Couplets using thimble rhetorical techniques

Couplets using the rhetorical technique of thimble:

1. The branches of the peach forest are covered with peaches, and the peach blossoms have faded away.

2. The misty morning mist is blown away by the wind and scattered into the fairy island in the distance.

3. If you stick to the Tao wholeheartedly, the Tao will be endless, and you will find happiness in poverty; everything will follow the fate, and you will have a share in the fate, and you will not seek anything extra.

4. Where is home when you look into the distance? Relatives at home are calling.

5. Call the returning son to ask about the warmth and warmth, and smile when the warm wind blows into your face.

6. Walking along the mountain path at dawn, the air moves like smoke, and the smoke is like fog; sitting in the Jianglou at night, sitting and lying down, watching the water, the water is like the sky.

7. We are all guests when we arrive at another place, and it is good for guests to miss home in a distant place.

8. Bao Pagoda, the top of the tower, is as sharp as a pen, and the pen writes all over the world; Jintai Bridge, the bridge hole is round, round like a mirror, the mirror reflects all countries and nine states.

9. Give treasures to your closest relatives, and everyone will praise you for your loyalty and filial piety.

10. Filial piety to parents and respect for teachers is fundamental, and it is originally a matter of humanity.

11. Listen to the rain, live in the rain, live in the rain building and listen to the sound of rain, the sound of rain, listen, listen, listen; watch the tide, the tide is coming, come to the tide-watching pavilion and watch the waves, the waves Tao Tao, watch, watch, watch.

Extended information:

Dingzhen couplets, according to the position and frequency of the words, can be divided into "Dingzhen" in the sentence, "Dingzhen" between the sentences and "Dingzhen" in the sentence.

1. The truth in the sentence

That is, the text is conveyed at the ending point (reading break) in the sentence, which the ancients called Lian Mian (continuous). For example, Changsha Baisha Jinglian couplet: Changde's mountains and mountains are virtuous; Changsha's sand and water are sand-free.

According to the rhythm of the seven-character couplet "two two three", it can be read as "Changde - Deshan - the mountain has virtue; Changsha - sand and water - the water has no sand." Virtue, mountain, sand and water are all the most true words in the sentence.

2. The truth between sentences

That is, the words are conveyed between each sentence. For example, the following stage couplet is a masterpiece among the most authentic couplets: When you look at me, you are not me; when you look at me, you are not me; when you pretend to be someone else, you look like someone else; when you pretend to be someone else, you look like someone else.

This true couplet has a strong summary power. It only uses 22 words to describe the wonderful performance of a dramatic actor who forgets himself and is lifelike. The couplet is stable and exquisite. Funny and meaningful, it is a wonderful couplet.

3. Every sentence is true

That is, no matter how many sentences are broken, they can be connected to the last sentence, which can be called "serial". According to the number of fragments, it can be divided into two types: large and small. A chain usually consists of three broken sentences, two of which are true. For example, the Tianshi Cave Couplet in Qingcheng Mountain, Sichuan: One life is two, two begets three, three begets all things; the earth follows the sky, the sky follows the Tao, and the Tao follows nature.

The big chain is the top truth for more than three times. For example: Life is as long as Nanshan Mountain, the mountain is not old, old man, life is prosperous, abundant clothing and food, food is delicious, ranking among the three places, Taiwan enjoys prosperity and wealth, distinguished guests should have come long ago, it is reasonable and natural; blessing is like the East Sea, The sea is vast, the old man has the face of a human and the heart of an animal, and he has a bad heart. He is like an old bastard. He will die eventually, and there will be no place to bury him. The future has not yet been buried in the earth. He will regret it when he comes, but it will be too late!

Baidu Encyclopedia-Thimble