Want to learn hard pen calligraphy, I don't know how to find a teacher.

What must I pay attention to when practicing hard pen writing?

Let me talk about some problems that should be paid attention to when practicing calligraphy:

The first problem is the choice of writing tools. "If a worker wants to do a good job, he must first get his tools." Whether it is a pen or a ballpoint pen, choose a good pen with smooth writing and uniform line thickness. The ink is too light to recognize; The ink is too dark, giving people a sense of oppression. In the exam, it often affects the mood of the marking teacher and causes unnecessary loss of points, so the ink color of the handwriting is blue and black.

The second question: Pay attention to the posture and method of writing when practicing calligraphy. Since most middle school students use ballpoint pens now, I will take ballpoint pens as an example to talk about writing posture and writing methods. When writing with a ballpoint pen, sit in a sitting position, so that your head should be straight, your body should be straight, your arms should be open, and your feet should be safe. Because the words written by ballpoint pen are small, the activity of the pen tip should be in the area with the best visual effect. Generally, the right hand holds the pen, and the position of the pen should be slightly to the right. The eyes are about 30cm away from the paper, and the chest is about10cm away from the table. Stretch your arms naturally and lay your forearms flat on the table. Press the left and right sides of the penholder with the fingertips of thumb and forefinger respectively, the left side of the first joint of middle finger is close to the lower part of the penholder, and the ring finger and little finger naturally bend into a semi-clenched fist to press against the middle finger in turn, which plays a control role in the municipality directly under the central government. The distance between the thumb and the pen tip is about 4 cm. The pen holder leans against the tiger's mouth and forms an angle of 45-60 degrees with the paper. The smaller the word, the bigger the angle. If you write with a pen, you should also pay attention to the outside of the pen tip and the inside of the pen tongue, so that the middle seam of the pen tip touches the paper surface to ensure uniform water discharge and smooth lines.

The third question: you should be calm when practicing calligraphy, and you should not be impetuous and perfunctory from beginning to end. When you write, you should be meticulous, and every stroke should be true. When someone is practicing calligraphy, they like to scribble before they finish. This kind of scribbling is a taboo for practicing calligraphy, which not only damages the life of the pen tip, but also makes the progress that has just been made go up in smoke for a long time.

Fourth question: Don't change fonts easily. To practice calligraphy, you should have perseverance and perseverance, and you should practice solid basic skills. Practice calligraphy often, you can't fish for three days and dry the net for two days. Note: practice kung fu for one day, not ten days a day. On the basis of mastering the font structure, you can choose your favorite font and keep practicing. Don't change the font easily. Because once you change the font, you have to practice from the beginning.

The fifth question: we should combine learning with application and practice with writing. Some students write well when practicing calligraphy, but they are blind when writing homework. They can never practice writing well. You usually use the words you have practiced, so write as well as you practiced. Only by practicing and using one can both middle schools and schools be used, and the combination of learning and using can be practiced well.

Sixth question: Teachers in all subjects should pay close attention and cooperate closely. One is that teachers should write standardized words, and the other is to encourage students to practice. Students who scribble their homework should be criticized, educated and corrected. It is not only the responsibility of Chinese teachers to urge students to practice calligraphy, but also the responsibility of every teacher.

There are three realms in practicing calligraphy:

Everyone has read Jin Yong's novel "the legendary swordsman", in which there is an incisive exposition about practicing swords: When beginners start practicing, they use their hands to make swords, and sometimes the swords don't listen to him, and even hurt themselves. After practicing for a period of time, fencing has reached a higher level, combining hand and sword, making swords with heart and acting with heart. The highest state of fencing is the unity of heart and sword, without sword and without me. All gestures are swords, all flying flowers and leaves are swords, and a thin embroidery needle can also resist three swordsmen. This kind of fencing can be said to have reached a superb level.

The same is true of writing. In the primary stage of practicing calligraphy, we also use our hands to make pens. There is a process from never listening to hands to being proficient, which can be further developed to the realm of pen and hand integration. At this time, when writing, I feel that the pen is a part of my hand, not writing with a pen, but writing by hand. As long as we practice hard, we can reach this level.

The second realm of calligraphy practice is to write with your heart, to integrate your heart with your pen, and to be happy with your pen. What he wrote was what he thought. When he reaches this level, his calligraphy level can be said to be a small achievement. All of us, including me, should work hard towards this goal.

The third realm of calligraphy practice is to learn from nature, without me and without a pen. Many famous great calligraphers in ancient times were like this. For example, Wang Xizhi saw the posture of the white goose swimming in the water and realized the gesture of "floating goose hook"; Zhang Xu saw that the lantern-bearer was fighting for the road and Gong Sundaniang was dancing with a sword, from which he realized the relationship between the struggle and interpenetration of structural stippling and the quickness and rhythm of using a pen, which greatly enriched his writing style of Crazy Grass. Looking at the waves in Xia Yun, Huai Su realized the majestic cursive script and the trend of tumbling down the river; Yan Zhenqing understood the slowness and exertion of using a pen by observing the leaks in the house and drawing sand with an awl. This is the ideal state for us to practice calligraphy. When we reach this state, whether we have a pen or not, whether we have a soft pen or a hard pen, even a dead branch or a broken broom, we can write wonderful calligraphy works.

Let's write with our heart, not just by hand, and work hard towards this ideal realm!

Let's talk about the fourth question first: how do I practice writing?

At first, I read Yan's inscription with a brush. Later, I found a 99-day calligraphy book, which featured 99 representative Chinese characters and asked practitioners to practice one, remember one and learn one every day. After 99 days of practice, you can write 99 Chinese characters, and all other Chinese characters can be written. I found these Chinese characters from the north, one every day, and practiced hard, and made obvious progress in less than a month.

Later, some students said that my Facebook style was very "Yan", but it was very soft and weak, because I couldn't do "middle pen" when I started writing, and I often dragged my pen. This classmate is a man with a high eye but a low hand. He found my mistake, but he couldn't help me correct it. I asked for advice in many ways, carefully observed how others wrote, and finally found this trick: it turns out that when others write, they often twist the pen, making the pen tip rotate with the sketch, always in the middle of the strokes, thus achieving the "middle stroke."

Later, another classmate of mine told me: "Your handwriting is very standard, but it is not beautiful when combined, mainly because of the wrong structure." If you want to master the structure of Chinese characters, you might as well learn to write bold characters with strokes like matchsticks. Only when the structure is right can it be beautiful. "So I dipped my brush in water and practiced on the floor according to the bold headlines of newspaper news. Soon I mastered the writing in bold, and wrote big slogans for some classes. I found that after learning boldface, many untrained fonts can be written with a little practice of their basic strokes. This is why I advise students to practice boldly today. 1993 won the third prize in the painting and calligraphy contest organized by Shijiazhuang Municipal Education Commission. Now I often help my colleagues to send posters and write big characters, which not only consolidates the effect of practicing calligraphy but also improves the writing level, helping others and cultivating myself.

Above, we talked about the methods and precautions of practicing calligraphy. If you do as I say, I think you will make progress, because I have achieved good results in guiding students to practice calligraphy. Finally, let me talk about this problem.

As a Chinese teacher, we should not only write well by ourselves, but also guide students to write well. In order to make students write well, I once asked students to write "one word a day". After practice, 98-year-old Li Chao has reached a high level in learning Pang Zhonghua-style pen calligraphy, and Niu Kunpeng's pen calligraphy is rigorous and self-contained. I have also given many calligraphy lectures for students and organized students to participate in calligraphy competitions for many times. Hu Zhanxiong and Li Mo, students of Class 200 1, won prizes in the "Star of the Century" calligraphy competition. Now, I carry out the activity of evaluating "star-rated writing experts" among students, and the students are very enthusiastic about practicing calligraphy. Sun Ruijing, a three-star writing expert, not only writes neatly and clearly, but also achieves a writing speed of more than 50 words per minute.

Finally, I want to tell you that it is not difficult to write beautiful Chinese characters. As long as you practice your handwriting with your heart, you will always succeed. When you see dignified and beautiful Chinese characters flowing from your pen, when you see pages of neat and clear homework being born in your pen, when you see red tick marks and "excellent" in the exercise book, don't you think writing Chinese characters well is also an artistic enjoyment? Let's walk into the art world of China's calligraphy and splash ink with our heart!

Calligraphy, also known as "China Calligraphy", is a unique traditional art in China. Chinese characters in China were created by working people and began to be recorded by pictures. After thousands of years of development, it has evolved into today's writing. Because our ancestors invented the brush, calligraphy came into being. Throughout the ages, Chinese characters were mainly written with a brush. As for other writing forms, such as hard pen and finger book, their writing rules are not completely different from those of brush, but they are basically the same. Based on tracing the source (after Oracle bone inscriptions), this paper focuses on the law of writing Chinese characters with a brush. As long as we have a "narrow" understanding of calligraphy, it will be of great benefit to understand "broad" calligraphy.

Calligraphy in a narrow sense refers to the methods and laws of writing Chinese characters with a brush. Including writing, calligraphy, stippling, structure, layout (distribution, lines, composition) and so on. For example, the pen refers to the palm and the five fingers are Qi Li; The pen carrying center is unfolded; Stippling is the same as a pen; The structure is shaped by words and echoes each other; The distribution is intricate, the density is appropriate, and the virtual and the real are born together, and the whole chapter is full of gas fields; Every word is ancient for literacy, and every word is big and small, and high is not as good as low.

Calligraphy in a broad sense refers to the writing rules of language symbols. In other words, calligraphy refers to writing with its brushwork, structure and composition according to the characteristics and significance of words, making it a beautiful work of art. With the development of cultural undertakings, calligraphy is not limited to using brush and writing Chinese characters, but its connotation has greatly increased. For example, in the use of tools, there are many kinds of pens, such as writing brushes, hard pens, computer instruments, spray gun branding tools, daily tools and so on. Pigment is not only black ink block, but also ink, adhesive, chemicals, paint glaze and so on. In the past, Four Treasures of the Study-pen, ink, paper, inkstone, its meaning has also been greatly expanded, and there are many varieties, too numerous to mention; From the way of writing, some people write with their hands, others with their feet, and many people write with other organs. Some people don't even use pens at all, such as "pointing at books" and "squeezing books". In terms of writing style, it is not a kind of Chinese characters, and some minority languages have also entered the calligraphy art world, and Mongolian is an example; From the point of view of style and composition, in addition to the authentic traditional calligraphy school, there is also an "Yi" school in China, which is called modern calligraphy. Innovating on the basis of traditional calligraphy, highlighting the word "change", integrating poetry, calligraphy and painting, striving for the unity of form and content, and making the work a masterpiece of "beauty in meaning, beauty in sound and beauty in form". In Japan, many calligraphers abandoned the language of writing and established the "image" of writing, and the school of "ink image" came into being to write various writing images with the weight of the pen, the opening and closing of Ji Xu and the nib, and the change of writing posture. Although this school of calligraphy emphasizes "image" and its writing is novel, not all Chinese characters are "image", so its development is limited. All these (of course, not only these) can be seen that calligraphy, like other things, is constantly developing and changing. This point must be highly valued by people in the calligraphy field.