People's education edition senior two Chinese elective classical Chinese.

1. Asking for a Complete Collection of Classical Chinese and Classical Chinese in Senior High School Education Edition

The Catalogue of Ancient Poems and Classical Chinese in Senior High School New Curriculum Standard of Education Education Edition is required (Volume 1). 4. Quit the Qin teacher by candlelight? "Zuo Zhuan" 5, Jing Ke stabbed the king of Qin? "Warring States Policy" (reciting a farewell passage from Xiao Shui) 6. Hongmen Banquet? Sima Qian's compulsory course II (Volume II) 4. Two poems in The Book of Songs (must be recited) Picking Wei 5. Li Sao? Qu Yuan 6, "Peacock flies southeast" (parallel sequence) 7, * Three poems (must be recited) Shejiang Caifurong "Nineteen Ancient Poems" short line? Cao Cao returned to the pastoral home (part one)? Tao Yuanming 8. Preface to Lanting Collection? Wang Xizhi (must recite) 9. Chibi Fu? Su Shi (must recite) 1. * Travel to Baochan Mountain? Wang Anshi (reciting paragraphs 2 and 3) Compulsory 3 (Volume 3) 4. Is it difficult to get through the Shu Road? Li Bai (must recite) 5. Three poems by Du Fu (must recite) and eight poems by Qiu Xing (first), cherishing historical sites (third), climbing the mountain, 6. Pipa in parallel? Bai Juyi (must recite) 7. * Li Shangyin's two poems, Jinse Mawei (the second) 8. What am I to the country? "Mencius" (must recite) 9. Persuade to learn? "Xunzi" (must be recited) 1. * On Qin? Jia Yi 11, * teacher said? Han Yu's compulsory four (volume four) 4. Liu Yong's two poems look at the tide of the sea (southeast wins) Yu Linling (cold and sorrowful) 5. Su Shi's two poems (must recite) Nian Nujiao? Looking back on the past in Chibi will set a storm (don't listen to the sound of beating leaves through the forest). 6. Xin Qiji's two poems (must recite) water dragons? Deng Jiankang, Shangxin Pavilion, Never Meet Music? Jingkou Beigu Pavilion Nostalgia 7. * Li Qingzhao's two ci poems (must recite) Drunken Flower Yin (misty clouds and sorrow forever) Slow voice (searching) 11. Biographies of Lian Po and Lin Xiangru? Sima Qian (reciting the last five paragraphs) 12. Biography of Su Wu? Ban Gu 13, Zhang Hengchuan? Fan Ye compulsory five (book five) 4. Go back to Xi Ci (and order)? Tao Yuanming (must recite) 5. Preface to Teng Wangge? Wang Bo (reciting 2~3 paragraphs) 6. * Wandering around? Zhuang Zhou 7, * Chen Qingbiao? Shi Mi (must recite). 2. People's Education Edition High School Chinese compulsory one to compulsory five all classical Chinese lists

Compulsory one-candle-wielding force to retreat from Qin Shi, Jing Ke stabbing Qin Wang, Hongmen banquet compulsory two-Li Sao, peacock flying southeast in parallel order, Lanting collection preface, Chibi Fu, traveling to Baochan Mountain compulsory three-Shu Dao difficult, pipa parallel order, I am in the country, exhortation, passing Qin theory, and teacher saying compulsory four-Lian Po and Lin Xiangru. Preface to Tengwang Pavilion, Wandering around, Chen Qingbiao's Extended Materials Today's classical Chinese is an article composed of a written language in ancient China, mainly including the written language based on the spoken language in the pre-Qin period.

During the Spring and Autumn Period and the Warring States Period, articles used for writing were not invented, but bamboo slips, silk and other things were used for writing. With the historical changes and the evolution of spoken language, the difference between classical Chinese and spoken language has gradually expanded, and "classical Chinese" has become the exclusive use of scholars.

the characteristics of classical Chinese are: separation of speech and writing, and concise writing. Compared with vernacular (including spoken and written language), the characteristics of classical Chinese are mainly manifested in grammar and vocabulary.

Baidu encyclopedia-high school Chinese.

3. I am grateful for all the classical Chinese texts required by PEP for senior high school Chinese.

Nineteen ancient poems about picking hibiscus in Shejiang, and many fragrant grasses in Lanze.

who should I leave behind? Thinking is far away. Looking back at the old hometown, the long road is boundless.

if you leave home with one heart, you will die of sorrow. Eight Poems on Autumn Prosperity (Part I) (Reciting the full text) Du Fu Yulu withered the maple forest, and Wushan Wuxia was so angry.

there are waves and sky surges in the river, and the clouds are blocked and the ground is overcast. Cong Ju shed tears on the other day, and she was alone in her boat.

Cold clothes push knives and rulers everywhere, and Baidicheng is anxious and anxious. Memorizing the Historic Sites (III) (Reciting the Full Text) Du Fu's mountains and valleys went to thorns, and the village in which the Lady of Light was born and bred.

she went out from the purple palace into the desertland, she has now become a green grave in the yellow dusk. Her face! Can you picture a wind of the spring?, go back to the moonlit soul.

song of the Tartars on her jade guitar, telling her eternal sorrow. Deng Gao (reciting the full text) Du Fu in a sharp gale from the wide sky apes are whimpering, birds are flying homeward over the clear lake and white sand.

leaves are dropping down like the spray of a waterfall, while I watch the long river always rolling on. Sad to Li autumn scenery, the perennial wanderer, life in the disease ridden today alone on the high platform.

ill fortune has laid a bitter frost on my temples, heart-ache and weariness are a thick dust in my wine. Jinse (reciting the full text) Li Shangyin I wonder why my inlaid harp has fifty strings, each with its flower-like fret an interval of youth.

the sage Chuangzi is day-dreaming, bewitched by butterflies, the spring-heart of Emperor Wang is crying in a cuckoo. Mermen weep their pearly tears down a moon-green sea, blue fields are breathing their jade to the sun.

and a moment that ought to have lasted for ever, has come and gone before I knew. Ma Wei Li Shangyin, an overseas student, heard about Gengjiuzhou, and his life is uncertain.

when you hear that the tiger travels in the air, it's a night's death, but no one will report it. The six armies have agreed, all stationed in horses, in the old days of the seventh festival, we also laughed at the weaving maid.

How can four generations be emperors, not as good as the Lu family? Shu Dao is difficult (reciting the full text). Li Bai is screaming, and the danger is high! The difficulty of Shu Dao is difficult to go to the sky! Until two rulers of this region, pushed their way through in the misty ages! Forty-eight thousand years had passed, don't talk to Qin Sai. And the Great White Mountain, westward, still has only a bird's path, you can cross Mount Emei.

which was broken once by an earthquake and there were brave men lost, and then the ladder and stone stacks are linked. High, as on a tall flag, six dragons drive the sun, while the river, far below, lashes its twisted course.

such height would be hard going for even a yellow crane, so pity the poor monkeys who have only paws to use. The Mountain of Green Clay is formed of many circles, each hundred steps, we have to turn nine turns among its mound.

panting, we brush Orion and pass the Well Star, then, holding our chests with our hands and sinking to the ground with a groan. We wonder if this westward trail will never have an end The formidable path ahead grows darker, darker still.

with nothing heard but the call of birds hemmed in by the ancient forest, male birds smoothly wheeling, following the females. Jathyapple, and there come to us the melancholy voices of the cuckoos, sorrow empty mountain.

It's hard to get through the Shu Road, but it's hard to get into the sky, even to hear of it turns the cheek pale! With the highest crag barely a foot below heaven, dry pines hang, head down, from the face of the cliffs. And a thousand plunging cataracts outroar one another, and send through ten thousand valleys a thunder of spinning stones.

with all this danger upon danger, why did you come from afar? Though Dagger-Tower Pass be firm and grim, and while one man guards it, ten thousand cannot force it. What if he be not loyal, but a wolf toward his fellows?.

there are ravenous tigers to fear in the day, and venomous reptiles in the night; With their teeth and their fangs ready, killing people like hemp. Though the City of Silk be delectable, I would rather turn home quickly.

it's hard to get to the sky when you're in the Shu Road. Look sideways and look west for advice! Returning to Yuantianju (reciting the full text) Tao Yuanming has no suitable rhyme, and his nature loves Qiushan. I slipped into the official career net, and has been away from the field for more than ten years.

a captive bird is nostalgic for the old forest, and a fish in the pond misses its source. I would like to open up wasteland at the Minamino, keep my humble nature to the field.

there are more than ten acres of square houses and eight or nine grass houses. The willow trees cover the eaves of the house, the peach and the Li Lieman before the pre-hospital.

it's warm and distant, and there's smoke in yiyi market. A few dogs barked in the lane, and the mulberry tree was called with a cock.

there is no dust and clutter in the household, and there is leisure in the virtual room. Long trapped in a cage without freedom, I finally return to the forest today.

a short song line (reciting the full text). Cao Cao treats wine as a song, and life is geometric! Morning dew, for example, is much harder to go to Japan. Be generous, and worry is unforgettable.

how to relieve worries? Only Du Kang. Qing Qing is your collar, YY is my missing.

but for your sake, I have pondered it so far. A group of deer, yo, ate the Mugwort in that yuan ye.

I have a guest, blowing sheng. It is as clear as the moon, when can it be forgotten? Worry comes from it and cannot be cut off.

the more you cross the street, the more useless you are. Talk about it, and remember the old grace.

There are few stars in the moon, and blackbirds fly south, circling the tree three times. What can we rely on? The mountains are never too high, and the sea is never too deep. Duke Zhou vomited and fed, and returned to his heart on the day of E5A48DE 588B632313333333333333, 3333333333

Pipaxing (reciting the full text) Bai Juyi I was bidding a guest farewell, at night on the Xunyang River, where maple-leaves and full-grown rushes rustled in the autumn. I, the host, had dismounted, my guest had boarded his boat, and we raised our cups and wished to drink-but, alas, there was no music.

for all we had drunk we felt no joy and were parting from each other, when the river widened mysteriously toward the full moon. We had heard a sudden sound, a guitar across the water, host forgot to turn back home, and guest to go his way.

we followed where the melody led and asked the player's name? The sound broke off...then reluctantly she answered. We moved our boat near hers, invited her to join us, summoned more wine and lanterns to recommence our banquet.

yet we called and urged a thousand times before she started toward us, still hiding half her face from us behind her guitar. ...She turned the tuning-pegs and tested several strings, we could feel what she was feeling, even before she played.

each string a meditation, each note a deep thought, as if she were telling us the ache of her whole life. She knit her brows, flexed her fingers, then began her music, little by little letting her heart share everything with ours.

she brushed the strings, twisted them slow, swept them, plucked them, after the beginning of "Nishang", was Liu Yao. The large strings hummed like rain, the small strings whispered like a secret.

hummed, whispered-and then were intermingled, like a pouring of large and small pearls into a plate of jade. Between Guan Ying's words, the bottom of the flower is slippery, and it is difficult for you to swallow the spring and flow under the ice.

when the ice spring is cold and astringent, the string will freeze, and the freeze will never stop. Into a depth of sorrow and concealment of lament, told even more in silence than they had told in sound.

a silver vase abruptly broke with a gush of water, and out leapt armored horses and weapons that clashed and smote. And, before she laid her pick down, she ended with one stroke, and all four strings made one sound, as of rending silk.

there was quiet in the east boat and quiet in the west, and we saw the white autumnal moon enter the river's heart. Thoughtfully put it in the string, she rose and smoothed her clothing and, formal, courteous.

told us how she had spent her girlhood at the capital, living in her parents' house under the Mount of Toads. And had mastered the guitar at the age of thirteen, with her name recorded first in the class-roll of musicians.

her art the admiration even of experts, her beauty the envy of all the leading dancers. How noble youths of Wuling had lavishly competed, and numberless red rolls of silk been given for one song.

and silver combs with shell inlay been snapped by her rhythms, and skirts the colour of blood been spoiled with stains of wine. Season after season, joy had followed joy, autumn moons and spring winds had passed without her heeding.

till first her brother left for the war, and then her aunt died, and evenings went and evenings came, and her beauty faded. Cold horse in front of the door, so that finally she gave herself as wife to a merchant.

who, prizing money first, careless how he left her, had gone, a month before, to Fuliang to buy tea. And she had been tending an empty boat at the river's mouth, no company but the bright moon and the cold water.

and sometimes in the deep of night she would dream of her triumphs, and be wakened from her dreams by the scalding of her tears. Her very first guitar-note had started me sighing, now, having heard her story, I was sadder still.

we are both unhappy -- to the sky's end, we meet. We understand. What does acquaintance matter?! I came, a year ago, away from the capital, and am now a sick exile here in Jiujiang. And so remote is Jiujiang that I have heard no music, neither string nor bamboo, for a whole year.

my quarters, near the River Town, are low and damp, with bitter reeds and yellowed rushes all about the house. And what is to be heard here, morning and evening?? The bleeding cry of cuckoos, the whimpering of apes.

on flowery spring mornings and moonlit autumn nights, I have often taken wine up and drunk it all alone. Of course there are the mountain songs and the village pipes, but they are crude and-strident, and grate on my ears.

and tonight, when I heard you playing your guitar, I felt as if my hearing were bright with fairymusic. Do not leave us. Come, sit down. Play for us again., translated Pipa Travel for you.

...Moved by what I said, she stood there for a moment, then sat again to her strings-and they sounded even sadder. Although the tunes were different from those she had played before, the feasters, all listening, covered their faces.

but who of them all was crying the most?? This Jiujiang official. My blue sleeve was wet. Going back and forth, Xi Ci (reciting the full text) Tao Yuanming will go back and forth, and the countryside will ruin Hu Bugui! Since the eyes are centered on the heart, are you sad and sad? If you don't remonstrate with the past, you can pursue what you know.

it's not far from being lost, but it's true that today is not yesterday. The boat is far away, and the wind is blowing.

I hate the first light of the morning when I ask the recruiter the way ahead. I look forward to Heng Yu, carrying joy and running. The servant is welcome, and the child is waiting for the door.

after three paths, the pine chrysanthemum still exists. 4. The exercise of classical Chinese in the compulsory course of senior high school Chinese by People's Education Press

With regard to the teaching of classical Chinese reading, there are two requirements in the new curriculum standard of senior high school. One is to be able to understand the meaning of words and phrases and read the content of articles with the help of notes and reference books; Understand and sort out the meaning or usage of common classical Chinese notional words, classical Chinese function words and classical Chinese sentence patterns, and pay attention to giving inferences in reading practice; Recite a certain number of famous works. Second, understand the Chinese national spirit contained in the works, and lay the foundation for forming a certain traditional cultural heritage; Learn to understand the content value of ancient works from the perspective of historical development and draw national wisdom from them; Examine the works with modern concepts and evaluate their positive significance and historical limitations. That is to say, the teaching of classical Chinese should first overcome the language obstacles. Therefore, mastering common words in classical Chinese and understanding the meaning and sentence patterns are always the focus of classical Chinese reading teaching. Reading aloud, reciting and comparing the meaning and sentence patterns, and translating ancient Chinese into modern Chinese are important means to improve the reading ability of classical Chinese. According to the overall arrangement of compulsory textbooks, In this unit, we should also learn how to read the book. Summarizing the main points and extracting the essentials is an important link in reading. Summarizing the paragraph meaning and summarizing the center has been trained in reading teaching in primary schools and junior high schools. In high school, the difficulty of the text has increased, and the requirements for reading comprehension have increased, not just summarizing the paragraph meaning or summarizing the center. For a sentence or a few sentences, a paragraph or a few paragraphs and some related content, Grasping the key sentences is also of great significance to ensure the accuracy of generalization. Summarizing the main points of content is inseparable from certain analysis. It is necessary to distinguish the outline and details of things, be good at grasping the connection of related things, and grasp their similarities or differences. The analysis of the content of the article is inseparable from the mastery of background knowledge and the understanding of expression. 5. What are the five required classical Chinese texts in high school?

People's Education Edition's new high school curriculum standard Chinese required one (Volume I)

4. Quit Qin Shi with the candle, Zuo Zhuan

5. Jing Ke stabbed Qin Wang, Warring States Policy (reciting a farewell passage from Yi Shui)

6. Hongmen Banquet, Sima Qian Two poems in the Book of Songs

Meng (must recite)

Cai Wei

5, Li Sao Qu Yuan

6, Peacock Flying Southeast (with preface)

7, * three poems (must recite)

Nineteen Ancient Poems of Picking Hibiscus from the River

Su Shi (must recite) on the red wall

1, * A trip to Baochan Mountain and Wang Anshi (recite paragraphs 2 and 3)

Compulsory three (volume three)

4, Li Bai (must recite) on the Shu Road

5, three poems by Du Fu (must recite)

Eight poems by Qiu Xing (eight poems by Du Fu) Li Shangyin's two poems

Jin Se

Ma Wei (the second part)

8. I am to the country. Mencius (must recite)

9. Encourage learning. Xunzi (must recite)

1. * On the Qin Dynasty. Jia Yi

Liu Yong's two poems

Looking at the tide of the sea (winning in the southeast)

Yulinling (chilling and sorrowful)

5. Su Shi's two poems (remembering the past)

Nian Nujiao, reminiscing about the past in Chibi

setting a storm (not listening to the sound of beating leaves through the forest)

6. Xin Qiji's two poems (remembering the past). Li Qingzhao's two ci poems (must recite)

Drunken Flower Yin (misty clouds make you sad forever)

Slow voice (searching)

11, Biography of Lian Po Lin Xiangru Sima Qian (reciting the last five paragraphs)

12, Biography of Su Wu Ban Gu

13, and Compulsory Five of Zhang Hengchuan Fan Ye

. Preface to Teng Wangge Wang Bo (reciting 2~3 paragraphs)

6, * Xiaoyao Zhuangzhou

7, * Chen Qingbiao Shi Mi (must recite) 6. What are all the ancient poems and classical Chinese in the high school Chinese textbook of People's Education Edition

Compulsory one-person education edition Qinyuanchun Changsha Candle Martial Arts Retreat Qin Shi Jing Ke and stab Qin Wang. Returning to the Garden (Part I)] Preface of Lanting Collection: A Tour of Red Cliff Fu in Baochan Mountain; Three Poems of Du Fu [Eight Poems of Autumn Prosperity (Part I), Poems of Cherishing Historic Sites (Part III) and Climbing].