The development of Peking Opera was blocked, and Degang Guo responded. What is his attitude?

When the development of Peking Opera was blocked, Degang Guo responded, "I thought of Li Yugang who offended Mei Baojiu". Generally speaking, some Beijing opera masters regard Beijing opera as their own private goods and attack and vilify others because of the dispute of interests. It is precisely because of these so-called Beijing opera masters that the development of Beijing opera is hindered.

The dispute between Degang Guo and Wang Peiyu Degang Guo is a very familiar crosstalk performer. It is said that he saved the crosstalk industry at sunset in Xishan. In fact, without Degang Guo, crosstalk, a traditional culture, might gradually withdraw from people's lives. However, Degang Guo revived cross talk, which made more people feel this interesting traditional culture.

It is said that traditional culture is inseparable. Degang Guo himself is a person who likes singing Peking Opera very much, and there is also a "Kirin Drama Club" under the banner of Degang Guo, which specializes in singing Peking Opera. Tickets for Kirin Drama Club are always robbed by the audience as soon as they are released. Even if the tickets are expensive, it is still hard to get a ticket. As a cross-border opera, Peking Opera is often full, which fully shows people's recognition of Degang Guo, so there has always been a saying that "Degang Guo revitalizes Peking Opera".

Wang Peiyu is a famous Peking Opera master in China, and he has been fighting with Degang Guo. She denied Degang Guo in an interview. She thinks that the level of Peking Opera in Degang Guo is not professional enough, and it is extreme to say that Degang Guo wants to revitalize Peking Opera.

Wang Peiyu's statement is actually very pertinent, but because Wang Peiyu and Degang Guo belong to two different camps, they have been attacked by many netizens. This kind of remark comes from Wang Peiyu's mouth, which will give people a feeling of attacking Degang Guo.

Degang Guo responded on his personal social platform that "no intention of striving for spring" is Lu You's Yongmei quatrain, and the next sentence is "Everyone is jealous". I don't want to drink these Peking Opera masters to rob me of my job, but I am jealous for no reason. In the final analysis, it is nothing more than a dispute of interests, but this feud reminds us of Mei Baojiu and Li Yugang.

Mei Baojiu and Li Yugang Mei Baojiu are the youngest sons of Mei Lanfang, a famous Peking Opera master in China. After Mei Lanfang died, she inherited her father's mantle. However, there is only one Mei Lanfang for so many years. Mei Baojiu can't break through his father's light, but he has been trying to carry forward the Mei School.

Li Yugang was once a famous singer. After becoming popular on the Avenue of Stars, she became famous on the Spring Festival Evening of 20 12 by getting drunk with the new imperial concubine. Drunk new imperial concubine is a famous play in Beijing opera. Li Yugang has won the attention of countless people with this cross-singing method of male and female, and the appearance of Peking Opera.

Strictly speaking, Li Yugang has nothing to do with China traditional opera. He just likes to add some Beijing opera elements to his performances. When attending the Avenue of Stars in Li Yugang, his friends and relatives once put up the slogan "Mei Lanfang before, Li Yugang after". Many people think that Li Yugang is closely related to the art of Peking Opera. This way of bundling marketing has brought a lot of traffic to Li Yugang and caused dissatisfaction in Mei Baojiu.

Mei Baojiu, an out-and-out descendant of Mei School, was very angry when he saw Li Yugang pushing himself too high. Especially Li Yugang's address to Mei Lanfang made Mei Baojiu feel that he didn't respect his father enough. And once Li Yugang and Mei Baojiu * * * recorded a program together, Li Yugang claimed to be the representative of Mei school art, and Mei Baojiu left angrily.

Peking Opera should also be compatible with the descendants of Mei School art, and Mei Baojiu, the son of Mei Lanfang, is definitely the most popular. Li Yugang is just a Beijing opera lover, but he speaks wildly. Mei Baojiu is naturally outraged. Years later, Li Yugang also apologized for his youth and ignorance.

The conflict between Li Yugang and Mei Baojiu really made Li Yugang young and frivolous. But the dispute between Wang Peiyu and Degang Guo has made Wang Peiyu a little petty. Degang Guo studied under Zhao Lintong, a Peking Opera master, and was also a disciple of Hong Miao, while Degang Guo was a real comedy lover.

Li Yugang tied himself to Peking Opera for marketing, in order to enhance his popularity. However, Degang Guo has been a leader in promoting traditional culture. He doesn't need Beijing Opera to heat himself up. He just wants to satisfy his personal interests.

Nowadays, Peking Opera is facing an embarrassing situation. The audience doesn't want to listen, and no one wants to learn. In the long run, Peking Opera will inevitably decline. In this case, the most important thing for Peking Opera is to use talents in an eclectic way, so that Degang Guo can revive the popularity of Peking Opera, attract audiences and better develop Peking Opera.

Compatible and inclusive, in order to achieve a virtuous circle.