How to understand the connotation of appeal, unity and science in the artistic characteristics of performing tea art

1, infectious. When the tea maker concentrates on brewing, he is skillful and elegant in action, kind in manner, exquisite and lovely in tea set, attractive in tea fragrance, beautiful and comfortable in environment, sweet and delicious in taste, and fragrant in teeth and cheeks. Will present the inherent image beauty of tea art itself, which is very infectious, so that tea drinkers can enjoy the beauty of art while associating, pursue poetic realm, sublimate to the philosophical height of tea ceremony, and purify their hearts.

2. Unity. Although China's tea art is full of flowers and colorful, no matter what kind of brewing method, there are several basic links that must be completed together: preparing utensils, boiling water, preparing tea, warming pots (cups), setting tea, initial brewing, making tea, distributing tea and serving tea. When creating tea art, apart from absorbing all kinds of performing arts, the key point is to make a pot of tea soup. The basic links should still follow the above links, and at the same time, we should consider the unity of the clothes, tea leaves, tea sets and environment of the tea artists in order to achieve better performance results.

3. scientific. There are scientific problems in the creation of performing tea art, mainly focusing on its academic nature. Some writers and creators don't read the ancient tea classics carefully, and some common-sense jokes often appear in the programs of composing and performing ancient tea art, whether it is clothes, tea sets or brewing methods, the phenomenon of "Guan Gong versus Qin Qiong" often appears. For example, when performing tea art in the Tang Dynasty, blue-and-white tea sets (some even appeared teapots) were used, while in the Ming and Qing Dynasties, glassware was used to perform tea art.