Please use academic language to evaluate Zou Taofen. Examples, character, whatever.

People speak highly of Mr. Zou Taofen’s status. In history, some people compare him with the likes of Qu Yuan, Zou Yan, Han Feizi, Jia Yi, Du Wei, and Xu Ji. Mr. Guo Moruo's elegiac couplet reads: "Ying Tan has been passed down to Zou Zi for hundreds of generations, and history has been passed down for thousands of years and Jia Sheng has been wept for." In the century-old history of journalism and publishing, some people say that there are only five master-level figures: Liang Qichao and Chen Duxiu in newspapers and magazines; Zhang Yuanji and Lu Feikui in books; and the only master who integrates books, newspapers and periodicals is Mr. Zou Taofen (Wang Zhenduo said ). Others say that there are only four representative figures in modern publishing: Zhang Yuanji, Li Da, Zou Taofen and Hu Yuzhi (Ji Shaofu). The highest praise can be seen in the name of revolution. Mr. Chen Yi wrote: "The great success of Mr. Taofen's lifelong struggle is that he once again pointed out the general law of the Chinese revolution after Sun (Zhongshan) and Lu (Xun). This kind of The value is incomparable.”

In this context, Mr. Zou Taofen’s story has been continuously transformed into a grand narrative epic, showing us the reality and fantasy of a Chinese intellectual. life journey. If we summarize people's praises for the "Taofen Spirit", it can cover almost all the traditional virtues and progressive ideas of the Chinese nation. Like: sincerity, freedom, creativity, toughness, independence, seriousness, dedication, revolution, patriotism, selflessness, determination, humility, justice, responsibility, hard work, hard work, comradeship, mass perspective, the spirit of serving the people wholeheartedly, until ** *The spirit of communism.

Faced with such a huge honor, I often feel dizzy, and a statue of a great man naturally emerges in my mind. It is bathed in sunlight, gradually grows, expands, and reaches into the clouds. . At this moment, I lowered my head, and from the bottom of my heart, I longed even more to get close to the kind, peaceful and real Mr. Taofen.

I saw that in October 1926, Mr. Tao Fen, who was already 31 years old, began to take over the "Life" weekly, and also began his journalism and publishing career that he had struggled for his whole life. It took him one year to increase the print run of the magazine from 2,800 to 20,000; more than a year later, the print run of the journal rose to 40,000; two years later, it rose to 155,000, making it the The largest selling journal. This is a miracle in the history of Chinese news publishing; before it, the famous "New Youth" only had a print run of 10,000 copies.

I saw that when Mr. Tao Fen first took over the "Life" weekly, he had no money and no team of writers. In order to enrich the columns, Mr. Tao Fen once used various pen names, including Xinshui, Yigong, Qiuyue, Luoxia, Xiaoshi, etc., to cover the articles in each column. Life Bookstore was established in 1932, and their business grew rapidly; at its peak, Life Bookstore had nearly 50 branches across the country, publishing more than 1,000 books and more than 30 periodicals. In a material of the Kuomintang, it was written: "Although the books in the Life Bookstore can be found everywhere in remote rural areas, they can be said to be pervasive, and their power is really terrifying."

I saw that Mr. Taofen was less than 20 years old. During his 20-year journalism and publishing career, he was imprisoned in the "Seven Gentlemen's Prison" that shocked China and the world. He also went into exile many times due to various reasons, so he was called an "exile journalist".

I saw that Mr. Tao Fen left more than 8 million words of articles in his life. Taking columns such as "Little Comments" as a symbol, he always adheres to the writing principle of "speaking for the public and letting the public understand". As Mr. Hu Yuzhi said: "If Lu Xun is the immortal mentor of the people, Tao Fen is the true partner and friend of the people."

I saw Mr. Tao Fen's ideal journal It is "a financially independent publication and a free-spirited reader." His ideal publisher is one who "can kill my head, but my conscience, my freedom of speech, and my editorial sovereignty are absolutely not subject to any individual in any aspect." His ideal publisher is "for readers." Service is the happiest thing about being an editor."