Art College Entrance Examination: Five Relationships to Pay Attention to in Sketching Still Life

Art College Entrance Examination: Five Relationships to Pay Attention to in Sketching Still Life

Sketching still life is an important part of basic sketch training, the cornerstone of further learning portrait sketch and plaster sketch, and even more complicated sketch courses, and the basic skill of color still life sketch.

Basic sketch mainly refers to realistic sketch, including tone sketch and structure sketch. Tone sketch is to train beginners to feel, understand and express objective images in all directions. Structure sketch, on the other hand, is a sketch training method to strengthen the full understanding of body structure. Tone sketch emphasizes all factors: including proportion, perspective, tone level, sense of structure, sense of space, texture, artistic conception and so on. However, structure sketch only pays attention to the structural analysis of forms, and studies the combination and composition of forms. The modeling method is relatively simple, mainly using line modeling. Tone sketch and structure sketch play a certain role in the current art college entrance examination. Tone sketch is generally a compulsory subject for some majors in art colleges and art teachers' colleges, and structure sketch is the content frequently tested by many majors with the wide popularization of art design in recent years. Of course, the two are not contradictory, but complement each other. It is the complement of understanding and expression. How to draw a good sketch still life? Here are some points that should be paid attention to in training:

First, the relationship between the whole and the parts.

In painting and sketching, the whole concept is a core issue from beginning to end, and how to deal with the relationship between the whole and the part is the primary task that must be faced. Of course, we can't vulgarize and absolutize the whole concept. It is also wrong to emphasize the whole and ignore the parts. Without parts, the whole cannot depend on it. Sacredness is not a method, but an idea. When sketching still life, there are usually many combinations of objects, so we must establish the concept of starting from the whole, knowing, observing and grasping the whole. Draw apples to think of pottery pots, draw squares to think of circles, and draw desktops to think of backgrounds. Within the framework of the whole, the local expression space is very huge. Without in-depth description of the local, the whole will lose its meaning. So you can boldly go deep into the role and portray the role. As long as we always follow the overall law and implement the relationship between primary and secondary, local painting is promising.

Second, the relationship between observation and performance

Some beginners often say that they can't draw in the face of still life sketch, which seems to be an extreme misunderstanding. The ancients said:? Learn from nature? Teachers, of course. As a realistic sketch, it is in? Learn from nature? . Not that I can't draw, but that I can't see. In the face of a group of concrete objects, the eyes can't observe, can't see the differences and connections between the whole, can't see the local subtle changes and interactions, but blindly seek the dharma. This is really a big taboo in sketching. Observation is nothing more than overall contrast: the difference between big and small, tall and short, flat and oblique, black and white, hard and soft, and so on. Finding the differences between them is the overall comparison. Without the observation method of overall comparison, the performance of local isolation will always be wrong.

Third, the relationship between subjective and objective.

Do we have to copy all the objects in a group of still lives? Art comes from nature and is higher than nature, so photography realism has certain limitations. It is the ultimate law of art to respect reality and give full play to subjective initiative. How to deal with the relationship between expression and reproduction, subjectivity and objectivity is something that beginners need to pay attention to. It is the unity of subjective and objective to establish the overall concept and handle the relationship between primary and secondary, before and after, reality and space.

Fourthly, the relationship between structure and tone.

It is quite difficult for beginners to understand the structure, but it is much easier to train the music. Is tone important or structure important? For painting art, structure is the essence, while color is the representation. If the tone sketch loses the layering of tone, it will be difficult to achieve the goal of figuration. Of course, without structure, tone sketch loses its internal structure and skeleton. Does this picture look good? Shallow articles? . Structure sketch abandoned the factor of color tone and paid attention to the relationship between form composition and combination, but he grasped the essence and ignored the surface, so he compared it. Art? . So it is ok to ignore the tone, but we must not lose the structure.

Fifth, the relationship between sketch and dictation.

Sketch training is the key point to enter realistic painting. Without a lot of long-term observation methods and performance skills training, it is impossible to master the essence of painting. At present, many art colleges often have dictation during sketch exams, which is a great challenge for students who lack strict training. How to deal with the relationship between sketch and dictation? First, increase the training level of sketch, strengthen understanding when sketching, and understand several basic relationships in essence. Second, always test your dictation ability to see if you remember what you drew after sketching. Third, summarize the basic laws of painting performance to achieve the purpose of drawing inferences from one instance to another. Fourth, train some test sites and difficulties in a targeted manner and realize some problems.

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