Poems about national development Poems about national development

Ancient poems about the prosperity of the country

The so-called "prosperity of the country" can be understood as praising the strength of the country, or it can also be understood as the deep patriotism and beautiful vision when the country is in decline.

Two Poems Recalling the Past

Du Fu

Recalling the heyday of the Kaiyuan Dynasty, the small town still had thousands of families. The rice is dripping with fat and the corn is white, and both the public and private warehouses are abundant.

There are no jackals and tigers on the roads of Kyushu, and there is no good luck for a long journey. Qi Wan and Lu's carriages are moving in shifts, and the men plowing the fields and the women mulching trees keep up with each other.

The saint in the palace plays Yunmen, and all the friends in the world are glued together. There has been no disaster for more than a hundred years. Uncle Sun Li Le Xiao He Lu.

How can I hear that a piece of silk is worth ten thousand dollars, and there is a field that is producing grain and now it is bleeding. The palaces in Luoyang were burned down, and the ancestral temples were newly cleared of fox and rabbit holes.

I am so sad that I can’t bear to ask about my elders, and I am afraid that I will leave from the beginning. The minister is dull and incompetent, but the imperial court recognizes Meng Lu's rank.

Zhongxuan of Zhou looked upon our emperor, and shed blood on Jiang and Han, and his body became ill.

Summary of this poem: The peaceful scene described in it in the prosperous Tang Dynasty, when the people were happy and people were not picking up things on the road, came to an abrupt end in the 14th year of Tianbao (AD 755) of Emperor Xuanzong of the Tang Dynasty. , causing the "Nine-layered City Tower to rise in smoke" - the "Anshi Rebellion" broke out, and the great Tang Dynasty fell sharply from its peak. The most glorious historical drama in Chinese history, the lights suddenly dimmed. However, there are heroes in every generation. In the great and magnificent historical era, new heroes will emerge according to the times, with dazzling colors and heroic figures, which is dizzying for the eyes. Verses describing development

Idioms describing development

1. Prosperity: Describing the vigorous development of various undertakings and becoming increasingly rich and powerful.

2. General trend: General trend: refers to the entire situation. The development trend of the entire situation.

3. The arteries of the country and the lives of the people. It is a metaphor for the foundation on which the country and its people rely for survival and development.

4. Know the meaning by seeing the micro: micro: small; zhu: significant. You can know its nature and development trend by seeing the small signs.

5. Rolling waves: Rolling waves: the appearance of rushing water. Describes the rapid flow of rivers or the rapid development of trends.

6. The beginning and the end: the beginning and the beginning of things; the end and the beginning of things. It means that the development of things has certain rules, and there is a beginning and an end.

7. Observe the present and know the past: refers to the development of things as a process. It always evolves gradually over time. By observing its current state, one can deduce its original appearance.

8. Fahuang Zhangda: Fahuang: show openness and cheerfulness. Development and expansion. Verses describing vigorous development

The heavy snow is pressing down on the green pine trees, and the green pine trees are straight and straight

You must know that the pines are noble and pure, until the snow melts

Firmly insist on not relaxing on the green mountains, and establish their roots It was originally in the broken rock.

Even though you have endured countless blows, you are still strong, regardless of the winds from east to west, north and south.

The grass grows in the original land, and it grows brighter and wither every year.

Wildfires never burn out, but the spring breeze blows them again. About National Poetry

From "National Rhyme Recitation" compiled by the "Traditional Culture and Child Development" research group led by Professor Zhou Zongkui, Dean of the School of Psychology of Central China Normal University. Currently, teaching practice has been carried out in early childhood education institutions in nearly 60 large and medium-sized cities across the country. "National Rhyme Reciting" has seven levels, with up to 120 rhymes, each rhyme has 32 characters. It imitates the form of a thousand-character prose, with four characters, one sentence, eight characters and one rhyme. It is catchy and easy to recite. In terms of text content, based on the natural order of children's perception of everything in the world and the principle of progression from shallower to deeper, the knowledge points include daily life, basic etiquette, natural animals, natural science, cultural landscape, historical changes, traditional culture, historical allusions, etc.

In addition, the full text of this book cannot be found on the Internet. I can only go to the bookstore where the original poster is located to see what I haven’t bought yet! Tags: Composition classics Previous article: Rule of law activity slogans Rule of law slogans Next article: Sentences describing the appearance of chrysanthemums Sentences describing the appearance of wild chrysanthemums

Poems describing the rapid development of things

Luohong Originally a heartless thing, it falls into spring mud to protect the flowers.

The essence comes and goes clean, but the filth and filth fall into ditches.

The grass has just revealed its sharp corners, and dragonflies have already stood on it.

There is no way out in the mountains and rivers, and there is another village with dark flowers and bright flowers.

Suddenly a spring breeze came overnight, and thousands of pear trees bloomed. The development of poetry?

Poetry has a long history in China, lasting for thousands of years, and has made brilliant achievements. As early as the Western Zhou Dynasty to the Spring and Autumn Period, Chinese poetry had produced a large number of glorious chapters, which was marked by the emergence of the first collection of poetry in my country, the Book of Songs. The Book of Songs contains 305 poems, divided into three parts: "Wind", "Elegance" and "Ode", all of which can be sung with music. Most of the chapters in "The Book of Songs" have a distinct sense of the times and people's character. They make good use of the expression techniques of Fu, Bi and Xing. The sentence structure is mainly four characters, and they often use repeated chapters and overlapping sentences. They have laid a profound foundation for China's literary creation in the past 2000 years. foundation and artistic heritage.

In the late Warring States period, a new poetry style with the unique style of Chu culture emerged in the Chu State in the south - Chu Ci (Sao Style). The sentence patterns of Chu Ci vary in length, with six-character and seven-character sentences being the main ones, and the word "xi" is often used. Qu Yuan, the founder and main author of Chu Ci, used this form to create immortal poems such as "Li Sao", "Nine Songs" and "Nine Chapters", becoming the first great poet in the history of Chinese literature. His representative work "Li Sao" is the most magnificent long lyric poem in the history of ancient Chinese literature. After Qu Yuan, there were Song Yu, Tang Le, Jing Cha and other Chu Ci writers. The emergence of Chu Ci marks the development of Chinese poetry from folk collective singing to a higher stage of independent creation by poets. The Book of Songs and Songs of Chu are the two major sources of the development of poetry in later generations. They are both known as "The Book of Songs" in the history of literature. Together, they created the excellent tradition of keeping pace with, integrating and developing realism and romanticism in ancient Chinese poetry. Set an example for future generations.

In the early Han Dynasty, the literati poetry world was relatively lonely, while folk music and music were quite active. "Yuefu" originally referred to the national music institution. Later generations also called the lyrics collected and edited by Yuefu that could be sung with music and music as "Yuefu". Han Yuefu folk songs are the essence of Han Yuefu. Han Yuefu folk songs inherit the realistic tradition of folk songs in The Book of Songs, "The hungry sing about their food, and the laborers sing about their affairs." Most of them are "feeling sadness and joy, and are inspired by events." They are easy to understand, good at narrative, and full of life flavor. The style is mainly composed of miscellaneous words and five words, which reflects the new development of poetry art. "Sang on the Mosque" and "Peacock Flying Southeast" are the best works of Han Yuefu folk songs and representative works of narrative poetry. "The Peacock Flying Southeast" is the first long narrative poem in the history of Chinese poetry that is highly unified in both ideological and artistic qualities. It has 353 sentences and 1,765 words. It is known as "the sage of long poems" and "the first long poem in ancient and modern times." Under the influence of Han Yuefu, literati five-character poetry gradually developed and matured, the symbol of which was the "Nineteen Ancient Poems" that appeared in the late Eastern Han Dynasty. This is a group of short lyrical poems written by a poor literati. They are sentimental in mood, short in words and long in love, euphemistic and implicit, simple and concise. They are known as "a word of gold" and "the crown of five words".

In the late Han, Wei and Jin dynasties, literature entered the era of self-consciousness. During the Jian'an period, "the world was in chaos, and social customs were declining." However, literati poetry showed a great development situation of "five-character soaring". The "Three Cao" father and son and Wang Can and other "Seven Sons of Jian'an" formed the Ye literati group as the center group. Most of their poems reflected the turmoil of the times and the suffering of the people, and expressed their personal ideals and aspirations. They had a style of "generousness and capriciousness" and "profound ambition and long writing", which was the "Jian'an style" praised by later generations. Among the Jian'an poems, Cao Zhi and Wang Can had the most outstanding achievements. At the turn of the Wei and Jin Dynasties, the world changed. The "Seven Sages of the Bamboo Grove" were the representative group of poets in the Zhengshi period. Among them, Ruan Ji and Ji Kang were the most famous and accomplished. Ruan Ji's 82 "Poems of Love" are my country's first large-scale and rich personal lyrical five-character poems, while Ji Kang opened up a new realm of four-character poems. During the Taikang period of the Western Jin Dynasty, it was known as "Three Zhangs, Two Lands, Two Pans and One Zuo" in the poetry world. The works of Lu Ji, Zhang Xie, Pan Yue and others pursue the beauty of words and create a trend of Chinese poetry. Zuo Si is unique and inherits the Jian'an literary tradition. His eight poems in "Ode to History" express his feelings through chanting history, with a high-pitched mood. His writing power is strong and vigorous, and he is known as "Zuo Sifeng Power". Xuanyan poetry was rampant in the Eastern Jin Dynasty. It was not until the emergence of Tao Yuanming in the late Eastern Jin Dynasty that the poetry world suddenly became more brilliant. Tao's poems mostly wrote about pastoral life, with a naturally diluted style, "quality but solid and beautiful, fat and plump" (Su Shi's words), which had a direct influence on the landscape pastoral poetry school of the Tang Dynasty.

During the Southern and Northern Dynasties, the representative poets in the south included Xie Lingyun, Xie, Bao Zhao, etc. Xie Lingyun created landscape poetry and realized the transformation from metaphysical poetry to landscape poetry. Affected by it, Xie was good at describing landscapes, and together with Xie Lingyun, he was called "Big and Small Xie".

Bao Zhao was good at using the ancient seven-character style to express his cynicism, and his style was elegant and bold, paving the way for the development of seven-character songs in the Tang Dynasty. The most accomplished poet in the north is Yu Xin, who came from the south to the north. He wrote about his hometown thoughts with a vigorous pen, blended the poetic styles of the north and the south, and became a master of the poetry of the Six Dynasties. The Yuefu folk songs of the Southern and Northern Dynasties echo the Han Yuefu. The folk songs of the Southern Dynasties are clear and graceful, and the representative work is "Xizhou Song"; the Northern...>> Development of Ancient Poetry

Poetry has a long history in China, lasting for thousands of years, and has made brilliant achievements. As early as the Western Zhou Dynasty to the Spring and Autumn Period, Chinese poetry had produced a large number of glorious chapters, which was marked by the emergence of the first collection of poetry in my country, the Book of Songs. The Book of Songs contains 305 poems, divided into three parts: "Wind", "Elegance" and "Ode", all of which can be sung with music. Most of the chapters in "The Book of Songs" have a distinct sense of the times and people's character. They make good use of the expression techniques of Fu, Bi, and Xing. The sentence structure is mainly four characters, and they often use repeated chapters and overlapping sentences, which laid a profound humanistic foundation for later literary creations. and artistic heritage.

In the late Warring States period, a new poetry style with the unique style of Chu culture emerged in the Chu State in the south - Chu Ci (Sao Style). The sentence patterns of Chu Ci vary in length, with six-character and seven-character sentences being the main ones, and the word "xi" is often used. Qu Yuan, the founder and main author of Chu Ci, used this form to create immortal poems such as "Li Sao", "Nine Songs" and "Nine Chapters", becoming the first great poet in the history of Chinese literature. His representative work "Li Sao" is the most magnificent long lyric poem in the history of ancient Chinese literature. After Qu Yuan, there were Song Yu, Tang Le, Jing Cha and other Chu Ci writers. The emergence of Chu Ci marks the development of Chinese poetry from folk collective singing to a higher stage of independent creation by poets. The Book of Songs and Songs of Chu are the two major sources of the development of poetry in later generations. They are both known as "The Book of Songs" in the history of literature. Together, they created the excellent tradition of keeping pace with, integrating and developing realism and romanticism in ancient Chinese poetry. Set an example for future generations.

In the early Han Dynasty, the literati poetry world was relatively lonely, while folk music and music were quite active. "Yuefu" originally referred to the national music institution. Later generations also called the lyrics collected and edited by Yuefu that could be sung with music and music as "Yuefu". Han Yuefu folk songs are the essence of Han Yuefu. Han Yuefu folk songs inherit the realistic tradition of folk songs in The Book of Songs, "The hungry sing about their food, and the laborers sing about their affairs." Most of them are "feeling sorrow and joy, and are inspired by events." They are easy to understand, good at narrative, and full of life. The style is mainly composed of miscellaneous words and five words, which reflects the new development of poetry art. "Sang on the Mosque" and "Peacock Flying Southeast" are the best works of Han Yuefu folk songs and representative works of narrative poetry. "The Peacock Flying Southeast" is the first long narrative poem in the history of Chinese poetry that is highly unified in both ideological and artistic qualities. It has 353 sentences and 1,765 words. It is known as "the sage of long poems" and "the first long poem in ancient and modern times." Under the influence of Han Yuefu, literati five-character poetry gradually developed and matured, the symbol of which was the "Nineteen Ancient Poems" that appeared in the late Eastern Han Dynasty. This is a group of short lyrical poems written by a poor literati. They are sentimental in mood, short in words and long in love, euphemistic and implicit, simple and concise. They are known as "a word of gold" and "the crown of five words".

In the late Han, Wei and Jin dynasties, literature entered the era of self-consciousness. During the Jian'an period, "the world was in chaos, and social customs were declining." However, literati poetry showed a great development situation of "five-character soaring". The "Three Cao" father and son and Wang Can and other "Seven Sons of Jian'an" formed the Ye literati group as the center group. Most of their poems reflected the turmoil of the times and the suffering of the people, and expressed their personal ideals and ambitions. They had a style of "generousness and capriciousness" and "profound ambition and long writing", which was the "Jian'an style" praised by later generations. Among the Jian'an poems, Cao Zhi and Wang Can had the most outstanding achievements. At the turn of the Wei and Jin Dynasties, the world changed. The "Seven Sages of the Bamboo Grove" were the representative group of poets in the Zhengshi period. Among them, Ruan Ji and Ji Kang were the most famous and accomplished. Ruan Ji's 82 "Poems of Love" are my country's first large-scale and rich personal lyrical five-character poems, while Ji Kang opened up a new realm of four-character poems. During the Taikang period of the Western Jin Dynasty, it was known as "Three Zhangs, Two Lands, Two Pans and One Zuo" in the poetry world. The works of Lu Ji, Zhang Xie, Pan Yue and others pursue beautiful words and create the trend of Chinese poetry. Zuo Si is unique and inherits the Jian'an literary tradition. His eight poems in "Ode to History" express his feelings through chanting history, with a high-pitched mood. His writing power is strong and vigorous, and he is known as "Zuo Sifeng Power". Xuanyan poetry was rampant in the Eastern Jin Dynasty. It was not until the emergence of Tao Yuanming in the late Eastern Jin Dynasty that the poetry world suddenly became more brilliant. Tao's poems mostly wrote about pastoral life, with a naturally diluted style, "quality but solid and beautiful, fat and plump" (Su Shi's words), which had a direct influence on the landscape pastoral poetry school of the Tang Dynasty.

During the Southern and Northern Dynasties, the representative poets in the south included Xie Lingyun, Xie, Bao Zhao, etc. Xie Lingyun created landscape poetry and realized the transformation from metaphysical poetry to landscape poetry. Affected by it, Xie was good at describing landscapes, and together with Xie Lingyun, he was called "Big and Small Xie". Bao Zhao was good at using the ancient seven-character style to express his cynicism, and his style was elegant and bold, paving the way for the development of seven-character songs in the Tang Dynasty. The most accomplished poet in the north is Yu Xin, who came from the south to the north. He wrote about his hometown thoughts with a vigorous pen, blended the poetic styles of the north and the south, and became a master of the poetry of the Six Dynasties. The Yuefu folk songs of the Southern and Northern Dynasties echo the Han Yuefu. The folk songs of the Southern Dynasties are clear and graceful, and the representative work is "Xizhou Song"; the folk songs of the Northern Dynasties...>> Are there any verses that lead to development

If you want to succeed, you should move forward on a new path, not follow it The trampled road to success.

——John D. Rockefeller

Conservatism is the product of comfort, while innovation is the vitality of a scientific house.

If learning is only about imitation, then we will not have science or technology.

——Golky

When encountering problems, I always strive to find ingenious ideas. , win by surprise.

——Zhu Qingshi

Don’t be superstitious about authority and follow what others say, but establish a scientific spirit of independent thinking. It expresses rapid development and good poetry

On Poetry Zhao Yi

Li and Du's poems have been passed down by thousands of mouths, but they are no longer new.

Talented people have emerged from generation to generation, and each has led the army for hundreds of years.

Translation:

The poems of Li Bai and Du Fu have been praised by thousands of people, but now they feel like they are nothing new after reading them

Our great rivers and mountains Talented people emerge in every generation, and their poems, articles, and popularity will last for hundreds of years.

Appreciation 1:

Zhao Yi advocates innovation in poetry and opposes mechanical simulation, and this poem reflects this. In order to illustrate the reason why poetic styles change from generation to generation, the poet cited two great masters in the history of poetry, Li Bai and Du Fu in the Tang Dynasty, as examples. I think that even for great poets like Li and Du, their poems have been circulated for thousands of years and have been widely circulated, so they no longer feel fresh to people. From the perspective of historical development, every era has its leading figures, and we do not have to just follow the ancients. "There are talented people from generation to generation, and each of them leads the army for hundreds of years" is a famous saying that is widely recited.

Appreciation 2:

The first two sentences of the poem use the poems of Li Bai and Du Fu as examples: "Li Bai and Du Fu's poems have been passed down by thousands of mouths, and they are no longer new." Li Bai and Du Fu His poems have been passed down through the ages, and no one can compare with them. However, even such a great poem still feels stale. It can be seen that "talented people appear from generation to generation in the country, and each leads the army for hundreds of years." There are talented people in the country from generation to generation, and their respective influence only lasts for a few hundred years. The author believes that poetry should continue to develop with the times, and poets should seek changes and innovations in creation, rather than deliberately imitating and following the footsteps of the ancients. Tags: Composition classics Previous article: Rule of law activity slogans Rule of law slogans Next article: Sentences describing the appearance of chrysanthemums Sentences describing the appearance of wild chrysanthemums