Calligraphy famous sayings

1, the ink should be thick and thin, dry and wet, and naturally angry at one go. Clear. Qin's "Painting Method with Tone"

2. Softness is graceful and graceful, while rigidity is elegant and graceful. Don. Zhang Huaiguan's book review on medical stone.

If you are caught, you will be weak, but if you are released less, your bones will be unattractive, your body will be weak, and your ink will be dull. Liang Wudi began to answer again.

4, cover the bones, there must be meat, there must be time. Otherwise, it is majestic, close to sinister, and there is no ethereal trend. Clear. Master's Biography of Mount Xi

5, calligraphy is often strong and powerful, which is the most taboo. Xian's Theory of Learning Books

6. People are comfortable with books, but they are neutral and fat. If the book is also short, the degree of coordination should be balanced, yin and yang should be appropriate, and rigidity and softness should be combined. Elegant characters in Ming Xiangmu's calligraphy

7. Fat characters should have bones and thin characters should have meat. Northern Song Dynasty. Huang tingjian

8. Deviation and pitch, tolerance and airflow. It's just an iron painting, as charming as a silver hook, as beautiful as leaning on it. On Don Ou Yangxun's Use of Pen.

9. It is difficult to cover the pen, and it is difficult to be vigorous. And vigorous is not the name of qi and wood, but the strength of the whole body, but the ability to bear. Ming Dong Qichang's Essays on Painting Zen Rooms

10, the left narrative, the contenders are integrated, the orphans are supplemented, the living are alive, the straight is elegant, the vulgar is elegant, and the dry is ridiculous; Cut the edge, be prepared. Clear. Liu Xizai's Art Outline

1 1, the bone is implanted with tendons, the tendons are attached to the bone and twisted, and the bones are short and thin, so the two are separated from each other, so the function belongs to.

Bones and muscles are not born by pens, but can be damaged by pens; Blood and flesh are not born in ink, and ink can be increased or decreased.

The meat is tender and full, and the tendons are moist. Thin is charming, moist is colorful. Da Zhongguang's Book Raft in Qing Dynasty

12, Fuma has more tendons than meat, and meat has more tendons, so do books. Don. Zhang Huaiguan's book review on medical stone.

13, the book is as sparse as the wind, and the secret is old-fashioned. When it is not sparse, it becomes cold begging; Dense is thin. Song. Jiang Kui's Continued Book Score

14, draw bit by bit, word by word, and arrange one after another. The font size of ancient stickers varies greatly, such as the old man carrying his young grandson, whose length is uneven, but his affection is sincere and painful. Clear. Bao's "Art Boat Double"

15, one-word trip, well-founded, etc. There are big covers, big paintings, high ones on the left and high ones on the right. They take different tracks, and they are all on the same line. Ming Mason Lee's Eighty-four Rules on the Structure of Chinese Characters

16, there are eight ways to use a pen for real books. Between words, the long and short complement each other, lean against each other, mix fat and thin, and seek to be charming after adulthood. Song. Jiang Kui's Continued Book Score

17, the style of writing is vigorous and vigorous. If you are not explicit, you will be harsh when meeting. Clear. Karin's "The Secret of Nanzong"

18, people who are good at writing are bony, and those who are not good at writing are fleshy; Skinny and fleshy are called muscle books, and fleshy ones are called ink pigs; Strength and strength are sacred, weakness and muscle deficiency are morbid. Jin weishuo's pen map

19, the ink must be moist, not boring, especially avoid being fat, which is a big evil. Ming Dong Qichang's Essays on Painting Zen Rooms

20, horizontal can not be flat, vertical can not be straight, wrist can not show, eyes can not note, distribution can not; If the distribution is not good, the rules cannot be prepared; Rules are harmful and laws are difficult to learn. Da Zhongguang's Book Raft in Qing Dynasty

2 1, learning books is not unruly, nor is it unruly. As the saying goes, once you get a fish, you forget it. Zhu Qing Luzhen's Introduction to Learning Books

22. Do your best. As for sinking into the bone, the pen can be reconciled. Harmony is not stiff or soft, and change comes out. An old friend who knows peace, full of energy, runs away if he doesn't go straight. Clear. Wang Shu's Lun Shu and Teng Yu

23, thin, fat and fleshy, not good; Thin but not obvious, fat but not showing meat, is for the upper position. Elegant characters in Ming Xiangmu's calligraphy

24. If the painting is improved, the words will be horizontal, the painting will be sparse, and the font will be slow; If you catch it, you will lack potential, and if you let it go, you will have less potential; Pure bones are not flattering, pure flesh is weak, less ink is floating and astringent, and more ink is stupid, all of which are the same. And Tao's book of seclusion

25, the world is angry, but I don't know how to be angry. Northern Song Dynasty. Miffy's Sea Yan Yueming

26. The essence of a book is the word "backbone". Those with backbone say that holes are holes, with holes in the middle and holes on the sides. Just be broad-minded, otherwise you will be ill.

27, the word is brave, and the bone is also; Have the power of forbearance and be stiff. Take the bone with the bone, so take the finger; Use tendons to get tendons, so take wrist suspension. Clear. Liu Xizai's Art Outline

28. People know the exhaustion of straight painting, but they don't know that the power of hairspring is stronger and more powerful. Da Zhongguang's Book Raft in Qing Dynasty

29, the word is flesh and blood, full of gas. In the sixth inning of the book, the emphasis is on Qi. Bao Qing Chen Shi is in Wu An.

30, older is important, and fewer mistakes can also be reflected. What is more expensive is that the fiber is thick, the blood is connected, the bones and muscles are strong, the wind is scattered, and the posture is prepared. You really have a true attitude, an attitude of doing things and an attitude of planting grass. You must study extensively and be proficient at the same time. Song. Jiang Kui's Continued Book Score

3 1, husband, the first thing is to transport the heart, the second thing is to transport the body, and the strength of transporting a body is all returned to the wrist, as firm as bent iron, and pay full attention to the fingertips. Zhu Qing Luzhen's Introduction to Learning Books

32. Books should have yin and yang. Generally, it is calm and depressed, and yin is also; Seven or eight Hao Da, Yang Ye. Clear. Liu Xizai's Art Outline

33, just avoid the wild, clear and avoid thin. Liang Qing presented "Pingshu Sticker"

34. It is always the power of books, but less the endowment of books. Elegant characters in Ming Xiangmu's calligraphy

35. If the book is natural, it must have bones and muscles, thick blood and old bones, hidden muscles and wonderful posture, which can be described as beautiful. In modern times, Kang Youwei's Guang Yi and Zhou Shuang Talk

36, writing is like a person, but the bones and muscles are flesh and blood, the spirit is energetic, eight can be prepared for people, and eight can be a corpse. Clear. Wang Shu's Lun Shu and Teng Yu

37. A book must contain God, Qi, bone, blood and flesh, and the five cannot be a book. Northern Song Dynasty. Su Shi's On Books

38. At the beginning of learning, it is advisable to have bones and muscles, bones and muscles are not standing, and meat is attached. Don Xu Hao's book.

39. Fengshen has meat in his bones. Those who are old and energetic are all in their bones. People who are interested in swimming pools should distinguish them with their eyes. And Tang's "New Interpretation of Linchi"

40, first instrument bone body, restore spirit, flesh and blood, strong physique. Silk comes and goes with clear veins. Detailed explanation of calligraphy

4 1, bones exist, just grow and moisten. The Book Score of Don Sun Guo Ting

42. Stand with bones and muscles and polish with expressions. Zhang Tang Huai Guan's On Characters

43. If you want to learn a book, you must first put up a shelf, and then you will have ups and downs, but you will fit in. Ming Dong Qichang's Essays on Painting Zen Rooms

44, the word for the city, big is not empty, small is not lonely. On the Essence of Pen by Yu Shinan

45. Use a pen to do what you can, but you must be measured; The knot is in its true state, but it must be reflected in the beauty of learning. Clear. Feng Ban's "Blunt Songs"

46. It is the most important thing that people in Jin and Tang dynasties must record the words one by one and consult them frequently. Ming Dong Qichang's Essays on Painting Zen Rooms

47. If it is straight and similar, it looks like an operator, the top and bottom are whole, and the front and back are flush, it is not a book, but it has its pointillism. Eastern Jin dynasty Wang Xizhi's "After Mrs. Wei's Painting"

48, the bone of the word, the bone of the lower finger; The tendon of the word, the pen also; The flesh of words, brush also. Words are born in ink, ink is born in water, and the blood of words is also in water. Yi once wrote Hanlin Yaoze.