The main content of Where is the Country?

Question 1: Introduction to Hometown: Xiaowu (1997), Platform (2000) and Ren Xiaoyao (2002) constitute Jia's Hometown Trilogy, which is an important contribution to China's contemporary films. These films are set in Jia's hometown of Shaanxi Province, highlighting the difficulties and struggles faced by marginal individuals in the rapidly changing contemporary China. Xiaowu tells the story of a pickpocket's relationship with his friends, family and girlfriend. Platform is generally regarded as Jia's most ambitious work. It is an epic narrative work that witnessed the turmoil and drastic changes in China in the1980s. The third film, Ren Xiaoyao, continues his thinking about the changing China. Michael Berry made an in-depth study of these three films and thought that his ambition was to re-examine the changes and fate of China, a town with rapidly changing society, culture and economy. The core of this book is a series of close reading of each film; Through this close reading, Michael Berry combed their core narrative themes and emphasized Jia's use of editing, film language and scene scheduling. He pays special attention to intertextuality and the position of core themes in Jia's works, such as destruction and change, stagnation and movement, conflict and consultation between politics and popular culture, and finding hometown. Xiao Wu (1997), Platform (2000) and Ren Xiaoyao (2002) constitute Jia's hometown trilogy, which is his important contribution to China's contemporary films. These films are set in Jia's hometown of Shaanxi Province, highlighting the difficulties and struggles faced by marginal individuals in the rapidly changing contemporary China. Xiaowu tells the story of a pickpocket's relationship with his friends, family and girlfriend. Platform is generally regarded as Jia's most ambitious work. It is an epic narrative work that witnessed the turmoil and drastic changes in China in the1980s. The third film, Ren Xiaoyao, continues his thinking about the changing China.

Question 2: Summarize the three plots of Yu's Where is My Hometown # Spring Festival Expression Pack #

Question 3: The main content of Mountain Residence Notes is the online Mountain Residence Notes.

Notes on Mountain Residence is Yu's second collection of essays, which was written after Cultural Journey and before Frosted River, A Thousand Years' Sigh, Boundless Traveler and Lend Me My Life. The writing of this book began in 1992, was completed in 1994, and was published in Taiwan Province province in August, 1995. Later, due to a large number of pirated books in the book markets of various provinces and cities in China, the author was forced to submit the book to Wen Hui Publishing House for publication in September, 1998. Mainly written in a direct visit to Chinese civilization.

Introduction to Yu Qiu:

Yu (1946 ~), a native of Yuyao, Zhejiang, is a professor at Shanghai Theatre Academy, a famous aesthetician and writer. He was awarded the title of "National Outstanding Contribution Expert" and served as a professor in several universities. In fact, it is difficult to talk about Yu's position in China's cultural circle. This China aesthetician, who is famous for his "Cultural Journey" and "Notes on Mountain Residence", is praised by critics as writing prose with his left hand, which is not superficial, and it is not difficult to understand writing artistic theory with his right hand.

Take his "cultural journey" as an example. One of them, Hidden Springs in a Sand Garden, is only 2,500 words. It is purely a lyric prose of mountains and rivers, but it is picturesque. The main content of this paper is the process and feelings of the author climbing the sand mountain alone in the desert land of Dunhuang County, and then enjoying a bay of clear water down the mountain. In this article, Yu described the beauty of the sand mountain like this: "Light and shadow are separated by the straightest line, and gold and indigo are pure without spots, just like being screened with a huge sieve. The wind around the clock shapes the ridges and hillsides into waves, which are extremely gentle without a ripple ... "In the works of aestheticians and writers," light ","shadow "and" line "are no longer purely theoretical and lifeless words, but words that can perceive the author's heart.

Yu's artistic theory works are also highly valued and respected by academic circles. For example, in 1983, he published the Historical Draft of Drama Theory, which is Chinese mainland's first historical work comprehensively expounding the cultural development and drama thoughts of all countries in the world from ancient times to modern times. In the second year after publication, he won the first national prize for works on drama theory in Beijing, the first national prize for excellent teaching materials in Beijing Ministry of Culture ten years later, and another book published the first prize for works on drama aesthetics in Chinese mainland in 1985. Ten years later, he won the first prize of the National Excellent Textbook of Beijing Ministry of Culture, and another book published Chinese mainland's first drama aesthetic work, Drama Aesthetic Psychology, in 1985, and won the Shanghai Philosophy and Social Science Works Award the following year. Its scholarship can be glimpsed.

"Mountain notes? New preface

The writing of Notes on Mountain Residence began in 1992 and was completed in 1994, which lasted more than two years. In order to write this book, I resigned from the administrative position of the college and stopped working, so these two years were very pure and almost devoted. It is inefficient to spend so much time writing eleven articles, but my writing is linked to investigation, and I have to go to many places repeatedly, so I can't get up quickly. I remember once, in order to check the two words on the couplet of a historic site in Hainan Island, I wrote several letters but couldn't get an accurate answer, so I had to go again. It is absurd to calculate by economic gains and losses, but there are other gains and losses in the article, that is, the so-called "gains and losses are well known."

In the overall plan, this book is the second stage of my direct visit to Chinese civilization. The first stage of narration is a "cultural journey". In that book, I am burdened with the confusion of life, looking for cultural relics and cultural scenes, and then telling readers my surprise and touch. However, when I finished writing, I found that there were many overall problems besides the specific sites I needed to visit, such as-

Mutual covet for political achievements and cultural complex, life and death and * * *;

Exile, destruction and revival of cultural soul;

The narrow road between commercial civilization and China culture met and passed by;

For the achievements left by the Millennium imperial examination to social history and the harm left to group personality;

The necessity of cutting off rare personality and worshipping in China culture;

The important boundaries between gentlemen and villains are everywhere and difficult to divide;

……

These questions are so big that it is certainly impossible to find the answers easily. What I can do is to welcome readers to feel and experience contemporary life. This constitutes the basic content of Notes on Mountain Residence.

Older readers should remember that it was not convenient to talk about these issues openly ten years ago. At that time, even though it was more active for the rulers of the Qing Dynasty.

Question 4: Where can I download the complete txt of Xiangguan? The attachment of the complete works of txt in Xiangguan has been uploaded to Baidu's network disk. Click free download:

Content preview: It's the season of spring rain killing the soul again. Qinshui area in Henan province has been densely populated since ancient times, and farmers have been hoeing and gossiping. Yingying Yan was speechless at this moment, and she knew it very well. Suddenly, I heard a song in the distance, singing: "Send away spring, there is no way to go to the world in spring." The grass outside the swing is sky-high, who will send the sand to Nanpu? How is Yiyi's mood? Reminiscent of Haimen flying catkins. Crows crossed the street and the city was in ruins. When you can't see it, try the light. Who is the most bitter in spring? But the arrow geese sank, Liang Yan had no owner, and the cuckoo sounded like dusk in Nagato. I miss Yushu, withered soil, and my tears are like dew. Xianyang Fujian has been tried repeatedly, but it failed in the oblique day. Will spring go or not? Zheng Jiang makes me hate parting, Yu Xin makes me sad, and Su Causeway makes me sunny and rainy. Sighing about the old country and recalling the past. Life is wandering, gu ruzi, * * * night language. " The voice is sad and gloomy, which makes people cry at this time. After the song stopped, I saw a man and a woman holding each other and a baby in their arms. It seems that they are husband and wife. The man wore a double-breasted jacket, opened his heart and walked softly. From a distance, it is also heroic and straight. When you look closer, your brow seems to be full of worries. He looked around the east and west sides from time to time and found that there was no one left. He thought to himself: "My Chinese civilization began at the turn of the Qin Dynasty, and the people were in exile, but it was so desolate! What the ... don't forget to adopt it.

Question 5: Where is the complete download of txt in Xiangguan? Where is the complete download of Xiangguan txt? The novel attachment has been uploaded to Baidu's network disk. Click free download:

Content preview: In the summer afternoon, the dry mountain breeze mixed with some transpiration of vegetation makes people sleepy. On the ninth day and birthday, they walked lazily on the mountain road carrying spears and performed patrol tasks. "The fire is very long. Let's have a rest under the tree in front. After walking in the sun for a long time, people were tired and sleepy. I really want to take a nap ― why don't we take a nap before we go? " The short birthday smiled and said to the ninth day. In fact, he often does this when he and Shuang Xi patrol the mountains together, but today is the ninth day of his partnership, so he has some scruples when he is lazy. After all, the ninth day is the fire chief. Although the fire chief is only a small leader who manages ten people, you don't have to be too serious, but managing your own people is another matter, especially the ninth day is too serious, and his birthday has to be restrained. However, he is only serious. He seldom treats his brother badly, so he is not afraid of him. Sure enough, on the ninth day of the ninth lunar month, after listening to his birthday speech, he smiled and said, "Your boy is never satisfied, so you are tired." ? It's your turn to drill and transport ore. Are you still alive? "Happy birthday, hey hey, smile apologetically. This is a mining area located in the deep mountains. In addition to patrolling and guarding miners, non-commissioned officers must also carry out military training and transport ore. The four tasks are carried out in turn, and the patrol task is undoubtedly the lightest. ...

Question 6: Appreciation and content outline of Yu's Notes on Mountain Residence;

Notes on Mountain Residence was written in 1992 to 1994, with articles *** 1 1. During writing, the author resigned from the college and stopped working; At the same time, writing and investigation are linked, and many written places have disappeared again and again.

In the author's master plan, this "Notes on Mountain Residence" is the second stage of his direct visit to Chinese civilization. The first stage of narration is a "cultural journey". In that book, he is burdened with the confusion of life, looking for cultural relics and cultural scenes, and then telling readers his surprise and touch. However, when I finished writing, I found that there were many overall problems besides the specific sites that I needed to visit. The author summarizes these problems as follows: political achievements and cultural complexes covet each other, life and death covet each other and political conflicts; Exile, destruction and revival of cultural soul; The narrow road between commercial civilization and China culture met and passed by; For the achievements left by the Millennium imperial examination to social history and the harm left to group personality; The necessity of cutting off rare personality and paying homage in China culture; The important boundary between a gentleman and a villain is everywhere, and it is difficult to divide it. Later, Yu created this "Notes on Mountain Residence".

Appreciation of works:

Notes on Mountain Residence is no better than Cultural Journey. Its core concepts have all appeared in the previous book: feelings for the rise and fall of civilization, appeals for respecting culture, and yearning for a sound personality. Its writing mode has not changed: starting from something, finding clues in coincidence and encounter, and then "looking into the depths of history", a cultural essay was born.

Notes on Mountain Residence carries forward the fundamental defect of Cultural Journey: cultural determinism under the premise of single culture. This is the consistent thinking of Yu Yu Qiu. In "Cultural Journey", with the help of the narrative of mountains and rivers, it is less conspicuous. In Notes on Mountain Residence, this layer is gone, which is becoming more and more obvious. In Tianya Story, the author randomly picked out several historical figures and dared to assert that Hainan civilization was once a "female civilization". Since then, he has been talking about it in an eloquent way. In Hainan's thousands of years of history, it is not difficult to find examples of bravery and agility. Therefore, it can be said that Hainan Island is a more comprehensive "gender civilization". Distant voices, in a word, decided that many celebrities in Wei and Jin dynasties were killed because they had the ability to assist various "ruling groups"; "Literati were killed in batches"; If this problem is not solved, the following words will become discussion for discussion and lyricism for lyricism. Anyway, let's forget about it. Try to refer to Lu Xun's "The Relationship between Wei and Jin Manners and Articles and Medicinal Liquor" to know what is the historian's vision.

Let's look at the author's A Hundred Thousand Scholars. If the historical narrative of the imperial examination is not bad, the last question fully shows Yu's way of thinking: "What's wrong with the splendid Chinese civilization and the dense talents in China? Why do they want to sneak into this kind of jack-o'-lantern, * * and stench? In Yu's eyes, the imperial examination system became the representative of China civilization, and the examiners included China talents. After more analysis, people find that the history of China civilization is so simple that a cultural proposition can be summarized in one article!

It's not the mistakes of historical materials, the lyrical writing of Notes on Mountain Residence, or even the high-profile culture, but the way of thinking behind them. When historical materials are in hands, they often become clay balls at the mercy of others. The lyrical comments on cultural prose are all vermilion and purple pigments, quotations next to a paragraph, flowers and flowers, and the aura of "culture", but the author's conclusion cannot be inferred from these things. I didn't feel it once or twice. I can feel it after watching it too much.

Here, I would like to quote a letter from a father: "He wrote other places, such as Daotai, which he has never been to, so it is difficult to comment. But Dujiangyan, for example, is too familiar, so you can't help but think that he is a bit' spreading dog blood' … "Spreading dog blood" is a Peking Opera term, which means artificial and untrue. "Farewell My Concubine" Mileage Butterfly scolded Duan Xiaolou's lover who escaped barefoot from the building, that is, "then don't shed dog blood here. Wang Zengqi praised Du Fu for "Mount Tai is the top of the mountain, and it is magnificent." "In" Tarzan "? In Qi and Lu, there are green grass. " , said that Li Bai's "Tianmen a long whistle, Wan Li breeze" is a bit bloody.

Yu became popular not so much because of his prose achievements as because of his cultural attitude. Yes, who doesn't say my hometown is good? An article "Shame of Shanxi" is often quoted by Shanxi people. A "Millennium quadrangle", Hunan people naturally enjoy it; "Where is the Township Pass" is even more beneficial to Mulberry. ......& gt& gt