What influence does the reproductive worship culture of primitive tribes have on the development of dance?

"According to the materialist point of view, the decisive factor of history is, in the final analysis, the production and reproduction of direct life. But there are two kinds of production itself: on the one hand, the production of means of subsistence, that is, food, clothing, housing and transportation and the necessary tools for this; On the other hand, it is human production, that is, the reproduction of species. " Reproduction is human instinct. In primitive times, the level of productivity was low, and people wanted to be rich. It was extremely difficult to do this under the conditions at that time. Therefore, people regard reproduction as a mysterious phenomenon and even worship sexual organs. This kind of reproductive worship culture has a great influence on the cultural history of the Chinese nation and the development of dance since ancient times. The reproductive worship of primitive clans has its unique form of expression, namely hermaphroditism. Khoikhoi, a native of Guinea and Cameron, was buried with two faces, with black face representing men and white face representing women. A 6000-year-old pottery figurine unearthed from the Neolithic site in Houwa, Dandong, China, has a male head and a female head. In addition, there are hermaphroditic statues in the clay pots with human faces unearthed from platform 3 of Liuwan, Ledu, Qinghai. As early as 3000 years ago, Hutubi rock paintings in Xinjiang were also depicted by hermaphroditic stone statues. Many scholars believe that the appearance of two-faced people in Houwa shows that the core of China's original philosophy-the philosophical concept that Yin and Yang combine to create everything has been born. Zhao Guohua, a scholar, linked the origin of gossip with the fish pattern in Anbanpo, Xi 'an (see Zhao Guohua's theory of reproductive worship culture). In the 1950s, painted pottery pots painted with fish patterns on human faces (combinations of human faces and fish heads) were unearthed at Yangshao Cultural Site in Anbanpo, Xi 'an. 1972, painted pottery pots painted with catamarans and frogs were also unearthed in Jiangzhai, Lintong, Shaanxi. Banpo (Yangshao culture in Neolithic Age) ancestors regarded fish as a symbol of vulva and practiced reproductive worship, so did frogs. Therefore, fish sacrifices were held to breed offspring (because ancestors realized that fish can have children), and painted pottery pots filled with fish were sacrificial vessels for fish sacrifices. As a result, Zhao Guohua introduced "Eight Diagrams Orientation Map", "River Map" and "Luoshu". This is a brand-new and unique viewpoint, which provides an important idea for studying the relationship between reproductive worship culture and dance culture. Qian Xuantong put forward a long time ago that the original hexagrams of Yi belonged to the era of genital worship. The hexagrams of' Gan' and' Kun' are symbols of the genitals of both sexes ... "In Shandong stilts, the green snake and the white snake dance stick are disguised forms of male roots, while the clam dance is disguised forms of female yin. The ancestral temple in Huaiyang, Henan Province (for Fuxi Nuwa) retains the "flower basket" dance for ancestor worship, in which "scissors stocks" show coitus. There is a round hole in the temple, the famous descendants kiln (symbolizing vulva), for children to touch. The natural cracks in Jianchuan Grottoes in Yunnan are called "Ayang White" by Bai people, which is also a symbol of vulva and is touched by children. The large-scale rock paintings in Hutubi County, Xinjiang, with a screen of 1.2 square meters, are covered with hundreds of men and women of different sizes. Most of them are doing regular dance movements, almost all naked. Men show their male roots and testicles, their fingers spread apart (ancestors prayed for more children with five as the extreme number), and some are men and women. Some women dance, some overlap men or make coitus movements. This is a large-scale rock painting praying for population reproduction. Miao people in Rongshui, Guangxi have the custom and dance of genital worship. Mango dance will be performed during the Spring Festival. Mang Hao is a strange face. There will be seven or nine men playing Mang Hao during the performance. With the drums, the Hmong people jump more and more fiercely, deliberately chasing young women and making symbolic movements of sexual intercourse (Qin Guiqing ancient Miao reproductive worship). Other ethnic groups also have similar folk dance remains, such as "Around the Mountain Forest" by the Bai people, "Sisters Wrong Lizi" by the Yi people, "Huangni Drum Dance" by the Yao people and "March 3" by the Li people.