Junior high school composition: history and reality,,,,,,,, Hurry up! ! ! 800 words

Looking back 60 years ago, there were devastated and devastated citizens everywhere, and they couldn't help looking at it; There are bullets and screams of slaughter everywhere, which is unbearable. China's modern history is China's humiliation. 1945 War of Resistance against Japanese Aggression won the liberation of the whole nation, and the Chinese nation truly became a family. Today, the powerful China stands among the nations of the world, displaying his majestic posture: the great achievements of "two bombs and one satellite"; Development and production of super hybrid rice: The soaring of shenzhou spaceship is enough to prove the dazzling of the Oriental Pearl.

However, in the fast-developing China, the patriotism education for the next generation is very unsuccessful. Students, think about it. What education did you receive from childhood? Especially in rural areas, how did your parents teach you? They tell you this: "You should study hard! If you don't study hard, you won't get ahead in the future. You must work hard and study hard. Reading is for you! "

When "educators" deleted patriotic articles such as "The Five Heroes of Langya Mountain" from primary school textbooks, did they ever think about what this meant? This means that our next generation will gradually forget that period of history, the heinous crimes committed by Japanese imperialism in China, and the sufferings of the people ravaged by Japanese imperialism. What will it mean to forget history? Forgetting history means betrayal.

China's great achievements today are the result of the unremitting efforts of several generations. If children and grandchildren don't care too much about giving it to others, such as abandoning grass clogs, they will repeat the same mistakes. If you forget the lessons of historical blood, you will become a lamb to be slaughtered.

On the 60th anniversary of War of Resistance against Japanese Aggression's victory, don't forget that the pattern of the world is quietly changing, don't forget Japan's atrocities in China, and don't forget that Japanese right-wingers are tampering with history today. We should always be vigilant.

China's patriotism education is very unsuccessful. And moral education has not kept up. Tell a story. When the 12 Asian Games ended in Hiroshima, Japan, there was not a piece of paper in the square of 60,000 people. Let's take a look at the scene of 1 October1day raising the national flag in Tiananmen Square. When people dispersed, waste paper was everywhere. Don't say, "Our country is vast in territory and abundant in natural resources, and 137 gold medals are useless. Our moral level has not come up yet, and it is still far from it!" ! Everyone picks up a piece of waste paper, which is the beginning of patriotism. "

Patriotism is very specific. There is a slogan at the gate of our school: Stay away from the school gate and shoulder loyalty, honor and disgrace. By extension, leaving school bears the honor and disgrace of the motherland. The rise and fall of China is related to the fate of 65.438+0.3 billion people, and the rise and fall of China is our responsibility.

A war filled with smoke has ended, but a war without smoke has begun. Only by winning this war without smoke can it be regarded as a real victory. Only in this way can China be regarded as a real big country, and it can play its role as a big country in the world and show China's vast territory and abundant resources.

The day of commemorating War of Resistance against Japanese Aggression's victory has passed, but we should always remember it in everyone's heart and remember the moment when the Chinese nation rose.

Flying is a human dream. In literary and artistic works, Europeans' flying is a pair of wings that grow in the same place as birds, while Americans have to wear that red cloak or spider suit. And we China people, walking on the clouds, but walking on the earth, are so elegant, romantic and magnificent. Reading Liao Dequan's historical prose gave me this feeling of flying. In addition to bright eyes, Liao Dequan is ugly, and the level of a collection of Liao Dequan is inconsistent. However, his description of history is full of scheming. Reality keeps pace with history, people ask each other about the world, and his pen is sharp, and he has a feeling of flying in the silent history.

This is the prose realm of freedom, free will and "taking advantage of things".

This realm lies in his humanistic interpretation of Su Shi, Liu Bang, Zhang Fei, Cao Cao, and even Pearl City, Hakka and other personnel, his unremitting questioning of historical issues, and his realistic reflection on historical tragedies. In his reading, questioning and reflection, he pointed directly at the world and people's hearts, as if history is now and the present situation of life. From this, we can understand his lofty ideals and dance with the strong men in a low voice, and feel his enthusiasm and persistence. Today, with the popularity of historical prose, we see too many retelling or casual jokes about historical classics, too many descriptions of dynasty changes and power struggles, and too many descriptions of intellectuals' loyalty, integrity, personality and resistance. Liao Dequan is a grand narrative against the public. With his sharp vision and life experience trained by the extraordinary experience of a local official (perhaps "Confucian scholar" is more accurate), he led history and tradition to modernity and to the depths of human nature, made a double observation of culture and human nature with modern consciousness, gained personalized feelings from it, and talked with history in an equal manner, realizing dialogue with historical figures and readers. Take history as a mirror and be brave and free.

For a long time, I thought that Su Shi was the only great man in history who exhausted the possibility of life and China culture. I visited his fairy tales all the way in Meizhou, Huangzhou, Hangzhou, Huizhou and Danzhou. Passion and sadness often collided, making me burst into tears and speechless. Therefore, I look at Dongpo written by Liao Dequan critically. I watched it more than twice, but I was still moved by him. Well, he is both a Dongpo layman and Mr. Dequan. Because what I was given was that the bitter rain ended and I moved to Dongpo, Hepu, after the sunny day cleared up. This "boat without bonds" and "heart like ashes", but I looked at the sea and wrote the book "Looking up to heaven in Wan Li". This is an ordinary experience of human beings reaching the peak. Liao Dequan let go of his imagination, and explained Su Shi's heroic spirit and spiritual strength with passionate details, and he was full of vitality in the desolate land. Pen Feng pointed directly at the villain politics and chickens and dogs in the long river of history, asking who was wrong with Su Shi's strange injustice? This kind of questioning directed at the people's state of mind and social malpractice, in "Gao Zu sings the pride of the wind", Liao Dequan practiced both wisdom and courage. After he questioned the world, he shouted, "Are warriors safe?" Liu Bang, you killed all the warriors. Are the warriors safe? Questioning "Cao Cao's" worry ""Why worry? What are you worried about? What are you worried about? What can you worry about? ".Why did Zhang Fei die? Whose guests are the Hakkas in Where Do the Guests Come from? Where is the cheap name of "Lost Pearl City"? "Asking questions is a supplement to history and a textual research on your own discovery, because archaeology is to ask the present. I feel the author's deep anxiety and impulse to life, his exploration of the truth of history and life, his concern for the present world and his vigilance against human nature. This awe and thorough questioning of history and reality requires the wisdom and courage of an official. I think, at the center of power, he always dances on the tip of a knife, playing various roles of Hua Dan, old students and young students. As Mr. Qian Mu said, walking between the noisy reality day and the quiet night of distant historical dialogue, his spiritual journey is much longer and richer than ordinary people. Because of this, his melancholy writing and dancing can offset the noisy thrills and gain a quiet peace to ease his inner feelings.

This confusion is not only related to the situation, context and mood, but also related to the prose writer, that is, how to face the voluminous historical classics, put history at the end of the pen, and integrate reading nature, poetry and history without getting tired of history, so as to maintain one's humanistic reading, gain one's own discovery and analysis, make one's own voice, and extend the tension of thought beyond the text. Some commentators pointed out that "the power of history is realized in a non-historical way for prose writers;" It is not to seek the positive solution of history, but to connect the hidden spiritual channels in history. "As an individual belonging to the Hakkas, the author asked' Where did the guests come from' thousands of times? He searched up and down, excavated folk historical legends and historical background, tried to connect the secret spiritual channels in history, sought the roots of Hakka people, sought the souls of Hakka people and asked about my hometown. With full enthusiasm, he wrote brilliant songs for the Hakkas who fled, sang and mourned all the way. He didn't just look for the source: where did the guests come from? Also ask: who is the guest? This is a firm, tragic and dignified voice. Unfortunately, in the helplessness of no answer, the author who loves his clan too much falls into the secular world. In the seventh chapter, he not only lists Hakka talents, but also boasts that he has lost his hometown "but owns the whole world". This is more or less a response to the root-seeking, and it is also a blockage of the connected secret passage. Sticking to it for a period of time is more literary and powerful. However, the article has a unique perspective, a wide space and a long time, especially flesh and blood, feelings and temper, and it is still a touching masterpiece. The most influential is The Sorrow of Cao Cao, which is accompanied by Cao Shi's wine culture, with depth, breadth and spiritual flight. Liao Dequan has been addicted to wine and literature for a long time, and he put the poetic style of China people into a fascinating and comfortable realm. This article is probably a good time to create drinking.

In addition to the magnificent historical prose, Liao Dequan has another way of writing, that is, the author's perception of real life. Most of these words are short and pithy, simple and true, understanding details and emotions, flashing with intellectual luster and interesting warmth. Essays, in particular, have the same blade, profound meaning and sharp writing. Although some chapters or essays have been left out or trapped by the times, resulting in different degrees of regret, the Collected Works of Liao Dequan undoubtedly shows the author's flying talent and modern character.

Yes, Liao Dequan without wings is flying, in his ideal kingdom. On the earth, he waved his sleeves and took away only a beautiful cloud.