10 thoughts on reading in teahouses

"Teahouse" is one of Mr. Lao She's classic plays. I believe everyone will be touched after reading it. Below are 10 pieces of teahouse reading experience and insights that I compiled. You are welcome to read, share and learn from them. I hope it will be helpful to everyone.

Thoughts after reading "Teahouse" 1

The first work I came into contact with was "Teahouse". These thin pages actually made me fall in love with Lao She. A good enough reason.

As a contemporary young man, I don’t care much about drama. If it’s not a world-class musical or musical, I wouldn’t want to go into a theater and watch that kind of exaggerated performance. But there is only one drama called "Tea House" that I couldn't stop watching several times. I can't describe my deep love for this drama. Whether it's the original novel, a movie, or even a TV series, I watch them all. When I see the sad parts, I shed tears no matter how many times.

In the whole play, a big teahouse has gone through the changes of three eras and the struggles of two generations. In that era of wontons, good people lost their jobs and bad people made a fortune. Good and bad were reversed, and good and evil were reversed. People in Peiping, from the bottom to the top, are all exploited and bullied. The honest and honest people at the bottom are bullied by Chinese scum, and the old Buddha at the top is bullied by foreigners. The great Qing Dynasty fell down in front of the people of Peiping. What fell next was the pride and self-confidence of the people of Peiping.

It’s a chaotic situation outside, so even a door-to-door chain may be stolen or cheated. If you don't open the door, what will you eat? How will you survive? The nobles began to sell goods, and the common people began to sell their children. Those who made a living by themselves were tied up by the "king's law" from time to time. It’s torture! But even in these days, people in Peiping are indispensable for their etiquette. What a "Peking native". How could the blessed land beside the emperor at the foot of the imperial city be so fragile? Gradually, people here began to understand, "I love my country! But who loves me?" In one sentence, how sad it is!

In the chaotic era, the changes of political power are endless. Reform, maybe it's time for China to inject new blood, but every change suffers from the people. Even the people of Peking who are so easy to be content with the status quo have witnessed the bloody era, and they cannot allow ease to exist. Even those who say they can count the treasures are asking Heaven for this mess. Open your eyes and see! What kind of trampling and bullying the people of Heaven are suffering!!

I like the life of little people. , even if they are so stupid, so unsatisfactory, so mediocre, in Lu Xun's writings, they may be the sinners who should be criticized forever, the scourge of the Chinese nation, and then quickly get rid of them. But in Mr. Lao She's writings, they were so pitiful that even if I knew it was wrong, I could not help but sympathize with them, and finally considered their problems from their perspective. I don't know if this is Mr. Lao She's original intention, but I really can't help it. Reading Lao She and "Teahouse" softened my heart, which was increasingly hardened by the wind of the city.

Thoughts after reading the teahouse 2

In early autumn, the leaves fell from the trees and covered the winding path.

In Yutai Teahouse, desolate stories unfold quietly one after another, including the helplessness of broken dreams, the pain of separation of flesh and blood, the rot of bullying and fear of the strong, mixed with the noisy cold chatter and sighs of the tea guests. The sound turned into a din. And I, sitting quietly in the teahouse, took a sip of tea, leaving behind a bitter taste...

The Birdcage of Fourth Master Chang

Lao She is wise. In his writing, the appearance of each person hints at his irreversible fate. They are all waiting for the source of darkness to open its bloody mouth and slowly swallow them.

As soon as Fourth Master Chang appeared on the scene, he was carrying a bird that was imprisoned in the dark. Little did he know that he was also a proud and arrogant bird! The world has gone through vicissitudes and society has become corrupt. Eyes see the true nature of sin. He is cynical, upright and fearless, so he sings loudly like a thrush, or criticizes the extravagant nobles and unfair world, or predicts the sad fate of the empire.

"Second Master, I see, the Qing Dynasty is about to end!"

A clear cry easily shattered the illusion that people carefully cared for. However, this upright and kind-hearted bird cannot escape the fate of being imprisoned. He was imprisoned in a cold birdcage, so all the sweet cries lost their original meaning and turned into a futile sigh.

Outside the birdcage, there are people's compassionate eyes and endless silence, but inside the birdcage, there are only bursts of sighs.

Wang Lifa’s tea

Wang Lifa prepared two cups of tea, one for the poor and the other for the dignitaries.

There was always a lake of sympathy rippling in his heart. He pitied the fallen people, but felt helpless and could only offer him a cup of tea. What bubbled in the hot tea was the shopkeeper's compassion.

However, in the turbulent situation, he had to put on a secular mask. To the upper class, he flattered and sucked hemorrhoids. He hoped to have a cup of warm tea. In exchange for his own place, however, the sorrow of the times forced him step by step into despair.

Helplessly, the teapot in Wang Lifa's hand smashed to the ground, and the scalding hot tea splashed everywhere, leaving crystal fragments all over the floor.

Qin Zhongyi’s sword and General Manager Pang’s sword

Qin Zhongyi holds a steel sword. He is full of pride and hopes to use the steel blade to cut off the thorns entangled in the land of China and open up a path. A bright path.

Eunuch Pang has a sharp blade in his body and is cunning and cunning. The tip of his sword is pointed directly at those martyrs who truly save the country.

When the two met, there was a pleasant exchange of greetings on the surface, but in fact they were already at war with each other. The tit-for-tat confrontation between the reformers and the die-hards was about to break out, which made people marvel at it.

While wielding swords, they opened the wounds of the times, and blood gushes out.

Chess in the teahouse

"General, you are finished"!

In that distant era, everyone was like a chess player, and everyone had the responsibility to play chess. mission, but had to be controlled by others like a puppet. The sharp contradiction created a tragedy that could be reversed, and one chess piece after another was shattered. On the chessboard, there is only an endgame left.

After Reading Teahouse 3

This play uses the conversations of people in the Yutai Teahouse in the capital to reflect the rise and fall of the country. From the failure of the Reform Movement of 1898 to the eve of the Liberation War, the changes of the times have turned the small things that happened in the teahouse into a historical drama, and the protagonist of this historical drama is of course the teahouse owner Wang Lifa.

Wang Lifa is a shrewd and upright man. He came out to take care of the business for his father who died young when he was only twenty years old. He was born in a chaotic and war-torn era. In the end, he couldn't bear to run his own business. The teahouse that had been there for decades was forcibly occupied and he hanged himself. Yes, in the words of the play, it was a day when people "sent piles of banknotes to foreigners". Many people became traitors, especially the two generations of villains in the play - Liu Mazi and Xiao Liu Mazi.

Let’s talk about Liu Mazi first. He is unscrupulous and engages in the unfair business of arranging matchmaking for others. Regardless of whether both parties are willing or not, as long as there is money to be made, he will do it. Sometimes he even sells People's children. In the first act, he actually sold Kang Shunzi, the daughter of Kang Liu, a poor farmer, to a eunuch for ten taels of silver.

And what about Liu Mazi’s son, Xiao Liu Mazi? Instead of “reforming”, he even “carried forward” and wanted to establish a “Flower United Company” that exclusively provided waitresses to Americans, and even tried every means to occupy the company. Shopkeeper Wang's Yutai Teahouse was transformed into a place to "obtain a large amount of information and capture communists."

Nowadays, are there still a few people who are so unjust for profit? Some profiteers, in order to seek huge profits, deceive consumers with products made with cut corners and materials, even at the cost of their lives!

But now, as people's awareness continues to increase, more and more people understand those well-intentioned people who contribute to the motherland, which is gratifying for people. In any case, "Tea House" has benefited me a lot, and I can read from it the patriotism, love for the people, and understanding of others by a master of language.

Thoughts after reading "Teahouse" 4

I remember when I first read Lao She's "Teahouse" it was an excerpt from a high school textbook. At that time, after reading it, I had a painful feeling of being deceived. The previous "admiration" for Lao She in my mind was suddenly "destroyed". I thought it was a "failure". After listening to the teacher's "ruthless decomposition", I was almost in pain and couldn't feel anything. I was disappointed except for disappointment. It was said that it is a drama that attacks the dark reality of society. I thought of it before I read it. Because most modern Chinese writings follow this approach. However, Bai Juyi once said: Articles are written according to the times.

I have nothing to say; but I think there is something else to say.

Why did I feel so disappointed after reading it? Is it because of my poor taste or because of the old man's works - no, his works "should" be good, because everyone says so. The reason for saying this is that he is a "people's artist". When I read it, I also read it with the idea that it was the work of a "people's artist". It's like reading "A Dream of Red Mansions" because it is one of China's four great classics. I think many people come to read for the author, not for the book itself; or they come for some "evaluations" of the book. But good books may not be to everyone’s taste. Once the book is not to your taste, the author will be "removed". This may be the reason for my "disappointment"!

I think Lao She's "Teahouse" is not "praised" in the eyes of most young people today. If Lao She didn't have the title of "People's Artist" and didn't have many "dross" critical articles about "Teahouse", few people would take him seriously. I remember that I once read a review article about the language features of "Teahouse", which seemed to be "What does "that point" mean?" It was filled with tens of thousands of words, saying how well and wonderfully it was used; how "interesting", "it's really interesting". After reading it, I felt that this person was really boring. It's just a very common "code word" and it doesn't mean anything. You have to show some meaning; it seems that you are good at reading and can see some meaning. There are such "spectators" in China who want to see something "fresh" in ordinary things. () Just like today’s media hype, it’s only when white things are turned into black things and fragrant things are turned into smelly things.

After Reading Teahouse 5

"Teahouse" written by People's Artist Lao She is truly worthy of being called "a miracle on the Oriental stage!"

The characters in the whole play are complex and diverse. But it is so simple that the furnishings change from simple to new, and finally reduced to simplistic, which shows the cultural characteristics and characteristics of the teahouse in each specific historical period.

The darkness, decadence and incorrigibility of the entire society in the late Qing Dynasty is the central idea of ??the whole play, and it is also the characteristic of the real society that the author wants to reflect. To this end, Mr. Lao She carefully portrayed various characters. From Wang Lifa's change in business methods from the typical tasks of petty bourgeoisie and small businessman in the old society, to Chang Siye, who was full of patriotic enthusiasm and finally reduced to selling vegetables... all of them are constantly deepening the main theme of the article step by step. We can see the inevitable demise of the old system from the wonderful performances in this old teahouse.

Lao She's flowing brushwork is most vividly reflected in the language characteristics. The strong "Beijing flavor" language envelopes the entire script, representing China's artistic script. The concise and individual language outlines the outline of a character in a few words, which can better highlight Lao She's dramatic characteristics. Of course, there are pun-like subtexts like "Jiang, you're done", which makes it interesting to read. The language contains Mr. Lao She’s superb writing techniques.

The teahouse represents not only the rise and fall of a person or a teahouse, but also a condensed model of a society and a country.

Thoughts after reading Tea House 6

I think books are another way of expressing memories. They may be somewhat fictional, but they are based on life. What is expressed must also be people's inner world, so it will affect generations of people with the fluctuations of history. This is what people often call the chant.

Looking at the world today, cities are full of traffic and dimly lit. The criss-crossing transportation facilities form the blood and skeleton of the city, making life more colorful. In the countryside, people work at sunrise and rest at sundown. They can live a comfortable life on that land and be self-sufficient... But now people in the city disguise themselves with indifference, and people in the countryside are desperately trying to escape. I don't feel grateful for this kind of life. On the contrary, I think my life is dull, worse than boiled water. We always think about sweetness, but forget about bitterness. Who has ever thought about the past time?

"Teahouse" is Mr. Lao She's masterpiece, written in the 1950s. Taking the rise and fall of a large teahouse in old Beijing as the background, it shows people the social landscape and the different fates of people of different classes in the fifty years from the late Qing Dynasty to the victory of the Anti-Japanese War. Holding this book on a bright afternoon, my thoughts drifted back to that era along with the willows dancing outside the window.

At the end of the Qing Dynasty, the teahouse was still a harmonious scene. The teahouse owner Wang Lifa had everything he wanted, and everything seemed so beautiful. However, behind this is a suffocating decline.

Rich people drink tea and chat in teahouses, but don't talk about state affairs, while poor people sell their children in teahouses. Rural areas are going bankrupt and people are living in even greater poverty. Today they are thinking about tomorrow, but tomorrow they are thinking about the day after tomorrow. They can only sell their children to earn a small amount of money to support more people in the family. I thought of the snake catcher in "The Story of the Snake Catcher" who risked his life to survive. It turns out that poverty is the same in ancient and modern times. I think of another character in Lao She's works, Xiangzi, who pulled a cart under the scorching sun and heavy rain. Even though his dignity was trampled on, he did not resist. In the end, he was swallowed up by the cannibal society. Such a society gives people more disappointment than hope, and the outcome seems destined to be tragic.

In the early years of the Republic of China, successive civil wars made people's lives more painful and sad. Life is like a heavy weight on people's lives. At that time, even the air they breathed was turbid and dark. Many teahouses and shops in the capital have closed down, and only shopkeeper Wang Lifa has improved the business. However, the social turmoil is all-round, pedantic soldiers come to blackmail, and refugees block the door of the teahouse... The slogan "Don't talk about state affairs" becomes more and more dazzling on the wall. People dare not speak nonsense for fear of being accused of an unfounded crime. People are like living in a rain forest of bullets, and they will be hit if they are not careful. Difficult circumstances also bring out the best in people. People who are good at disguise suddenly show their ugly faces and stand on the opposite side of justice. It is sad to say that this reflects the pedantic darkness of that era. After all, who would be willing to do such a thing in the peaceful and prosperous times?

Thirty years later, shopkeeper Wang, who is already in his twilight years, is still there. While Ku was holding on to the teahouse, the dark force still didn't let him go. The rogue agent gained power by relying on his flattery and wanted to occupy Shopkeeper Wang's teahouse. The frail old man was finally defeated by reality, and he lived a peaceful life.

Shakespeare once said: "No matter how long the darkness is, day will always come." Now it has come true, but who knows the hardships our ancestors have put in during this long journey of exploration? We must not forget it.

After reading "Teahouse", I felt particularly depressed. Looking out the window, the willows are lingering, and the years are quiet. Life as warm as water always has its own taste, and I am satisfied even if I think about it.

Teahouse review 7

Teahouse is a common place that can be seen everywhere in old Beijing, where people chat with each other about daily life and everything. But who would have thought that a teahouse could actually reflect a big social problem. Lao She gave a banal place a deeper meaning.

Lao She’s writing techniques and writing angles are unique. I think "Tea House" has only three acts in one episode, but it is unforgettable. Each act is small but precise, capable and concise. The plot stretches from the late Qing Dynasty to the early Republic of China, and then to the early stages of the fall of the Kuomintang regime. What we can feel in "Teahouse" is not only the changes of the times, but also a historical change. "Tea House" skillfully shows the changes of the times and the outstanding characters of the characters. Although the "teahouse people" in the book are stupid and have many different religions, it is these little characters who play a central role in the article. The minor characters in "Teahouse" include: the teahouse owner Wang Lifa, the good-hearted but timid Mr. Song, and the patriotic Mr. Chang. There are not many people in the teahouse who care deeply. Listen! They are either polite words or flattering words. I don’t understand. I don’t understand why Lao She created these characters, but I can’t help but say that from those little people who have " The words "human touch" and "conscience" can make people feel the harshness of the world!

In this play, "the son inherits the father's legacy" is an ironic arrangement. As the scenes in the play progressed, people's costumes became more avant-garde. Looking at those "comatriots in suits" with yellow skin and dark eyes wearing suits and leather shoes, it made me see that China's situation is not optimistic.

From Lao She’s slightly ironic words, people can understand his true feelings. After reading the script "Teahouse", I understood Lao She's true feelings in that era. Generally speaking, "Teahouse" can be called a must-read in terms of the scene layout, character creation, and the refinement of the language. work. "Teahouse" can be used as a model for many current plays, and Lao She can be a model for current playwrights.

After reading Teahouse 8

"Teahouse" is a masterpiece by Mr. Lao She and a script for a three-act play. "Teahouse" tells the ups and downs of the Yutai Teahouse in old Beijing over the past few decades. It went through three eras: the Qing Dynasty, the Republic of China, and the period of opposition rule after the victory of the Anti-Japanese War.

"Teahouse" is very realistic. Good people may not necessarily get good rewards, and evil people may not necessarily get bad rewards. It fully reflects the darkness of society before liberation and the corruption of officials.

The characters portrayed by Mr. Lao She in "Tea House" are very distinctive, which is also a major feature of this script. Shopkeeper Wang, Fourth Master Chang, Second Master Song, Liu Mazi, Tang Tiezui, Song Enzi , Wu Xiangzi and other characters' personality traits are all vividly displayed on the page. You only need to read it once, without having to read it carefully like in a Chinese class, and you can understand the personality characteristics of various characters. For example, Shopkeeper Wang of Yutai Teahouse is an upright person and doesn't do bad things, but he is a bit weak. He always gives money and says nice things when trouble comes. Fourth Master Chang, a regular patron of the teahouse, is just like Shopkeeper Wang, he is upright and does not do anything wrong. What is different from Shopkeeper Wang is that he is tougher than Shopkeeper Wang. He has such a sense of arrogance in his bones that he refuses to bow his head no matter what. concession.

After reading "Tea House", I realized how happy we are now. At that time, many children could not even eat a bowl of hot noodle soup, but now we can eat hamburgers and steaks at will. People at that time were really unlucky and lived in such a dark age.

In "Teahouse", the person I admire most is Mr. Chang, especially his spirit of not giving in to difficulties. Chang Siye was a Manchu bannerman. During the Qing Dynasty, he had a share of "hard-core crops" and could earn money without having to work. Later, when the Qing Dynasty fell, Chang Siye did not starve like his good friend Song Erye. Instead, he went to grow and sell vegetables, make a living by his own efforts, and did not give in to difficulties. This kind of spirit is what we lack now. Due to the superior living conditions, we shrink back when encountering difficulties. If we had lived in that era, it would have been difficult to survive in society without Chang Siye's spirit.

Thoughts after reading Teahouse 9

Almost everyone says that "Teahouse" is a successful work by a mature playwright.

The story of "Teahouse" all takes place in a teahouse. A teahouse spans half a century, and many characters are highly condensed in the teahouse, respectively showing life in old China in the three eras of the late Qing Dynasty, the early Republic of China, and before the end of the political power in the mainland.

Mr. Cao Yu once said that "Teahouse" is "an unprecedented example in the history of Chinese drama." Because this script has a wide-ranging concept, it is both grand and generous, as well as detailed and detailed. It is the original creation of Mr. Lao She. The three scenes of "Teahouse" cover a period of fifty years. There have been many major changes in these fifty years, but the play only reflects them through a small character in the teahouse, and does not directly describe those major events. That is to say, how these little people lived and how they died were used to illustrate the ridiculousness of those eras.

The success of "Tea House" lies in the success of language and the ingenuity and tightness of its dramatic structure. Language: A play relies entirely on lines to create characters. When the lines are delivered, the characters come alive; when the characters come alive, the whole play is successful. Lao She, known as the "Master of Language", has indeed exerted his language skills to the extreme. Each character's lines in "Tea House" are designed to be very vivid and expressive, giving them individuality, while being concise, concise, and meaningful. Dramatic structure: There are many characters in the play, spanning a long time span, and there is no central story. Lao She used four methods to structure the play:

The first is the main characters, from strong to old, throughout the play. In this way, The main characters are coherent and explained, and although the story is loose, it is not too tangential, too far away from the topic, and unclear.

The second is that the secondary characters are inherited from father and son;

The third is that each character plays their own story and is closely related to the era in which they live;

Fourthly, all the insignificant characters will appear and disappear immediately, without redundancy.

From the perspective of examining the history of Lao She's individual life, "Teahouse" is a writer with rich life experience and personal experience looking back on the past in a new historical situation. This is a contemplative work written over more than half a century of old China. It accumulates the lessons of history and reveals the trend of history.

"Teahouse" uses a typical portrait exhibition-style dramatic structure. He reveals a corner of society and exhibits the personalities and lives of many various characters. From the subject matter to the cultural connotation, "Teahouse" returns to the old Beijing story that Lao She was familiar with. It is a social drama that combines scenes of the past years and urban life. This is what Mr. Lao She is best at. The drama "Teahouse" has a strong spirit of social criticism.

"Thunderstorm" by Mr. Cao Yu, a famous Chinese playwright, is a typical work that adheres to the "Three Unities", while Mr. Lao She's "Teahouse" broke this norm. But the two plays were also successful. Some people commented that " "Teahouse" is a funeral song from the old era, and it is also an elegy, but I don't know its origin at the moment. I will read it carefully.

Thoughts after reading "Teahouse" 10

Teahouse, everyone. It’s a place where people enjoy everyday life and chat. It’s amazing that it can reflect a major social issue! Unless there is a master with a unique perspective to make it “alive”, the teahouse will be mediocre and will never have a deeper meaning. It is Lao She, a master of language. He uses his unique perspective and techniques to make the language of the entire script bloom with the brilliance of life. What shocked me the most is:

The ending three of the script. An old man "throws paper money" and "pays homage to himself" on the stage. Wang Lifa hangs himself from the beam in despair. This is a very symbolic ending. It is not only an indictment of the old era, but also a "funeral song" sung in response to it. There is a cold and miserable atmosphere.

We can see the characteristics of the three old eras at that time: political chaos, no distinction between right and wrong, evil people gaining power, and people living in dire straits.

The language of the works that benefited me the most.

A big teahouse is a small society. From the upper class to the lower class, all kinds of people appear on the stage in the teahouse, forming an exhibition-style "Ukiyo-e". . He avoided direct depictions of major historical events, but instead described the response of these historical events among the people and translated them into daily life.

Lao She was familiar with the spoken language of Peiping and the psychology of the characters in old Peiping. , allowing him to outline a vivid portrait of a character and create an inner conflict in just a few words.

The scene in "Teahouse" must be based on the social background of the time, and the society at that time determined "Teahouse". The prominent social contradictions in China are the main contradictions of society. What this kind of society faces must be revolution. And the social contradictions we are facing now, which appear in China's strong national power and stable development of the new society, must be secondary contradictions. It can be solved. So China’s development achievements tell us that we should be confident about the future!

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