leprechaun will run away with inferiority. She said that when you know who your opponent is, your opponent will run away. After half a year's operation and chemotherapy, her condition was under control. To paraphrase a Minnan dialect, "Anti-cancer is his family's business", that is, doctors fight against diseases in the body, and patients are obedient. She described that when she was sick, she went to the hospital like a child, holding a baby bear puppet and some books, and the rest were set by the doctor. Zhang Xiaofeng is famous in the three places, especially in prose. The first collection of essays, The End of Carpet, won the Zhongshan Prize for Literary Prose, which established her position as a talented woman in the literary world. Her latest collection of essays is All the Stars Are Here. Apart from his works, Zhang Xiaofeng, 66, has been teaching in universities for more than 30 years and retired in June last year. At present, he is still teaching two courses "Life and Death in Chinese and Western Literature" at Yangming University. She told reporters that this is a long-cherished wish. Since 1975, when she changed from a professor of Chinese department to a professor of medical college, she has consciously developed a sense of responsibility for the humanistic direction of medical students. Zhang Xiaofeng said with emotion that many people have thought about illness and life. After this experience, the three most important sentences for her to face death consciously are: "Thank you, I'm sorry, I love you." Zhang Xiaofeng, a native of Tongshan, Jiangsu Province, wrote plays, essays and essays, and was elected as one of the top ten outstanding young women in Taiwan Province Province. The famous writer Yu Guangzhong praised Zhang Xiaofeng as a "smart pen that is both beautiful and luxurious". "This pen can not only describe the scenery, but also describe things and convey people's thoughts. Promotion is heroic, and suppression is delicate. " In recent years, he has devoted himself to the environmental protection movement and called for temperature.

Hometown of the soul

Yesterday 17, Zhang Xiaofeng, a famous writer and poet in Taiwan Province, set foot on Gulangyu Island. She said that she and two other female poets came to the 2007 Gulangyu Poetry Festival on behalf of Xi Murong and other female poets in Taiwan Province Province. About Women and Poetry Journalists: The theme of this poetry festival is "Women and Poetry". As a poetess with decades of experience in poetry, what influence does your female identity have on writing poetry? Zhang Xiaofeng: Women have a natural advantage in language. Women are more willing to use language, such as chatting with people, and are good at expressing their feelings in language, which is very helpful for writing poems. Nowadays, young women don't like to use language, and even the words "yes" are lazy. They prefer to use vision, such as staring at the computer or TV for a long time. The language of TV is poor. In fact, frequent use of language is very helpful for writing poetry. Reporter: Writing poetry is often limited by age, but you are still writing poetry. How do you stay creative? Zhang Xiaofeng: I think poetry can last a lifetime. I have been writing. There are two things to keep the ability to write poetry. One is to have something to say, to observe things carefully, and the other is to have the ability to express words, to string together experiences instantly and draw conclusions quickly. Reporter's research on Lin Yutang: Lin Yutang once lived on this island at your feet, and Liao Jia Villa is not far from you. As a member of the management committee of Lin Yutang's former residence in Taipei, how to commemorate this literary master? Zhang Xiaofeng: Apart from discussing Lin Yutang's literary works, we should start with more nuances so that everyone can really feel Lin Yutang. For example, in order to feel Lin Yutang's quiet life in Zhangzhou when he was a child, we organized a cake-moistening party in Tomb-Sweeping Day (cake-moistening is spring rolls, reporter's note), and everyone made cakes together. Later, we specially sent people to Zhangzhou to learn about several ways to moisten cakes, and then we will introduce them to you when we return to Taiwan Province Province. Reporter: From your point of view, what is the most precious spiritual wealth left by this literary master? Zhang Xiaofeng: Humor! His humor is lonely in that environment and seems inappropriate. In fact, in my opinion, the more difficult it is, the more humorous it should be. Churchill was the leader of the allied forces during World War II. He said, "I won't leave until the hotel is closed." It means to quit only if you fail. You see, his humor will keep you from being discouraged in failure. People should not always be in a state of tension, which is very unfavorable to creation and life.

About home

Reporter: There is always a feeling of wandering when looking at life experiences. I heard that you were born on the way to War of Resistance against Japanese Aggression. Can you tell me something about your experience before you went to Taiwan Province Province? Zhang Xiaofeng: My ancestral home is Xuzhou, Jiangsu, and my birthplace is Jinhua, Zhejiang. Indeed, I was born during the period of War of Resistance against Japanese Aggression's migration. I was just born, and I have no impression of Jinhua. But I was honored to know that Jinhua was the place where Li Qingzhao lived. Li Qingzhao and I are in the same city. I like Li Qingzhao's poems very much, which is also a kind of fate. After the outbreak of War of Resistance against Japanese Aggression, our family moved to Chongqing. Actually, I don't remember much about Chongqing, because I was too young at that time. The first city I really remembered later was Nanjing. I can't forget this city for many years, until now. Xiamen still gives me the feeling of home in Taiwan Province Province. There is no difference between eating, living and traveling. That's great. Reporter: But what you said made me feel calm instead of vicissitudes. Does the existence of hometown and writing give you a sense of belonging? Zhang Xiaofeng: I have the fate of wandering, but I unexpectedly lived on an island for a long time. My body grew up in Taiwan Province province, but my heart seems to be connected with China in history. Whether I go to Nanjing or Xi, I think Nanjing is my hometown. It seems that literary ancestors such as Li Bai, Du Fu and Li Shangyin will come out to meet you at any time, so they are not geographically but spiritually related to tradition.

be as mild as spring

Taiwan Province critics praised him as "a pen like a scorching sun, frost and snow are innocent, the article is cold and fragrant, and every word knocks on the ice." Yes, Zhang Xiaofeng's articles should be clear and clever, ethereal and warm, with deep affection that can't be dispelled, deep love that can't be lifted, endless life in the distance, and invisible death in the vicinity. This is a woman's world. Exquisiteness, delicacy and elegance are mixed with faint regrets about short life and persistence in seeing through the world without losing confidence and enthusiasm. The woman who is going to be the bride standing at the other end of the carpet is full of happiness and sweetness; The woman who wears her mother's feather clothes to read the story of Cowherd and Weaver Girl carefully for her children is so willing to be a fairy who can't bear to fly away, and would rather let the white and soft feather clothes turn into an eternal legend at the bottom of the box; A woman's concept of love is to "live with her with satisfaction" until her hair becomes silver and delicate, and she still sticks to her in the bubble of mutual concern. Infinitely delicate feelings flowed from Zhang Xiaofeng's pen, quietly merged into a flowing river, making a warm blue wave. Occasionally immersed in this beautiful river, I can't get through. It was not until those ancient words became lively and jumping, until those tiny feelings touched the string in your heart and formed another style of landscape, that you walked back to the shore from the river in a wet way and could not help but look back step by step. Speaking of this, Zhang Xiaofeng is talking about small things and the world with a "woman's eyes", but there is a natural poetic style, a poetic style of women who are fluttering and wandering between the lines. This is not to say that Zhang Xiaofeng's writing is "little women's literature", but she is still a little unrestrained in the extreme of femininity. Mainly feminine, mixed with thick, Zhang Xiaofeng really knows and can freely use the combination of rigidity and softness. "I went up the mountain and crossed the space, flat space and straight space", which is very indifferent to crossing history; "The tree is there, the mountain is there, the land is there, the years are there, and I am there" casually ignores time; "And in the vast wilderness, ancient and modern, Chinese and foreign, among the ordinary faces of all sentient beings, who am I and who am I?" I saw myself easily. In this way, there are too many philosophies in Zhang Xiaofeng's prose. They are like an undercurrent, silently moistening Zhang Xiaofeng's writing land. As long as there is a small crack, this clear spring will surge out. This spring carries not only modern meditation, but also distant thoughts. In more and more modern characters, traces of 5,000 years are rarely seen. Is the bizarre modernity drowning out the classical romance, or is the ancient book with a long history banishing the modernity directly? Maybe no one knows. However, Zhang Xiaofeng's writing naturally shook the almost extinct classical feelings in this era. She has a good understanding of China's classical art and aesthetics, combined with her understanding and exploration of national etiquette, cultural customs, the beauty of the earth and mountains, and exquisite writing, which makes her articles have a beautiful fragrance. "I would like to be like that maple leaf, opening my pure light blue in the morning breeze and burning my fiery red in the sunset"; "What a beautiful sadness it is when the red leaves are poetically covered with mountains!" ; "Imagine a small white flower blooming in front of your grave, transparent and pale, sobbing faintly in the rain." ; "She picked two baskets of flowers with a pole"; "The wind is reading your full hair today, and you are walking in the eternal wind in a windbreaker." How many sights have you seen? How many words in these artistic conceptions spread the brilliance that they originally had but were diluted by time? This modern woman, who "spent her whole life brewing her own strength, only waiting for that moment to pour", tells a long and endless story in her own days, including a heroic beauty, a wine knight, and more importantly, a love for nature and a sincere understanding of life. At this time, I can't help but think of Sanmao, a passionate woman who also loves life and feels life, but they are two completely different lives. Maybe women are born with a free heart and perfect love, and talented women need these to infiltrate their hearts, so that one day when their faces are old, there is no beauty precipitated by years, only silver hair and wrinkles are left. Fortunately, Zhang Xiaofeng has everything. Therefore, time will only make her more graceful and outstanding, and more exude the simple depth and brilliance of her own words after precipitation. Maybe Zhang Xiaofeng's words won't burn in the age of calling for passion. Her things may not warm everyone who is eager for enthusiasm, but they will certainly warm herself and everything she loves, and they will also warm me on a cold night. If one day you are tired and stand on the cold night of life blown by the biting cold wind, you might as well look at her words to keep warm. Or Liu Yong will think of another feeling besides the waning moon in Yang Liuan Xiaofeng. Yang Liuan, the breeze is warm as spring in my arms.

Poetic heart is not old.

Zhang Xiaofeng is an essayist and poet with a wide readership. He is 66 years old. Two years ago, she had a serious illness. But as soon as she set foot on the beautiful Gulangyu Island, she couldn't help but write poems by generate. "I want to have a good look and write a poem or two for her seriously." Despite the fatigue of the journey, she took a short break in the hotel and visited Gulangyu Piano Museum. During the visit, she repeatedly praised: "An ancient piano is a beautiful poem." In qing dynasty furniture Museum, Zhang Xiaofeng has a soft spot for traditional red floor tiles. "This two-foot brick is exactly the same as that in Taiwan Province Province. Unfortunately, modern people are neat and beautiful, and most of them use modern floor tiles, which is very disdainful. In fact, laying this traditional floor tile in the courtyard of rural residential houses is both eye-catching and comfortable. " She said with emotion that only those of us who are influenced by poetry will have such outdated and romantic ideas. She is a member of the management committee of Lin Yutang's former residence in Taipei. I heard that there is Lin Yutang's "Bridal Room" on the island, and I can't wait to visit it at once. At this time, the reception will begin, and time is not allowed. Zhang Xiaofeng said regretfully, "I really want to see under what circumstances the marriage of a grandmaster was married." Seeing the reporter holding a book just bought from Xiaofeng Bookstore on the island, Zhang Xiaofeng remembered something and said, "Two or three years ago, I went to visit Xiaofeng Bookstore in Fuzhou, and someone gave me a chair, which was very beautiful. I forgot it when I left. I'll never forget it. This time, I made an appointment with Mr Xu Xue of Xiamen University and asked him to entrust someone to bring me the chair. This time, I want to take it back to Taiwan Province Province. "

afterword

Zhang Xiaofeng: Modern women with traditional upbringing are talking —— Postscript of From Your Beautiful Watershed Zhang Xiaofeng is an important writer in Taiwan Province literary world in the 20th century, and has made outstanding achievements in the fields of prose and script creation. As far as prose creation is concerned, her prose is not only numerous, but also of good quality. Since 1966 published the first collection of essays, The End of Carpet, Zhang Xiaofeng has published nearly 20 collections of essays. These works are sincere in emotion, broad in vision, profound in thought and refreshing in writing. With these works, Zhang Xiaofeng has formed a unique pattern among many Taiwan Province prose writers, becoming a family. Yu Guangzhong is also a prose writer, and he appreciates Zhang Xiaofeng's prose very much. She thinks her prose is verve, broad-minded, elegant and luxurious, and praises Zhang Xiaofeng for "a pen dripping with thunder on his wrist". This pen can describe the scenery, recite things and convey people's stories. Raising it is heroic, restraining it is delicate, and even when it is gentle, it has a little rigidity. " Yu Guangzhong's assertion should be the most critical. Love and affection are always the themes in Zhang Xiaofeng's prose creation. The article in the first budding poem, from the affection of parents, to love, to the affection of children, to friendship and persistence in things, all kinds of feelings run through my life and become the source of my happiness. As a China writer living in Taiwan Province, Zhang Xiaofeng has deep feelings for Chinese mainland. Most of the articles in the second series of "Nostalgia Stone" are lyrical words full of feelings after her repeated memories, imagination and closeness to the great rivers and mountains of the motherland. For all kinds of phenomena in the world, Zhang Xiaofeng's prose is both a metaphysical philosophical meditation and a metaphysical experience. The articles in "Give me an explanation" and "Life Fu" roughly reflect these two characteristics of Zhang Xiaofeng's prose. Because he loves nature, cares about human nature, and can inspire him to think about the world and reflect on life from nature and human nature, there are many works describing nature and lamenting human nature in Zhang Xiaofeng's prose. The fifth volume of Poems about Things is a centralized classification of Zhang Xiaofeng's prose, from which it should be easy to see Zhang Xiaofeng's "view of nature" and "view of humanity".