Poems about flying murals

1. There is a beautiful poem about flying painting in Taiping Yu Lan (Volume 622) in the Song Dynasty, which quotes a cloud in Xianpin: "Flying to the clouds, lightly deifying, thinking it is a fairy, but also flying to the clouds."

The name of Tian Fei in Dunhuang comes from Buddhism, which means that the deified figures transformed into pure land and heaven are "Heaven", such as Brahma, Meritorious Heaven, Virtuous Heaven and Thirty-three Days. In the collection of Jin Guang Ming Jing in the Tang Dynasty, it was said: "It is also heaven for foreign countries to pray for God." In Buddhism, the flight of God in the air is called flying. Tian Fei often appears in the murals of Buddhist grottoes. In Taoism, mythical figures who have ascended to heaven are called "immortals", such as "leading immortals", "immortals" and "barefoot immortals", and immortals who can fly in the air are called flying immortals. In the Song Dynasty, Taiping Yulan (Volume 622) quoted Xianpin as saying: "Fly to the clouds, lightly deifying, thinking that immortals also fly to the clouds."

Flying immortals are often painted in murals of tombs, symbolizing that the soul of the tomb owner can ascend to heaven. After Buddhism was introduced into China, it exchanged and merged with Taoism in China. In the Wei, Jin, Southern and Northern Dynasties, shortly after the spread of Buddhism, flying in murals was also called flying immortals, which was the distinction between flying and flying immortals. With the in-depth development of Buddhism in China, the flying gods of Buddhism and Taoism are integrated in artistic image, but nominally, they only regard flying in the air as flying. Flying in Dunhuang is a flying god depicted in Dunhuang grottoes, and later became a special term for Dunhuang mural art.

In terms of origin and function, Dunhuang Tian Fei is not a god. It is a combination of dryness and tension. Ganlvpo is a transliteration of Indian Sanskrit, literally translated as the god of songs. Kinnara is a transliteration of Sanskrit in ancient India, which literally means God of Music, because he exudes fragrance. Gandhijwa and Kinnara were once the gods of entertainment and dance in ancient Indian mythology and Brahmanism. Myths and legends say that they are a loving couple who can sing and dance well, and they are inseparable and harmonious. Later, it was absorbed by Buddhism and turned into Er Shen among the gods in Tianlong Babu. Hui Lin in the Tang Dynasty explained: "The real Buddhism is ancient Kinnara, with subtle sounds, which can be used for singing and dancing. Men are horse heads and can sing; Women are upright and can dance. Next time, my daughter will marry her godmother. " With the development of Buddhist theory, artistic aesthetics and artistic creation, Gan Lvpo and Kinnara gradually evolved from the ferocious faces of Ma Tou Renfeng to beautiful faces and figures, dancing and soaring in the sky. The original functions of Gan Lvpo and Kinnara in Buddhist deities are different. Ganlupo-Music God's task is to spread fragrance in the pure land of Buddhism, offer flowers, treasures and praises to the Buddha, live in flowers and fly in the Heavenly Palace, while Kinnara-Song God's task is to play music and dance for the Buddha, Bodhisattva, God and heaven in the pure land of Buddhism, and live in the Heavenly Palace, but not fly in the sky. Later, Ganlupo and Kinnara. Ganlv women can also play musical instruments, sing and dance; Kinnara also rushed out of the Heavenly Palace and flew into the sky. Ganlupo and Kinnara, regardless of gender, merged into one and became the flying Dunhuang of later generations. During the Western Wei Dynasty, there were flying songs and dances in Mogao Grottoes. After the Sui Dynasty, Gan Lvpo and Kinnara became one, so it was difficult to distinguish them. Only when writing an article in the music and dance world, in order to distinguish it from musicians, the godmother who played music in the early days was named Tiangong musician, and later the Tian Fei musician who was integrated with music and dance was named Tian Fei musician. As far as artistic image is concerned, Tian Fei in Dunhuang is not a cultural and artistic image, but a synthesis of various cultures. Although Tian Fei's hometown is in India, Tian Fei in Dunhuang is bred from Indian culture, western culture and Central Plains culture. It is a flying sky with China cultural characteristics, which is a long-term communication between Indian Buddhist Heaven and Man and China Taoist Feathers, flying in the western regions and flying in the Central Plains. This is a featherless, round, dull, colorful and cloudless sky, which is mainly composed of floating skirts and ribbons. Flying in Dunhuang can be said to be the most talented creation of China artists, and it is also a miracle in the world art history.

2. The poem about flying is a poem about flying, and it is recommended as follows:

Motome's thoughts are flying in the sky, white jade sounds like a phoenix, and the fairy violently borrows her wings. -"Two Poems by Nong Yu" Year: Tang Author: Bao Rong

There are 3000 women in the ballroom, and there are 12 ethereal flight platforms. There must be a fairy to plant jade, and Lantian is less wandering.

-"Two Poems on Snow" Year: Song Author: Mao Kun

Why call the clouds when you come, and why fly when you go. If my name is not dragon, how can I rain? -"Twelve Questions and Answers Poems, Sending Springs to Ask Dragons in Seven Wheels" Year: Song Author: Wang Ling

The fragrance has gone to heaven, and the phoenix flute still smells in the moon. -Three Songs of Hanging Yingying Year: Song Author: Wang Shan

Weng Jin is a flying fairy. This intention is in the world. -"Drunk Fuck" Year: Song Author: Su Shi

From now on, be a flying fairy. -"Great Sage Music" Year: Song Author: Lu You

If you think about the romantic life in Chu Shi, cranes will walk with people, and you will always be a flying fairy. -Nian Nujiao Year: Song Author: Xin Qiji

Suddenly, Fei Xian fell into the blue sky, and the cloud car Shuang Bian. Poor Peng Zi is not a chosen son. He fled to absorb the north wind.

-"Give a Handful" Year: Modern Author: Lu Xun

I heard that you are free to travel during the Spring Festival, and I admire you for being a flying fairy. -"Sun Zhifang Cangwu Shan Jutu" Year: Song Author: Su Shi

Fei Xian also happened by accident, and she escaped in an instant. -"Dan Zi Yuan's poems are on cloud nine, with an immortal spirit. Wu continued to write the year: Song Author: Su Shi

Independent mirror lake, the autumn wind is boundless; You must sail into the East China Sea, and you can ride a whale to chase Fei Xian.

-"Looking at the Moon on the Night of August 14th" Year: Song Author: Lu You

I have no flying fairy skills, I am arrogant; It's always innocent girl, so it's hard to be an official in Wanli.

-"Coming to Xizhou to express my feelings" Year: Song Author: Lu You

There are flying immortals in Nanshan, and they formed the Xun Mei Society. -"Plum blossom quatrains" Year: Song Author: Lu You

Not far from the flying fairy outside the cloud, it is called Xiaoqu in Qingluan. -"autumn night boasting about Xiang Fu" Year: Song Author: Lu You

However, I laughed and said that Fei Xian had not forgotten the custom, and the golden sable was still waiting for the crown. -"Taoist Temple Wall" Year: Song Author: Lu You

Qiu Lai is getting better and better, and plans to come back with Fei Xian. -"Seclusion" Year: Song Author: Lu You

I told you not to drive Fei Xian away, but if you nest in Taikoo. -"Summer in seclusion" Year: Song Author: Lu You

Clouds have never met Fei Xian, who cares about lonely people. -"Early Autumn" Year: Song Author: Lu You

Without the original alchemy, why chase Fei Xian? -"Day Sleeping" Age: Song Author: Lu You

He must have flown, breaking through a little green in the autumn sky. -"Answers from Uncle" Year: Tang Author: By

Feixian Mountain is high and high, but its trace falls in Qingyuan. -"Guo Qin Tie Gao Tai" Year: Song Author: Wen Tianxiang

I am willing to spread the flying fairy, wash away my sadness, and be fascinated by the wind and make a fuss about the mulberry pond. -"Northern Expedition" Year: Song Author: Chen

It's better to be a chicken on the ground, but steal medicine and fly with the fairy. -"Crane" Year: Yuan Author: Yang Weizhen

Jade empty 36, six Brahms gather together to fly fairy. -"Four chapters to fill the void" Year: Song Author: With

Fei Xian will not return to the King of Zhou, but will be reunited with his grandchildren. -"Three Mount Temple on Dengfeng Road" Year: Song Author: Su Zhe

The mountains and rivers to the east of the Lujiang River are even more strange, and riding whales and flying immortals has not returned. -"Jin Ting" Year: Song Author: Cao Shuyuan

The boats in the lake and sea must be old. The monks in Peng Ying escaped from the fairies. -"Three Bachelor's Messages" Year: Song Author: With

The upper bound is enough for the government, and it is no good to triumph. Still in this mountain, strangers.

-"Lu Aodong (Pictured Jing Yun: Ao, Dr. Qin, Avoid" Year: Song Author: Su Shi

The way for Yu Jun to soar during the day is to burn incense and listen to the rain. -"That is" Year: Song Author: Lu You

Everyone has their own flying bones, but the heart Dan is the inner Dan. -Grand View Garden Year: Song Author: Bian

3. Are poems about flying really tired of this secular world?

In this way, the feathers are gone.

Yunweishang

Fog is yarn.

Where is the top of the mountain with dew as its source?

Feeding deer and grazing cranes

Why can I still see you in the sunrise?

A blushing face

Dress with dew and dew

That ethereal fairy song

Is it from you, Yu Di?

In a sound-seeking way

But you drop a tear into the spring.

Turn around and fly to the mural of Mingsha Mountain.

Put on an eternal dance

smile

Among many tourists.

Looking for nirvana in previous lives

4. Write a comment with "Dunhuang murals flying in the sky". Dunhuang murals are the main part of Dunhuang art, with huge scale, rich content and exquisite skills. More than 50,000 square meters of murals can be roughly divided into the following categories: Buddha paintings, classic paintings, traditional national myths, patron portraits, patron paintings, decorative patterns and story paintings. Among the 735 caves in Dunhuang Mogao Grottoes, nearly 500 caves have painted huge murals, with a total area of over 45,000 square meters and a drawing time of over a thousand years. The murals in Dunhuang Mogao Grottoes are the brightest pearl in the treasure house of Chinese art and an amazing feat in the history of world art, enjoying a high status.

The Mogao Grottoes can be said to be born of the Buddha, and its name means "there is no limit to merit." The more famous stories in the murals are the Nine-colored Deer, which was later adapted into a cartoon, and the story of Prince Samoudi giving his life to feed the tiger. Legend has it that in a kingdom in ancient India, the king had three sons, each of whom was charitable and kind-hearted, especially the third prince Samoudi. One day, three princes went out hunting together. On the way, they met a tigress who had just given birth to three cubs. They are starving to death. The three princes searched around for a long time, but found nothing to feed the tigress. Satsuma couldn't bear to watch the tigress and her cubs starve to death, so she jumped off the cliff when her two brothers weren't looking and made life-saving food for the tigress. Samadha is Sakyamuni's past life, because Sakyamuni did all kinds of good deeds in his past life, and finally he made a positive result. This story typically embodies Buddhist ideas, so it has appeared in many caves.

The most famous image in the murals of Mogao Grottoes is the flying sky. Flying in the sky is an eye-catching aspect of murals in the Tang Dynasty. She always appears according to the Buddha's statement. Some fly, some prance, some scatter flowers, some look at each other, giving people a happy scene of traveling in space. Flying in the sky has become a world-famous symbol of Dunhuang murals. Tian Fei is the protector of the Buddha in Indian Buddhism. After it was introduced to Middle-earth, people confused it with Taoist fairies or goddesses, so Tian Fei gradually became a fairy who scattered flowers or played music around the Buddha to create an atmosphere. Reflected in murals, Tian Fei is rarely depicted as the main body, but mostly appears in the surrounding parts, which are numerous but usually small. Due to different ages, Feitian in murals of different dynasties also presents different postures and images. Flying in the Northern Wei Dynasty was V-shaped, giving people the feeling of heavy falling. The flying in the Tang Dynasty is light, elegant and unique, with more vivid colors, which makes people yearn for that free and unrestrained era.

The themes of the early murals in Mogao Grottoes are mostly Buddhist stories and realistic scenes, such as farmland and fighting, as well as popular mythological themes, such as Fuxi and Nu Wa. These traditional themes of China are intertwined with Indian myths such as Sula Wong, indicating the integration of early Buddhist murals with Taoism and Confucianism. Murals in grottoes are mainly pictures of big scenes and simple changing pictures. The largest statues in the Mogao Grottoes were made in the Tang Dynasty, and the giant Buddha in Cave 96 is the largest statue in the Mogao Grottoes. The Nirvana Lord in Cave 148 is the largest colored sculpture group in Mogao Grottoes. The murals in the Tang Dynasty are varied and varied, and the scale is extremely grand, showing a magnificent picture of the kingdom of heaven. Grottoes lost their vitality in the Five Dynasties and began to decline in the Song Dynasty.

The works of this period are not mature in image-building, showing a childlike spirit, which reflects the same strain as the paintings of the Han Dynasty. Characterization does not pay attention to facial expressions, but emphasizes dynamic description; In art, it takes the form of continuous painting, full of legend and literariness; The plot is full of ups and downs and fascinating.

After entering the Tang Dynasty, with the overall prosperity of culture and art, the creation of Dunhuang Grottoes reached a climax. After a large number of translations and widespread popularity of Buddhist classics in the Tang Dynasty, a large number of Buddhist classics were transformed into images. The "Jingbianhua" in this period was very large. Almost as soon as I entered the cave, except for the statue, the other three walls were huge oil paintings with many people and gorgeous colors. The appearance of this mural is an important feature of Dunhuang murals in Tang Dynasty.

Decorative patterns are also an indispensable part of murals in the Tang Dynasty. No matter the decorative niches, Buddhist altars or algae wells on the whole ceiling, the patterns of dragons, phoenixes, turtles, snakes, lion-shaped flowers and trees, clouds, air and water are lifelike. Some of them are decorated with different modes of flight, which are more flexible and lively. Dunhuang murals flourished in the Tang Dynasty, and then went from bad to worse. By the Ming and Qing dynasties, it had become a blank. The treasure of Dunhuang in the late Qing Dynasty was stolen and bought by western invaders, which caused a great outflow and destruction of this national art treasure, and became a great regret in the history of China art.