Isn't it because of Jiang Wen that the movie "Evil Does Not Suppress Righteousness" is full of righteousness and male chauvinism?

This is a super justice movie worthy of Chinese mainland. Two days after its release, the box office has exceeded 200 million, which is rare now. One of the highlights of the film is Jiang Wen, who quarreled with Zhang Yimou from beginning to end because of his role-building, and finally made a world-famous masterpiece, Red Sorghum. Jiang Wen, a talented person, dug up the details solidly and had a good time on the whole. Jiang Wen has a strong personal style and loves him very much, but he still doesn't catch a cold. In fact, the righteousness and male chauvinism in "Evil does not suppress right" are all because of Jiang Wen?

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1. Jiang's style is unique and deeply branded in the film. The story of anti-Japanese revenge in troubled rivers and lakes is full of flavor, and the action drama highlights the aesthetics of violence. People will ask, have you tried this? Keep a consistent black humor, and the punchline is also set in place. Several leading actors, especially Zhou Yun, are brilliant, and Eddie Peng Yuyan Swift is a great challenge to herself. Although he works hard, he is still a bit clumsy. In Quentin's classic revenge black humor, Jiang Wen's unique historical and cultural charm, human touch and attention to lines are added. The sky is above, the sword is below, humor is on the table, and loneliness is in the room. From finding a father to becoming a father, Black Lee and China grew up. Invisibility, climbing over the eaves and stomping naked are the cool points of all teenagers. Independence or attachment is the pain point of all girls.

I want to say: Jiang Wen, I like your bad taste very much! There is a lot of information about evil not pressing right, which stimulates all kinds of senses and passions, and makes the clean Eddie Peng Yuyan jade face sexy and crazy. What is the ending? Revenge, revenge, general Zhang, who should fight, continue to sing and dance? What a realistic romanticism! Finally, there was a trace of sadness in my heart, which made Summer Xu take a leap. The woman inside is the strongest!

3. Anyway: Jiang Wen's films are very personal, and the soundtrack, lines, shots and editing are all known to be his works. Jiang Wenyou has his own romance, likes Beiping and is covered by Yin Xue. But he still has the strength to cause too much trouble, and the characters are always higher than my personal comfort. I believe that after watching this movie, there will be more girls with beautiful faces in Eddie Peng Yuyan. Every time Eddie Peng Yuyan Yuyan's body appears, the elder sister sitting in the back row can't help exclaiming. Jiang Wen is keen on letting the man show off, fart and share.

4. "One Step Away" Jiang Wen is a little too reserved and balanced, but it is still a Jiang Wen movie. Although some plots are a bit stiff, the punchline is classic, and Eddie Peng Yuyan Yuyan is still so handsome. If "Dying" is a small stir-fried meat, then "Evil does not suppress right" is an example of a medium-rare steak. In the process of watching movies, I have been thinking about how to be suddenly enlightened, and finally I realized that it is really mysterious. There is no doubt about Jiang Wen's talent, but after a step of business failure, evil is becoming a deformed product that wants to satisfy the desire for expression and make some compromises.

5. Evil doesn't suppress right, and it is masculine on the surface, but it shows respect for women everywhere. Guan and Tang Fengyi are both very feminist roles. Guan refused to foot-bind, tried to run like ordinary people and insisted on enjoying the same status as men. This is the embodiment of her self-reliance and efforts to be an independent new woman. Tang Fengyi slapped Zhu Ganlong in public, and then dumped Zhu Ganlong without saying anything, boldly pursuing Li Tian without caring about other people's eyes. Her body is completely dominated by her own soul, completely her own master, not a vassal of a man, nor a concubine of others. Her female self-consciousness has fully awakened. How can a movie with such a strong, independent and independent female role be called straight male cancer? Jiang Wen once said that the real heroes in his movies are all women, and men grow up by their tempering. Ma Xiaojun in Sunny Days is like this, and so is Black Lee in Evil Does Not Suppress Right.

6. Jiang Wen is probably the director who plays black humor best in China at present. He is absurd, sad and romantic. Even if you were born in troubled times, you should put on your best coat, drink the strongest wine, fly to the highest roof and kill the people you hate the most. I like Tang Fengyi, played by Summer Xu, who is beautiful and enchanting, full of amorous feelings and lofty sentiments. A gone with the wind failed the times after all. Once Jiang Wen is willing to slow down and tell stories, the last flaw in his works will be completed. The film story is full of intrigue and intrigue, supplemented by Jiang Wen's unique violent aesthetics and black humor. More and more handy. Eddie Peng Yuyan Yu Yan's handsome, Zhou Yun's beautiful, Jiang Wen's cool, Liao Fan's bad, Summer Xu's Sao, each actor did his best, and finally achieved this very upright mainland film!