Comment on the film Autopsy

The film "The Dying Master" 2000 words 1 An unemployed cellist, a career unrelated to playing, a story related to death throughout the film, and an ultimate proposition about life are inadvertently revealed with the slow development of the film, and there is no unnecessary decoration. Everything is just the normal state of life, but it tells the true meaning of life: life must have its rituals, even if.

The whole movie "Embarrassment" is shrouded in a faint atmosphere, without rich colors and exaggerated and flashy acting. It quietly narrates, slowly advances and eloquently explains. It is worth mentioning that Joe Hisaishi's music haunts the film from beginning to end, which is very clear, sad but not hurt, happy but not obscene, and it is a real expression of oriental emotion. In the slow and lyrical music, I seem to see the blue sky washed by rain and lazily illuminated by sunshine. Unconsciously, my heart calmed down and enjoyed the beauty brought by the alternation of light and shadow.

When your efforts are no longer recognized, when your efforts for more than ten years suddenly go up in smoke, do you choose to stick to your broken dreams or start over in another way? The hero of the film, Dawu, chose the latter. After the band broke up, he sold his cello and returned to the country with his wife. I happened to see a job about tourism in the newspaper. After I was admitted, I was very happy, but I found that my job was to be a undertaker. After realizing that he was hesitant, he chose to accept it, and his life was completely rewritten.

Dawu went through this process, from the first time he saw the corpse vomiting to the later time he could depict the face of the deceased in awe: the old man with rotting corpse, the bisexual man who looked as beautiful as a woman but was actually a boy, the mother who left her young daughter and the grandmother who left in stockings. It should be said that death is an important culture in different countries, which reflects a nation's attitude towards death. The funeral etiquette in Japan is complicated, and Dawu interprets the respect for the dead with delicate and slow movements. But this kind of work is not recognized after all. His friends pointed at him, and even his wife thought his hands were extremely dirty and even left him. He was sad, but he still insisted. However, it is because of Dawu's persistence that he won my respect.

Death is a taboo, and we are afraid of it, even more unwilling to accept it. When Kobayashi's wife found out about his job, that heartbreaking cry? Don't touch me, dirty thing! ? It also expresses the living's incomprehension and fear of death. Yes, cold corpses, disgusting carrion and fear of the dead all affect our correct understanding of life and death.

The protagonist Kobayashi secretly engaged in this job behind his wife's back at the beginning of Dawu. It was not until later that his wife witnessed his funeral for the owner of the neighbor's bathroom that she deeply respected this profession. When the undertaker saw the deceased off and held a coffin-carrying ceremony, their respect, piety and perfect actions beautified eternity for the deceased at the last minute. This is a great comfort to the living and the greatest respect for the dead. Because of the funeral, this should be gloomy, gloomy and even slightly ferocious moment, with a glimmer of light and warmth. They put "Where are you going?" in a soothing and gentle way.

If the funeral is a door, then the undertaker is the person who turns the doorknob. On the surface, the funeral is a ceremony to say goodbye to the dead, symbolizing their journey to the next stage, but in fact, all this is done more for the living, giving them one last chance to express their filial piety, express their love or make compensation. In fact, the forms and instruments chosen by the living during the funeral are based on their own wishes, and the undertaker is the person who helps the living realize their wishes. A good undertaker will definitely put the fear of death aside, and he will arrange the clothes of the deceased with sincere heart, bring the deceased back to life again, give the living the last comfort, and melt the barriers between the deceased and the living, so that he can express all human feelings without any worries. How many times does a mature undertaker have to go through before he can calmly face death? How much mental stress does a mature undertaker have to experience before his relatives and friends can accept his profession? What kind of mentality does a mature mortician need to treat every deceased with a gentle heart? I admire the ordinary of the late teachers, but also admire their extraordinary.

? Let the already cold person rejuvenate and give her eternal beauty. Here should be calm and accurate, and bid farewell to old friends in different periods with gentle feelings. Quiet, all the movements are so beautiful. ? Death is something that every one of us cannot avoid. We are all born to die, but the causes of death are different. The undertaker is just a passer-by on the road to death. What he did was to make the living remember the dead. However, should we all remember to be a teacher? Because, because of their existence, the deceased won the final dignity.

After watching this movie, my deepest feeling is: cherish the relatives around you, cherish the time with your relatives, and don't wait until your relatives leave to regret it. Respect life, whether alive or dead. At the same time, life is full of ritual, which stems from the respect for life from the bottom of my heart. Therefore, we should respect any profession because labor has no dignity.

The 2000-word Japanese film Funeral Master is a warm and touching film. The film tells the story of cellist Kobayashi who lost his job because of the dissolution of the orchestra and had to return to his hometown in the countryside with his wife because of livelihood problems. Even in his hometown, Xiao Lin, who has no other skills, can't find a job. When life was in trouble, Xiao Lin was attracted by the job advertisement in the newspaper? There is no age limit and a high salary is guaranteed? . He rushed into NK office with an advertisement, and he was hired at a loss. When he went to work, he realized that his job was to be a mortician. In the words of the old president of NK in the film, it is to help others embark on a stable journey. To put it bluntly, it is to help the deceased dress, make up and die. This made Kobayashi, who was completely a layman in this field, hesitate for a long time before reluctantly accepting the job.

The film shows the Japanese funeral ceremony in detail to the audience again and again, and every movement requires Excellence. This is not only respect for the deceased, but also respect for the families of the deceased, and it is also respect for life and attitude towards life and death. In the film, Kobayashi's hands playing beautiful music on the cello are used to bury the dead, which is also a kind of beauty in itself. Comparing the funeral procedure of the deceased with the music performance of the orchestra also shows the sacredness of the ceremony in Japanese culture. There are two very important props in the whole movie: an old cello and a stone wrapped in piano music. The director used these two props to let the protagonist tell his wife about his childhood life in the old rural house. At the same time, he also showed the audience that the protagonist Kobayashi had a delicate mind and attached importance to human feelings, and also highlighted from the side that he was suitable for this job. Xiao Lin's mother died two years ago. When Xiao Lin was young, his father abandoned him and eloped with his mother and mistress. This tangled memory of love and hate has also become a dark line in the film, which has triggered the emotional changes of the protagonist.

This film is a series of stories in which ordinary people die and Kobayashi skillfully completes the funeral every time. It's also the process that Kobayashi slowly fell in love with this job, and it's also the film's interpretation of life and death and the profession of a mortician: no matter whether a person lives in infinite scenery or dirty, there is only a skeleton left after death, and the mortician only helps the deceased to finish his last moment in the world, and he has been said that nothing deserves our respect more than a corpse, because this is the last proof that he once lived. Being a mortician is such a solemn and sacred occupation, helping the deceased to finish the last journey of life.

In the film, Kobayashi and his wife talked about their father at home. Kobayashi took the stone his father gave him and said, If I meet him again, I'll give him a good beating? . After throwing the stone on the table, we can realize that although he hates his father, he misses his father more. The music in the record rings, and the cello and piano play together. This is my father's favorite music, and it is also a kind of memory and nostalgia.

When his wife learned about his work, they had an argument. When Xiao Lin touched his hand, his wife's incomprehension, fear and disgust deeply hurt Xiao Lin. The wife really understood her husband's plot and was arranged to let their neighbor, an old woman in the bathroom, die. The wife who went back to her mother's house came back to find her husband after pregnancy, and happened to meet the dead old woman in the bathhouse. The wife witnessed her husband's care and gentleness when she buried the old woman, which deeply touched her and made her and her friends understand her work. Here, when the wife came back, she didn't forgive her husband. On the contrary, she wanted to talk about the baby in her womb and suggested that Xiaolin give up her job as a mortician. This also shows the public's incomprehension and rejection of the job of the contractor from a small plot.

At the end of the film, the director made these two props appear at the beginning of the film? Violin and stone? Metaphorical love between father and son surfaced. When Kobayashi learned of his father's death, the female assistant eagerly persuaded Kobayashi and told her story. After many struggles, Kobayashi finally decided to see his father. When Kobayashi stopped the personnel of the funeral company, his wife said to the funeral staff, Is my husband a undertaker? At that time, it showed his wife's recognition and acceptance of his career. Xiao Lin found the stone in his father's hand, a smooth little stone together, and a stone given to his father when he was a child at the funeral. His father has not forgotten him. I have been thinking about him. When the cello music started, Kobayashi cried and wiped his father's face, stroking his father's face to recall childhood memories. In my impression, my father's blurred face gradually became clear, and tears fell on his old face. When Kobayashi shouted: Dad? All the hatred and complaints have been alleviated here. Xiao Lin holds Xiao Lin's hand with a smooth stone, and his wife holds Xiao Lin's hand and puts it on her stomach. All the unforgivable things have disappeared. A good life is about to begin.

In the film, the cremator in the funeral home said: Death is just a door, and passing away is not the end, but the beginning of another journey. As a janitor, I sent many people here. Every time I say goodbye to them, I will say: Be careful on the road, and we will meet again. This is the most complete interpretation of death in the film.

Japanese films never lack China audiences, but if you ask them how they feel about this film, their answers are often diametrically opposed to the theme of the film. Even if it is interpreted as? Enriched the author's thoughts? But after careful taste, you will still find that they are too beside the point.

First, Chinese interpretation in the context of China.

It is not surprising that China audiences misunderstand Japanese movies, because China audiences often interpret movies based on China experience and China background.

Like the Japanese, there is employment discrimination in China. People in China usually lack due respect for funeral practitioners. The government has made various efforts to eliminate discrimination. First of all, it is positioned as a public institution in terms of professional qualifications, which belongs to the management of the Civil Affairs Bureau. Secondly, the government has a certain inclination to the industry in propaganda. The heavy responsibility undertaken by the funeral industry is inversely proportional to the eyes of society. Have they suffered too much? Unfair? Therefore, we should vigorously publicize them to eliminate social prejudice and discrimination. China has a model worker system. At some time every year, all walks of life should elect a representative? Model worker? . In the civil affairs department, the most representative is usually the funeral workers. This department belongs to the department that the government should vigorously publicize.