What is the writing background of Tibetan opera?

The writing background of Tibetan Opera is that the author Ma Chenming wrote an Interview with Tibet after two years of aid to Tibet, one of which is Tibetan Opera.

Tibetan Opera is included in the fourth lesson of the sixth grade Chinese textbook of the People's Education Edition for Primary School. Its writing style is novel, and it begins with three rhetorical questions, which is fascinating.

Tibetan opera is a comprehensive performing art that expresses the story content in the form of folk songs and dances. Historically, Tibetan operas were often accompanied by festivals, temple fairs, fairs, fund-raising and other folk activities, and were mainly performed in market towns, villages or manors in Lhasa, Xigaze, Shannan and Kangqu. Its form and style have strong and distinct Tibetan characteristics and strong and outstanding magical color of snow area.

Extended data

Appreciation of Tibetan opera;

Tibetan Opera first introduces the main features of Tibetan Opera in three juxtaposed sentences: "Performing with a mask", "There is no stage when performing" and "A play can be performed for three to five days".

Next, the legendary story of Tang Dongjiebu, the originator of Tibetan opera, was written in detail. He made a great wish and vowed to build a bridge, formed the first Tibetan opera team in Tibet, and left 58 iron cable bridges on the Yarlung Zangbo River, and became the originator of Tibetan opera.

Then it introduces the important characteristics of Tibetan opera-the characteristics and functions of masks, and then briefly explains other characteristics: the stage is simple; The plot is described by commentary and rap; A program with a fixed opening, drama and ending; Singing and action are colorful; Long performance time, etc.