Poems about describing rural pastoral scenery

1. Poems describing rural pastoral scenery

Ancient poems describing pastoral scenery

1. "Two Quatrains"

Tang· Du Fu

The country is beautiful in Chiri, and the spring breeze is fragrant with flowers and grass.

The swallows fly when the mud melts, and the mandarin ducks sleep in the warm sand.

2. "Zhuli Pavilion"

Wang Wei of the Tang Dynasty

Sitting alone in the secluded bamboo, playing the piano and whistling loudly.

People in the deep forest don’t know that the bright moon comes to shine.

3. "Passing Through an Old Friend's Village"

Meng Haoran of the Tang Dynasty

An old friend brought chicken and millet and invited me to Tian's house.

Green trees border the village, and Qingshanguo slopes outside.

Open a dining room and chat over wine.

On the Double Ninth Festival, I will still come to see chrysanthemums.

4. "Wangchuan Residence Presented to Pei Xiu Caidi"

Wang Wei of the Tang Dynasty

The cold mountains turn green, and the autumn water gurgls.

Leaning on a stick outside the firewood door, listening to the evening cicadas in the wind.

The sun is still setting over the ferry, and the lonely smoke is rising in the ruins.

On the summer day, I got drunk and sang wildly in front of the five willow trees.

5. "Returning to the Garden and Living in the Fields" Part 1

Tao Yuanming of the Song Dynasty

The birds in the pond are nostalgic for the old forest, and the fish in the pond are thinking about the old abyss.

Open up the wilderness in the south, stay humble and return to the countryside.

The square house covers an area of ??more than ten acres and has eight or nine thatched houses.

Elm and willow shade behind the starling tree, peach and plum trees in front of the hall.

6. "Pastoral Words and Feelings"

Li Bai of the Tang Dynasty

Jia Yi was relegated in the third year, and his class exceeded Wanlihou.

How to lead a white calf and drink water from a clear stream.

7. "Lu Chai"

Wang Wei of the Tang Dynasty

No one can be seen in the empty mountain, but the sound of people's voices can be heard.

Returning to the deep forest, the light shines on the moss again.

8. "Autumn Dwelling in the Mountains"

Wang Wei of the Tang Dynasty

After the new rain in the empty mountains, autumn comes late.

The bright moon shines among the pines, and the clear spring flows upstream from the rocks.

The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat.

Let the spring fragrance rest at will, and the kings and grandsons can stay.

9. "April in the Countryside"

Weng Juan of the Song Dynasty

The mountains are green and the rivers are white, and the rain is like smoke in the sound of the rules.

There are few idle people in the countryside in April, so they are planting sericulture and planting fields.

10. "Pastoral Miscellany in Four Seasons"

Fan Chengda of the Song Dynasty

The plums are golden and the apricots are fat, the wheat flowers are sparse and the white cauliflowers are sparse.

No one passes the fence during the long day, only dragonflies and butterflies fly. 2. Poems describing pastoral scenery

Poems describing pastoral scenery 1. "Two Quatrains" by Du Fu of the Tang Dynasty Chiri has beautiful rivers and mountains, and the spring breeze is fragrant with flowers and grass.

The swallows fly when the mud melts, and the mandarin ducks sleep in the warm sand. 2. "Zhuli Pavilion" by Wang Wei of the Tang Dynasty Sitting alone in the secluded bamboo, playing the piano and whistling loudly.

People in the deep forest don’t know that the bright moon comes to shine. 3. "Passing Through My Old Friend's Village" by Meng Haoran of the Tang Dynasty. An old friend brought chicken and millet and invited me to Tian's house.

Green trees border the village, and Qingshanguo slopes outside. Open a pavilion to enjoy the scene, drink and talk about mulberry and hemp.

On the Double Ninth Festival, I will still come to see chrysanthemums. 4. "Wangchuan Leisure Residence Presented to Pei Xiu Caidi" by Wang Wei of the Tang Dynasty The cold mountains turn green and the autumn water gurgls.

Leaning on a stick outside the firewood door, listening to the evening cicadas in the wind. The sun is setting over the ferry, and the lonely smoke is rising in the ruins.

On the summer day, I got drunk and sang wildly in front of the five willow trees. 5. "Returning to the Garden and Living in the Fields" Part 1 Tao Yuanming of the Song Dynasty The birds in the pond are nostalgic for the old forest, and the fish in the pond are thinking about the old abyss.

Open up the wilderness in the south, stay humble and return to the countryside. The square house covers more than ten acres and has eight or nine thatched houses.

Elm and willow shade behind the starling tree, peach and plum trees in front of the hall.

6. "Pastoral Words" by Li Bai of the Tang Dynasty Jia Yi was relegated in the third year, and his class exceeded 10,000 miles.

How to lead a white calf and drink water from a clear stream. 7. "Lu Chai" by Wang Wei of the Tang Dynasty. No one can be seen in the empty mountain, but the sound of people's voices can be heard.

Returning to the deep forest, the light shines on the moss again. 8. "Dwelling in the Mountains in the Dark Autumn" by Wang Wei of the Tang Dynasty. After the new rain in the empty mountains, autumn comes late.

The bright moon shines among the pines, and the clear spring flows upstream from the rocks. The bamboo noises return to Huan Nu, and the lotus moves off the fishing boat.

Let the spring fragrance rest at will, and the kings and grandsons can stay. 9. "April in the Countryside" Weng Juan, Song Dynasty The mountains are green and the rivers are white, and the rain is like smoke in the sound of the rules.

There are few idle people in the countryside in April, so they are planting sericulture and planting fields. 10. "Pastoral Miscellany in Four Seasons" by Fan Cheng of the Song Dynasty. The plums are golden, the apricots are fat, the wheat flowers are sparse, and the white cabbage flowers are sparse.

No one passes through the fence during the long day, only dragonflies and butterflies fly. 11. "Evening Scene on the Spring River in Huichong" by Su Shi of the Song Dynasty. Three or two peach blossoms outside the bamboo are prophets of the warmth of the spring river.

The ground is covered with wormwood and reed buds, which is when the puffer fish is about to come. 12. "Birdsong Stream" by Wang Wei of the Tang Dynasty. The people are idle, the osmanthus flowers are falling, and the night is quiet and the spring mountains are empty.

When the moon comes out, birds startle the mountains, and they sing in the spring stream. 13. "Visit to Shanxi Village" by Lu You of the Song Dynasty. Mo Xiao's farmhouse is full of wax and wine. In good years, there are enough chickens and dolphins for visitors.

There is no way out in the mountains and rivers, and there is another village with dark flowers and bright flowers. 14. "Old Song of the Wild" by Zhang Ji of the Tang Dynasty. The poor old farmer lived in the mountains and cultivated three or four acres of mountain fields.

The seedlings were so sparse and taxed that they could not be eaten, so they were imported into official warehouses and turned into soil. At the end of the year, people are hoeing and plowing in an empty room, and calling their children to climb mountains to collect acorns.

Xijiang Jiake has hundreds of dendrobium trees, and the dogs raised in the boat grow to eat meat. 15. "Zhongnan Mountain" Wang Wei of the Tang Dynasty Taiyi is close to the capital of heaven, with mountains and seas.

The white clouds look back and merge, and the blue mist comes in to see nothing. The peaks in the field change, and the clouds and sunshine are different. 3. Poems describing rural scenery

1. This type of poem can be summarized as a landscape pastoral poem. Please choose from the following: 1. Passing through the old friend's village Author: Meng Haoran An old friend, with chickens and millet, invited me to Tian's house.

Green trees border the village, and Qingshanguo slopes outside. Let's hold a banquet and talk about mulberry and hemp over wine.

On the Double Ninth Festival, I will still come to see chrysanthemums. 2. Pastoral Miscellany in Four Seasons Author: Fan Chengda The plums are golden and the apricots are fat, the wheat flowers are sparse and the white cauliflowers are sparse.

No one passes through the fence during the long day, only dragonflies and butterflies fly. 3. Summer garden miscellaneous. Author: Fan Chengda. The plums are golden and the apricots are fat, and the wheat flowers, white snow, and cauliflower are sparse.

No one passes through the fence during the long day, only dragonflies and butterflies fly. In May, the wheat in Jiangwu is cold, and the rice fields are covered with catkins and clothes.

The rice roots are like blocks, and the field water is one foot wide this year. When two wheat crops are harvested, a hundred coins are exchanged in autumn, and the Tian family calls it Xiaofeng Nian.

The cake oven and rice cooker are not hungry, and the westerly wind catches the ripe rice. The water is boiling, the snow is flowing, the chariots are noisy, and the rain is noisy.

Sanggu holds hands in hand to congratulate each other, there are not many silk cocoons but many silk cocoons. The young woman spends the whole night on the silk screen, while the old man urges the tax collectors and is eager to fly.

Fortunately, the silkworms are ripe this year, leaving enough yellow silk to weave summer clothes. The water from the fields flows out of the river, and the high ridges turn over the river and go up the ditch; the terrain is uneven and the manpower is exhausted, but the young man grows up on the front of the bicycle.

During the day, we work in the fields and at night, we work on hemp crops. In the village, each child is in charge of his own house. The children and grandchildren are still working for farming and weaving, and they are also learning to grow melons near the mulberry tree.

The leaves of Sophora japonica are uniform in the early days and the weather is cool. The leaves are green and green, and the mouse ears are in pairs. The three gentlemen can only see three trees, and the leisurely guests are clear of the north window.

Travelers in the yellow dust are sweating like jelly. They often stay at the farmer's house to wash the well and incense. I sit on the rock in front of the door, and the willow shade pavilion is cool in the afternoon. Thousands of hectares of flowers are blooming, and the flowers are so deep that you get lost and forget to return home late at night.

The family secretly knows where the boat is going, and sometimes little ducks fly in surprise. The hard work of collecting water chestnuts wastes the plow, and the bloody fingers flow out, and the essence of the ghost is withered.

I can’t afford to buy land to plant water, and recently the lake has also been collecting rent. Thousands of crickets are boiling in the setting sun, and the endless frogs are chirping in the long night.

If the deafness is not cured, will the dream soul fight for the bed of quinoa? 4. Going down Zhongnan Mountain and passing Husi Mountain, where people stay and buy wine. Author: Li Bai. From the foot of Bishan Mountain at dusk, the mountain moon follows people back home.

But looking at the path I came from, I saw a slight hint of green.

Together with the Tian family, childishness blossoms. Green bamboo enters the quiet path, and green radish touches the clothes.

Have a rest while chatting and drinking wine. The long song sings in the pines and the wind, and the songs are all over the river and the stars are sparse.

I am drunk and you are happy again, and you are so happy that you forget your chance. 2. Extended introduction: Landscape pastoral poetry, one of the ancient Han poems.

It originated from Xie Lingyun of the Southern and Northern Dynasties and Tao Yuanming of the Jin Dynasty, and was represented by Wang Wei and Meng Haoran of the Tang Dynasty. This type of poetry is good at describing natural scenery, rural scenery, and comfortable and tranquil secluded life.

The poetry is meaningful and beautiful, the style is quiet and elegant, the language is clear and concise, and the line drawing technique is mostly used. Poets such as Tao Yuanming formed the Pastoral Poetry School of the Eastern Jin Dynasty, poets such as Xie Lingyun and Xie Tiao formed the Landscape Poetry School of the Southern Dynasties, and poets such as Wang Wei and Meng Haoran formed the Landscape Poetry School of the High Tang Dynasty.

Poets take landscapes and pastoral areas as their aesthetic objects, and use their delicate brushstrokes to express their dissatisfaction with reality and their desire for a quiet and peaceful life. yearning. 4. Ten poems describing pastoral scenery

The ten poems describing pastoral scenery include: 1. The original text of "Weichuan Tianjia" by Wang Wei of the Tang Dynasty: The setting sun shines on the countryside, and the cattle and sheep return in the back alleys.

The old man in the wild misses the shepherd boy and leans on his stick to wait for the thorn tree. The pheasants are flying and the wheat seedlings are showing, and the silkworms are sleeping and the mulberry leaves are sparse.

Tianfu came to hoe, and we met each other and talked to each other. That is to say, this envy of leisure and relaxation fades away with sadness.

Translation: The village is covered with the afterglow of the sunset, and the cattle and sheep return one after another along the deep alleys. The old man misses his grandson who is grazing herds, and his stick and stick are waiting for him at the firewood gate of his house.

The pheasants are crowing, the wheat is about to ear, the silkworms are sleeping, and the mulberry leaves are already thin. The farmers returned to the village with their hoes in hand, laughing and loving each other.

Why don’t I envy such comfort? I couldn't help but chant "The Decline" sadly. 2. The original text of "Pastoral Works in Spring" by Wang Wei of the Tang Dynasty: Spring doves are singing on the house, and the apricot blossoms are white beside the village.

Holding an ax to cut down the distant mountains, hoeing the spring veins. Returning swallows know the old nest, and old people see the new calendar.

When I came to the wine table, I was suddenly unable to control myself, and I felt melancholy as a traveler from afar. Translation: When spring comes, a cuckoo is singing in the house, and the large apricot flowers blooming next to the village are snow-white.

Holding an ax to trim the long branches of the mulberry tree, picking up a hoe to inspect the source of the spring water. The swallow returning in spring seems to know its old nest, and the old owner in the house is looking at the New Year's calendar.

He raised his glass and was about to drink, but then stopped. Thinking of leaving his homeland to be a guest, he couldn't help but feel melancholy and regretful. 3. The original text of "Visiting an Old Friend's Village" by Meng Haoran of the Tang Dynasty: An old friend brought chicken and millet and invited me to Tian's house.

Green trees border the village, and Qingshanguo slopes outside. Open a pavilion to enjoy the scene, drink and talk about mulberry and hemp.

On the Double Ninth Festival, I will still come to see chrysanthemums. Translation: An old friend prepared a sumptuous meal and invited me to his hospitable farmhouse.

Green woods surround the village, and green mountains lie outside the city. Open the window and face the vegetable garden of the threshing floor, holding a wine glass in hand and chatting about the crops.

When the Double Ninth Festival comes, please come here to enjoy the chrysanthemums. 4. The original text of "Zhongnan Farewell" by Wang Wei of the Tang Dynasty: He was quite good at Taoism in his middle age, and he came home to Nanshan in his later years.

Every time you come or go alone, you will know your victory in vain. Walk to a waterless place and sit down to watch the clouds rise.

I happened to visit Lin Sou, and we chatted and laughed for a long time. Translation: In my middle age, I already had a good heart for Taoism. In my later years, I moved to the foot of Nanshan Mountain.

Whenever the mood strikes, I roam alone, and only I know the pleasure and joy. Take a leisurely stroll to the end of the water, sit down and look up at the drifting white clouds.

Occasionally, I met an old man in the forest. We kept chatting and laughing and forgot about my return date. 5. The original text of "Returning to the Garden and Living in the Fields (Part 3)" by Tao Yuanming of the Eastern Jin Dynasty: Planting beans at the foot of the southern mountain, the grass is abundant and the bean seedlings are sparse.

In the morning, I clean up the wasteland and filth, and return with a hoe in the moonlight. The road is narrow, the grass and trees are long, and the evening dew touches my clothes.

I don’t regret the stain on my clothes, but my wishes are true. Translation: Beans are planted in the fields under Nanshan, but the grass is lush and the bean seedlings are sparse.

Get up early in the morning and go to the fields to eradicate weeds. At dusk, under the moonlight, you go back with the hoe.

The narrow path is overgrown with vegetation, and in the evening dew wets my clothes.

It’s not a pity that my clothes are wet. I just hope I don’t violate my intention to go into seclusion. 6. The original text of "Dwelling in the Mountains in the Dark Autumn" by Wang Wei of the Tang Dynasty: After the new rain in the empty mountains, autumn comes late.

The bright moon shines among the pines, and the clear spring flows upstream from the rocks. The bamboo noises return to Huan Nu, and the lotus moves off the fishing boat.

Let the spring fragrance rest at will, and the kings and grandsons can stay. Translation: The empty mountains are bathed in a new rain, and the fall of night makes people feel that it is early autumn.

The bright moon shines clear light from the gaps between the pines, and clear spring water flows on the rocks. The noisy sound in the bamboo forest is thought to be the return of the washer girl, and the swaying of the lotus leaves is thought to be wandering up and down the boat.

The beauty of spring may as well be allowed to fade away, but the kings and grandsons of the mountains in autumn can stay for a long time. 7. The original text of "Visiting Shanxi Village" by Lu You in the Southern Song Dynasty: Mo Xiao's farmhouse is full of cured wine and has enough chicken and dolphins for visitors during good years.

There is no way out in the mountains and rivers, and there is another village with dark flowers and bright flowers. The flutes and drums follow the spring society, and the clothes and clothes are simple and ancient.

From now on, if you can take advantage of the moonlight leisurely, you can knock on the door all the time and night with your stick. Translation: Don’t laugh at the turbid wine brewed by farmers in the twelfth lunar month. In the year of harvest, the dishes for entertaining guests are very rich.

The mountains are overlapping and the water is twisting. I am worried that there is no way to go. Suddenly, another mountain village appears in front of me. The day of playing the flute and playing the drum in Chunshe is approaching, but the villagers still retain the ancient custom of simple dress.

If I can still take advantage of the beautiful moonlight to go out for a leisurely trip in the future, I will knock on your door at any time with a cane. 8. The original text of "April in the Village" by Weng Juan of the Southern Song Dynasty: The mountains are green and the rivers are white, and the rain is like smoke in the sound of the rules.

There are few idle people in the countryside in April, so they are planting sericulture and planting fields. Translation: The hillsides and fields are lush with vegetation, and the color of the water in the rice fields complements the skylight.

There is mist and rain in the sky, cuckoos are singing, and the earth is a prosperous scene. April is here, and no one is idle. They just finished sericulture and have to plant rice seedlings again.

9. The original text of "Village Evening" by Lei Zhen of the Southern Song Dynasty: The pond is full of grass and water, and the setting sun on the mountain is soaked in cold ripples. The shepherd boy returns and crosses the cow's back, playing the piccolo without any tune.

Translation: Green grass has grown over the pond, and the water in the pond has almost overflowed the bank. The green mountains in the distance, holding the red sunset in their mouths, reflect their shadows in the water, flashing with sparkling waves.

The little shepherd boy was riding on the back of the cow, slowly returning home. He was holding a piccolo and playing it casually, without a fixed tune. 10. The original text of "Village Residence" by Gao Ding of the Qing Dynasty: The grass is growing and the orioles are flying in February, and the willows are brushing the embankments and are drunk with the spring smoke.

Children come back early from school and are busy flying kites in the east wind. Translation: In the second month of the lunar calendar, the green grass in and around the village has gradually sprouted and grown, and orioles are flying here and there.

The willows are covered with long green branches, swaying in the wind, as if gently stroking the embankment. The water vapor that evaporates between the water and vegetation condenses like smoke.

The willows seem to be intoxicated by this rich scenery. The children in the village hurried home after school and took advantage of the east wind to fly kites into the blue sky. 5. Poems about pastoral scenery

Poems about pastoral scenery:

Mountains and rivers are full of doubts and there is no way, and willows and flowers are bright in another village. ——Lu You's "Visit to Shanxi Village"

The orioles sing in thousands of miles, reflecting the red green, and the wine flags in the mountains and rivers in the water village are in the wind. ——Du Mu's "Jiangnan Spring"

Where can I find the restaurant? The shepherd boy points to Xinghua Village in the distance. ——Du Mu's "Qingming Festival"

The green trees border the village, and the green mountains slant outside. —— Meng Haoran's "Passing the Old Friend's Village"

Children and grandchildren have not yet been asked to farm and weave, and they also learn to grow melons near the mulberry tree. ——Fan Chengda's "Summer Pastoral Miscellany Part 7"

The peach red contains the rain, and the willow green contains the morning smoke. —— Wang Wei's "Seven Pastoral Music No. 6"

Farming in the fields during the day and planting hemp at night, the children of the village are each responsible for their own affairs. ——Fan Chengda, "Summer Pastoral Miscellany·Part 7"

One or two roosters crow in the rain, and the bridge on the road in Zhuxi Village is slanted. ——Wang Jian's "Rain Passes the Mountain Village"

At the foot of the southern mountain where beans are planted, there are few bean seedlings in the grass.

——Tao Yuanming's "Returning to the Garden and Living in the Fields·Part Three"

Mo Xiao's farmhouse is full of wax and wine, and in good years the guests are full of chickens and dolphins. —— Lu You's "Visit to Shanxi Village"

The setting sun is setting in the isolated village, the jackdaws in the old trees are lightly smoked, and there is a shadow of a flying dragon. ——Bai Pu's "Tian Jing Sha·Autumn"

The children came back early from school and were busy taking advantage of the east wind to fly kites. —— Gao Ding's "Village Residence"

A young man has no sense of vulgarity, and his nature is to love hills and mountains. ——Tao Yuanming, "Returning to the Garden and Living in the Fields Part 1"

The mountains are green and the rivers are white, and the rain is like smoke in the sound of the rules. ——Weng Juan's "April in the Countryside"

Jujube flowers are falling on clothes and towels, reeling carts are ringing in the south and north of the village, and cucumbers are sold by cows and old willows. —— Su Shi's "Huanxi Sha·Jujube Blossoms Falling on Clothes and Scarves"

What I love most is that the child dies, lying down at the head of the stream peeling the lotus pods. ——Xin Qiji's "Qing Ping Le·Village Living"

It is not enough to cherish the clothes, but it is true to the wishes. ——Tao Yuanming, "Returning to the Garden and Living in the Fields Part 3"

I walked out the front door alone and looked at the wild fields. The moon was bright and the buckwheat flowers were like snow. ——Bai Juyi's "Village Night"

A river of water protects the fields and surrounds them with green, and two mountains are lined with gates to bring green. ——Wang Anshi's "Book on Mr. Hu Yin's Wall"

Birds nostalgic for the old forest, fish in the pond long for the old abyss. ——Tao Yuanming, "Returning to the Garden and Living in the Fields·Part 1"

Lying stiffly in the isolated village, I don’t feel sorry for myself, but I still think about guarding the Luntai for the country. ——Lu You, "Wind and Rain on November 4th"

No one passes the fence during the long day, only dragonflies and butterflies fly. ——Fan Chengda's "Pastoral Miscellany of the Four Seasons Part 2"

An old friend invited me to Tian's house with chicken and millet. —— Meng Haoran's "Visiting the Old Friend's Village"

After being in a cage for a long time, you can return to nature. ——Tao Yuanming's "Returning to the Garden and Living in the Fields Part 1"

The distant village is warm, and the smoke in the ruins is lingering. ——Tao Yuanming, "Returning to the Garden and Living in the Fields·Part 1"

There is no idle land in the world, and farmers are still starving to death. ——Li Shen's "Two Ancient Poems"

Tangli leaves have fallen into a rouge color, and buckwheat flowers are blooming with the fragrance of white snow. ——Wang Yucheng's "Village Tour: Horses Crossing the Mountain Trail, Chrysanthemums Are Early Yellow"

In April in the countryside, there are few idle people, so they are planting sericulture and planting fields. —— Weng Juan's "April in the Countryside"

From now on, if I can take advantage of the moonlight, I will knock on the door with my stick all the time. ——Lu You's "Visiting Shanxi Village"

A distant village is surrounded by solitary smoke at the foot of the mountain, and there is a single tree on the plateau on the horizon. —— Wang Wei's "Seven Pastoral Music Part 5"

The road is narrow and the grass and trees are long, and the evening dew touches my clothes. ——Tao Yuanming, "Returning to the Garden and Living in the Fields·Part 3"

Egrets fly in the desert paddy fields, and orioles sing in the overcast summer trees. ——Wang Wei's "Jiyu Wangchuan Village"

The rear eaves are shaded by elms and willows, and the peach and plum trees are in front of the hall. ——Tao Yuanming, "Returning to the Garden and Living in the Fields·Part 1"

Dogs bark deep in the alley, and roosters crow at the top of the mulberry trees. ——Tao Yuanming's "Returning to the Garden and Living in the Fields·Part 1" 6. Ancient poems describing rural pastoral scenery, five character quatrains, two poems

1. "Looking for Lu Hongjian but not meeting him"

Tang Dynasty : Jiaoran

Although I moved home with Guo, I walked into the wild path into Sangma. The hedge chrysanthemums planted recently have not yet bloomed in autumn.

No dogs barked at the door, so I wanted to ask the Xi family. Reportedly going to the mountains, returning every day.

Translation:

He moved his family to the city area, where the country roads lead to Sangma.

Chrysanthemums were planted near the fence, but they did not bloom in autumn.

I didn’t hear a barking after knocking on the door, so I went to ask the neighbor of Xi’s house about the situation.

The neighbor replied that he had gone to the mountains and it would be dusk when he returned.

2. "Autumn Dwelling in the Mountains"

Tang Dynasty: Wang Wei

After the new rain in the empty mountains, autumn comes late.

The bright moon shines among the pines, and the clear spring flows upstream from the rocks.

The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat.

Let the spring fragrance rest at will, and the kings and grandsons can stay.

Translation:

The valley is empty and fresh after the new rain, and the weather is particularly cool in the early autumn evening.

The bright moon shines in the quiet pine forest, and clear spring water flows on the rocks.

The girl in the bamboo forest laughs loudly as she returns from washing. The lotus leaves sway gently as she wanders up and down the boat.

Although the beauty of spring has faded, the autumn scenery in front of you is enough to make people linger.

3. "Passing Through an Old Friend's Village"

Tang Dynasty: Meng Haoran

An old friend brought chicken and millet and invited me to Tian's house.

Green trees border the village, and Qingshanguo slopes outside.

Open a dining room and chat over wine.

On the Double Ninth Festival, I will still come to see chrysanthemums.

Translation:

An old friend prepared a sumptuous meal and invited me to his farmhouse as a guest.

Green woods surround the village, and a line of green hills looms faintly outside the city walls.

Open the window and face the farm and vegetable garden, drink wine and chat about farming.

When the Double Ninth Festival comes, I will come here to watch the chrysanthemums.

4. "Returning to the Garden and Living in the Fields·Part 3"

Wei and Jin Dynasties: Tao Yuanming

At the foot of the southern mountain where beans are planted, the grass is full of bean seedlings.

In the morning, I clean up the wasteland and filth, and return with a hoe in the moonlight.

The road is narrow and the grass and trees are long, and the evening dew touches my clothes.

It is not a pity to have stains on your clothes, but your wishes are true.

Translation:

I plant beans at the foot of Nanshan Mountain. The weeds are lush and the bean seedlings are sparse.

I get up early in the morning and go to the fields to remove weeds, and return home under the moonlight when night falls.

The mountain path is narrow and overgrown with vegetation, and the dew at night soaked my clothes.

It’s not a pity that my clothes got wet, I just hope I don’t violate my intention to go into seclusion.

5. "Zhongnan Farewell"

Tang Dynasty: Wang Wei

He was quite good at Taoism in his middle age, and lived in the southern border of Nanshan in his later years.

Every time you come or go alone, you will know your victory in vain.

Walk to a water-poor place and sit down to watch the clouds rise.

I happened to visit Lin Sou, and we chatted and laughed for a long time.

Translation:

After middle age, he had a strong desire to be good at Taoism, and it was not until his later years that he settled on the edge of Zhongnan Mountain.

When I am interested, I often travel alone and enjoy myself when I have happy things.

Sometimes I go to the end of the water to find the source, and sometimes I sit and watch the rising clouds and mist changing.

I accidentally met a village elder in the woods. I chatted and laughed with him and often forgot to return home. 7. Poems describing pastoral scenery

Describing pastoral scenery

1. "Two Quatrains" by Du Fu of the Tang Dynasty

In Chiri, the mountains and rivers are beautiful, and the spring breeze is fragrant with flowers and grass. The mud melts and swallows fly, and the sand is warm and mandarin ducks sleep.

2. "Zhuli Pavilion" by Wang Wei of the Tang Dynasty

Sitting alone in the secluded bamboo, playing the piano and whistling loudly. People in the deep forest don't know that the bright moon comes to shine.

3. "Passing an Old Friend's Village" by Meng Haoran of the Tang Dynasty

An old friend brought chicken and millet and invited me to Tian's house. The green trees border the village, and the green mountains and hills slope outside. Open a pavilion to enjoy the scene, drink and talk about mulberry and hemp.

On the Double Ninth Festival, I will still come to see chrysanthemums.

4. "Wangchuan Residence Presented to Pei Xiu Caidi" by Wang Wei of the Tang Dynasty

The cold mountains turn green and the autumn water gurgls. Leaning on a stick outside the firewood door, I listen to the evening cicadas in the wind. The sun is setting over the ferry, and the lonely smoke is rising in the ruins.

On the summer day, I got drunk and sang wildly in front of the five willow trees.

5. "Returning to the Garden and Living in the Fields" Part 1 by Tao Yuanming of the Song Dynasty

The birds in the pond are nostalgic for the old forest, and the fish in the pond are thinking about the old abyss. Open up the wilderness in the south, stay humble and return to the countryside. The square house covers more than ten acres and has eight or nine thatched houses.

Elm and willow shade behind the starling tree, peach and plum trees in front of the hall.

6. "Pastoral Words" by Li Bai of the Tang Dynasty

Jia Yi was relegated in the third year, and his class exceeded ten thousand miles. Like holding a white calf and drinking water from a clear stream.

7. "Lu Chai" by Wang Wei of the Tang Dynasty

No one can be seen in the empty mountain, but the sound of people's voices can be heard. Returning to the deep forest, the light shines on the moss again.

8. "Dwelling in the Mountains in the Dark Autumn" by Wang Wei of the Tang Dynasty

After the new rain in the empty mountains, autumn comes late. The bright moon shines among the pines, and the clear spring flows over the rocks. The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat.

Let the spring fragrance rest at will, and the kings and grandsons can stay.

9. "April in the Countryside" Weng Juan, Song Dynasty

The mountains are green and the rivers are white, and the rain is like smoke in the sound of the rules. There are few idle people in the countryside in April, so they are planting sericulture and planting fields.

10. "Pastoral Miscellany in Four Seasons" Fan Chengda, Song Dynasty

The plums are golden and the apricots are fat, the wheat flowers are sparse and the white cauliflowers are sparse. No one passes through the fence during the long day, only dragonflies and butterflies fly.

11. "Evening View of the Spring River in Huichong" by Su Shi of the Song Dynasty

A few peach blossoms outside the bamboo are a prophet of the warmth of the spring river. The ground is full of wormwood and reed buds are short, which is when the puffer fish is about to come.

12. "Birdsong Stream" by Wang Wei of the Tang Dynasty

When people are idle, the osmanthus flowers fall, and the night is quiet and the spring mountains are empty. The moonrise scares the mountain birds, and they sing in the spring stream.

13. "Visit to Shanxi Village" by Lu You of the Song Dynasty

Mo Xiao's farmhouse is full of wax and wine, and in good years the guests are full of chickens and dolphins. The mountains and rivers are full of doubts and there is no way, and the willows and flowers are dark and the flowers are bright in another village.

14. "Old Song of the Wild" by Zhang Ji of the Tang Dynasty. The poor old farmer lived in the mountains and cultivated three or four acres of mountain fields. The seedlings were so sparse and taxed that they could not be eaten, so they were imported into official warehouses and turned into soil. At the end of the year, people are hoeing and plowing in an empty room, and calling their children to climb mountains to harvest acorns.

Xijiang Jiake has hundreds of dendrobium trees, and the dogs raised in the boat grow to eat meat.

15. "Zhongnan Mountain" Wang Wei of the Tang Dynasty Taiyi is close to the capital of heaven, with mountains and seas. The white clouds look back and merge, and the green mist comes in to see nothing. The peaks in the field change, and the clouds and sunshine are different. 8. Which poems describe the pastoral scenery?

Poems about the pastoral scenery of the farmhouse. Picking chrysanthemums under the eastern fence, leisurely seeing the Nanshan Mountain. Don’t laugh at the farmer’s wax and wine, and there are enough chickens and dolphins for visitors in the good years. "Come to Chali Xinting to write" Meng Haoran's eight interpretations of Zen are beautiful, and Sanming is given to Yuan Cai.

The land is fragrant and the world is far away, and the pure water in the heart is open. Check it out near the dangerous mountain, looking for a secluded stone path to return.

Auspicious flowers grow from below, so there is no need to plant elixirs. Green nets intersect with mangroves, and clear springs are covered with green moss.

Playing fish gather to hear the Dharma, and idle birds come to chant sutras. Abandoning Xiangxuan should be enlightened, forgetting words and reasoning must be done.

What can be gained from silence, chanting is useless. "The tooth seat represents the hidden places in the south of the mountain." Meng Haoran Xi Gong has left a seat, high in the white clouds.

The woodcutter does not know, but the mountain monk appreciates and knows. Taking the rest as a good thing, let's join hands to take a look.

Bamboo dew drips at night, and pine wind blows in the clear day. I have always been humble, but now I feel the past rules again.

There is no magic solution here, and the people laugh at it. "Climbing the pagoda of Zongchi Temple" Meng Haoran climbed up to the pagoda in mid-air, looking out at the entire capital.

Bamboos are all around the Wei River, and the mountains are connected to the gardens. The four gates open to the emperor's house, and the streets overlook other people's houses.

After many tribulations from the beginning, I gather sand for childhood memories. A glimpse of the merits and virtues will greatly benefit the Taoist mind.

Sit and feel that the heavens are close, and the fragrance in the sky is sending the falling flowers. "Early Spring in Chang'an (a poem by Zhang Zirong)" Meng Haoran Guan Wei Dongjing, the city rises from Beichen.

On the peaceful days of Xiange, *** Le Jianyin spring. The snow has covered the green hills and trees, and the ice has covered the black waterfront.

The grass welcomes the golden horse, and the flowers accompany the people of Yulou. Hung Chien saw countless things and listened to the songs with great interest.

He Dang was promoted to Liu Tiaoxin. "Tian Jia Yuan Day" Meng Haoran fought back to the north last night, and now he is heading east.

I have become an official in my old age, but I still worry about farmers without a salary. The father plows the mulberry field, and the shepherd boy follows him with the hoe.

The Tian family accounts for the climate, and the emperor said that this year will be good. "Dawn Enters Nanshan" Meng Haoran The miasma is filled with mist at dawn, and water clouds return to Nanshan.

I can see Kun flying now, but I can smell the bird falling in the old days.

The land is close to Changsha, and the river separates from Mizhu.

Jia Sheng once condoled his condolences, but I was also grieved and gentle. "Crossing the Xiang River at Night (a poem by Cui Guofu)" Meng Haoran Passenger boats were greedy for profit and crossed the Xiang River secretly.

The smell of dew smells fragrant flowers, and the sound of singing knows picking lotuses. The people threw themselves into the fire on the shore, and the fishermen stayed in the smoke of the pond.

The couple asked each other where Xunyang was. "Garden Orange" Meng Haoran found out how gloomy all the trees were when he saw the group of things.

The condensation of frost gradually turns to water, and the oranges in the garden look like hanging gold. The female companions competed with each other to pick the leaves, but their picking blocked the depth of the leaves.

They feel pity for each other and show sympathy. Bone spurs, red quilt, fragrant green feather hairpin.

Qinglai is in the jade plate, and he is completely victorious in the secluded forest. Below, Wang Wei, in the Zhuli Pavilion, sits alone in the secluded bamboo, playing the piano and whistling loudly.

People in the deep forest don’t know that the bright moon comes to shine. Autumn is dark in the mountains. After the new rain in the empty mountains, the weather is late and autumn comes.

The bright moon shines among the pines, and the clear spring flows upstream from the rocks. The bamboo noises return to Huan Nu, and the lotus moves off the fishing boat.

Let the spring fragrance rest at will, and the kings and grandsons can stay. Return to Songshan Mountain to work. The Qingchuan belt is long and thin, and the carriages and horses go leisurely.

The water flows as intended, and the birds return in the evening. The deserted city is near the ancient ferry, and the setting sun fills the autumn mountains.

After a long journey, Song Gao came back and retreated. Zhongnan Mountain Taiyi is close to Tiandu, with mountains and seas connected.

The white clouds look back and merge, and the blue mist comes in to see nothing. The peaks in the field change, and the clouds and sunshine are different.

If you want to stay somewhere, ask the woodcutter across the water. Passing Xiangji Temple I didn’t know Xiangji Temple, but I entered Yunfeng within a few miles.

Where is the bell in the deep mountains where there are no people walking on the ancient trees? The sound of the spring swallows the rocks, and the sun is cold and green. In the dusk, the empty pond is melodious, and Zen is used to control the poisonous dragon.

Returning to the Countryside by Tao Yuanming of the Wei and Jin Dynasties There are few people and things in the wild, and there are few martingale in the back streets. In the daytime, the leaves are covered with thorns, and the empty room is empty of dust.

At that time, in the midst of the ruins, people were pulling weeds and coming and going. When we meet, there are no words, but the road is long.

The days of mulberry and maize have been long, and the days of my soil have been broad. They are often afraid of frost and sleet, and they are scattered like grass.