Tour guide words of Guangdong ancestral temple

As a tireless tour guide, you are usually asked to write a tour guide, which is an article explaining the local basic situation and introducing local customs. So what problems should we pay attention to when writing tour guide words? The following are the tour guide words of Guangdong ancestral temple I collected for you, hoping to help you.

Guangdong ancestral temple is located in Foshan Museum, No.21Zumiao Road. It consists of ancestral temple, Confucius temple, stele, exhibition hall and garden, and covers an area of 18600 square meters. It is a national key cultural relics protection unit, a demonstration site of civilized tourist areas in Guangdong Province and a patriotic education base in Foshan.

The ancestral hall was built in the Yuanfeng period of the Northern Song Dynasty (1078- 1085). After more than 20 renovations and expansions, the existing buildings mainly include Wanfutai, Ling Ying Archway, Jinxiangchi, Bell and Drum Tower, Sanmen, Qian Dian, Daxiong Hall and Qingzhen Building, which have typical Lingnan architectural style.

The inheritance and accumulation of nearly a thousand years have condensed the high hopes of the people in the Pearl River Delta to worship the Taoist water god "the Northern Emperor worships water" and pray for good weather, prosperity and national security. Therefore, in the Ming and Qing Dynasties, Foshan once rose to the top of the four famous towns in China and one of the four major gatherings in the world, second only to the capital. Foshan people who make money from water wrote 27 brilliant pages in the ancestral temple.

On the central axis of the ancestral temple, Wanfutai, which was built to reward the gods for acting, witnessed the glorious course of countless famous artists in Foshan, the birthplace of Cantonese opera, during the 300-400 years since Shunzhi's fifteen years, which preserved the lively atmosphere of Lingnan opera and was full of the influence of Cantonese opera Chaozong and Cantonese opera trial stage. The stories, roles, costumes, movements and shapes of opera characters solidified in the ancestral hall with pottery, brick, wood, stone and gray carvings have left a lot of physical evidence for the roots of Cantonese opera.

With its unique features of Lingnan ancient buildings, as well as its preserved smelting, painting, film pasting and sculpture, the ancestral temple reflects the superb local craftsmanship from the Ming and Qing Dynasties to the Republic of China, integrates the economy, culture, religion and folk art of ancient Foshan in one furnace, displays five cultural themes of industry and commerce, imperial examinations, folk customs, Cantonese opera and martial arts, and condenses them into the epitome of ancient Foshan. Since the beginning of the new century, the Huang Feihong Memorial Hall in the ancestral temple has attracted Huang Feihong people from all over the world to seek roots and worship their ancestors. The opening of Ip Man Pavilion attracted thousands of foreign Wing Chun disciples to make pilgrimage to their ancestral home. Wanfutai's Cantonese Opera Performance, Foshan Cantonese Opera Museum and International Cantonese Opera Collection have attracted Cantonese Opera roots-seeking trips from all over the world. In "The Forest and the Night", the classical wedding in the Pearl River Delta and the wave of worship of the Northern Emperor in auspicious times are combined. This ancestral temple, known as the first temple in the Pearl River Delta, is like a pearl, giving people a new charm.

Guangdong ancestral temple is located in Chancheng District, Foshan City, Guangdong Province. The ancestral temple was built in the Yuanfeng period of the Northern Song Dynasty, and gradually became a temple building with complete system, rigorous structure and strong local characteristics in the early Qing Dynasty. In the twenty-five years of Guangxu, the ancestral temple was overhauled, and today's ancestral temple buildings were formed. Foshan Ancestral Temple, Long Mu Temple in Yuecheng, Zhaoqing Temple and Chenjia Temple in Guangzhou are also called the Three Treasures of Lingnan Ancient Architecture, and are now the national key cultural relics protection units. In the main hall of the ancestral hall, there are many precious works of art, such as 70 pieces of 30 kinds of weapons, ceremonial bronze walls, giant bronze mirrors with a diameter of 1.3 1 m, large bronze ding, bronze bells and incense burners. These exhibits reflect the superb craftsmanship of Foshan in the Ming and Qing Dynasties. No wonder some foreign friends who come to visit the ancestral temple are known as "the halls of oriental folk art".

On the north side of the three gates of the ancestral hall, there is a two-story bell-shaped building imitating the blue bricks of the Qing Dynasty, that is, the Huang Feihong Memorial Hall covering an area of 5,000 square meters. Entering Huang Feihong Memorial Hall, there are exhibition halls and Hong Fei Cinema. In the exhibition hall, there is a real photo of Huang Feihong, which is the only photo left in China at present. Many tourists have to take photos with the master when they arrive here. The real photos of "13th Aunt" Mo Guilan are also on display in the museum. And made a replica of "Bao Zhilin", which is very similar to the scene in the movie. It is quite exciting for tourists. There is a big martial arts performance hall in the memorial hall. There are martial arts performances every day, and the people of Huang Feihong show their exquisite martial arts to tourists. Hong Fei Cinema keeps playing Huang Feihong's film videos, and the sound of boxing is endless, which complements the martial arts performance, as if seeing Huang Feihong's vigorous figure in that year. It is said that the staff of the ancestral temple collected more than 65,438+0,000 pieces of Huang Feihong cultural relics, nearly/kloc-0.00 Huang Feihong films and the real interpretation of Huang Feihong Kung Fu, forming this memorial hall that gathered 380,000 Huang Feihong people from all over the world to seek their roots and worship their ancestors.

Huang Feihong's China Miracle Dictionary contains only one sentence, but the theme of "Huang Feihong" is fully utilized and interpreted as legend and magic, which shows people's pursuit of justice. In order to meet the wishes of China people at home and abroad, the Chronicle of Huang Feihong Events compiled by the memorial hall was carved into a stone tablet and placed in the museum for people to interpret. The aura of the ancestral temple nurtured Huang Feihong, and Huang Feihong's national integrity and legendary experience added glory to the ancestral temple. On the left side of the memorial hall, there is a southern lion dance performance every day. The team members flashed on iron pillars and wooden stakes to show the superb Lingnan lion art to tourists. It is said that this lion dance team is composed of descendants of Huang Feihong, and it will perform several times a year in places where overseas Chinese gather. Perhaps out of admiration for Huang Feihong or the art of lion dancing, when the lion dancer poses a "freeze-frame" gesture, tourists will put money into the mouth of the open-mouthed "lion".

Bluestone paving, arched eaves, lingering sounds, winding corridors and ancestral halls are so rich in connotation that no matter how many profound and gorgeous words are used to describe her, it is only a pity. Only by experiencing and feeling ... can we appreciate beauty.

Foshan Zumiao is located in the downtown area of Zumiao Road, Foshan City. This is a temple dedicated to the Northern Tian Xuan Emperor who believes in Taoism. It was built in the Yuanfeng period of the Northern Song Dynasty (A.D. 1078 1085), and was renamed Ling Ying Temple in the Yuan and Ming Dynasties. Since the Song and Yuan Dynasties, it has been a public discussion place for various ancestral halls in Foshan, and has become a link between surnames, so Foshan people used to call it the ancestral hall.

The ancestral hall faces south and covers an area of about 3500 square meters. The original building was burnt down at the end of Yuan Dynasty, and was rebuilt in the fifth year of Hongwu in Ming Dynasty (1372). After more than 20 times of reconstruction and expansion, an ancient architectural complex with large scale, exquisite production, unique national style and strong local characteristics was finally formed. The ancestral temple consists of Wanfutai, Ling Ying Archway, Jinxiangchi, Bell and Drum Tower, Sanmen, Qian Dian, Daxiong Hall and Qingzhen Building, which are arranged on the north-south axis. Rigorous structure and complete system.

Wanfutai, located at the southernmost tip of the ancestral temple, is a big stage dedicated to Cantonese opera performances. Cantonese opera originated in Foshan. Every June and July, all the troupes performing abroad will return to Foshan, disband the old classes and reorganize the new ones. Traditionally, the first performance of the new troupe must be held at Wanfutai in the ancestral hall. This building is a rolling shed roof with a platform width of three bays. The front stage and the back stage are separated by a gold lacquer wood carving partition, and doors for actors to enter and leave are arranged on both sides of the partition. The middle upper part of the partition is carved with Fu Lushou Samsung; The lower part is carved with the scene of the drama story "Cao Cao Tongquetai Night Banquet". Carve dragons and tigers and two arhats on the left and right. These gold lacquer wood carvings are beautifully decorated, skilled in techniques and rough in brushwork.

Opposite Wanfutai is the Ling Ying Archway, which was built in the second year of Jingtai in Ming Dynasty (145 1). On the north side of the archway is Jinxiangchi. There is a carved tortoise and snake in the pool, which is the symbol of the northern emperor. On both sides of Jinxiangchi, there are Bell and Drum Tower, Reverence Gate and Duansu Gate. The walls next to the two doors are decorated with brick carvings, gray carvings and pottery sculptures. Among them, pottery sculpture is the most striking. On the east side of the pottery sculpture, eleven energetic old people, smiling and holding precious mirrors, symbolize the sun god; The pottery sculpture on the west side is a beautiful woman, graceful and colorful, holding a precious mirror in her hand, symbolizing the moon god.

Jinxiang is due north. Sanmen was built in the early years of Jingtai in Ming Dynasty (1450) and is the main entrance of the ancestral hall. Exquisite architecture, eaves decorated with east-west gold lacquer wood carving style, carving content are folk stories. There are ceramic figures on the roof, and the ridge of the tile spans the whole roof. The height of the terracotta figures is about 1. The whole plant is 3 1 meter. 6 meters, composed of 152 characters, with the words "Wen Lubi". This colorful, vivid and interesting ceramic figure tile ridge makes the building more tall, spectacular and magnificent.

After three doors, you arrive at the front hall with a fragrant pavilion. The temple is dedicated to the gods revered by Taoism. What deserves special attention is the golden lacquer woodcarving statue of Chen Fang in the temple, which is an important Chen Fang in the ancestral hall. The front of the statue is divided into two layers, and the upper layer is carved with the scene of "Li Yuanba Long Fu Residence". The lower layer of the whole gold lacquer wood carving is the most wonderful. The one in the photo refers to Cantonese opera actor Li, who joined the anti-Qing rebellion after the Opium War. In the hands of many carved figures, the flag with the word "Li" is held high, which actually implies that Li joined the rebel army. Guangdong folks compare "Dragon Pony" to "Red-maned Fierce Horse" and call foreigners, especially the British, "Red-haired Ghost". Therefore, "Fu Longju" is a metaphor for taming the "red-haired ghost". What is particularly amazing is that this photo of costume drama is actually mixed with several foreigners wearing hats and tuxedos. They were either knocked to the ground or begged for mercy on their knees. They were full of ugliness. Full of Guangdong people's hatred for the invaders. It is said that this exquisite gold lacquer wood carving was made by a fake garland of yellow light in Guangxu period in one year.

To the north of Qian Dian is the main hall, which was built in the fifth year of Hongwu in Ming Dynasty (1372). It is the earliest and most important building of ancestral hall in the Middle Ages, and it is also the place where local ancestral hall activities are held. In the center of the hall is a bronze statue of the northern emperor, weighing about 2. Five tons. The statue of the northern emperor sat in the shrine with kind eyes, and his long beard floated over his chest five times. He was dressed in luxurious clothes and barefoot. The head light, west, hands and feet of the bronze statue are all gilded, and the whole bronze statue is golden, which is the embodiment of the superb casting technology of ancient craftsmen in Foshan.

The Qingzhen Building on the north side of Daxiong Hall was built in the first year of Jing Jiaqing (1796). This is the latest building in the ancestral temple complex, with a second floor. According to legend, it used to be the highest place in Foshan, belonging to one of the ten scenic spots in Foshan. Climb the Qingzhen Building and get a panoramic view of the ancestral temple and Foshan.

Today's ancestral temple is the location of Foshan Museum. Its gate faces east and west, passing through the wooded courtyard with flowers and birds, and entering Duansu Gate, you can be placed in the ancient temple of the ancestral temple. Chinese and foreign tourists are bustling, and this temple of folk crafts glows with youthful brilliance.

Guangdong ancestral temple is located in Chancheng District, Foshan City, Guangdong Province. It was built in the Yuanfeng period of the Northern Song Dynasty (1078- 1085) and rebuilt in the Hongwu period of the Ming Dynasty (1372), and gradually became a temple building with complete system, rigorous structure and strong local characteristics in the early Qing Dynasty. In the 25th year of Guangxu (1899), the ancestral temple was overhauled, and today's ancestral temple buildings were formed. The ancestral temple in Chancheng, Long Mu Temple in Yuecheng, Zhaoqing Temple and Chenjia Temple in Guangzhou are called the Three Treasures of Lingnan Ancient Architecture, and are now the national key cultural relics protection units.

In the main hall of the ancestral hall, there are many precious works of art, such as 70 pieces of 30 kinds of weapons, ceremonial bronze walls, giant bronze mirrors with a diameter of 1.3 1 m, large bronze ding, bronze bells and incense burners. The ironware includes big iron tripod, iron tripod, iron painting and so on. There are also stone tablets, stone beasts in the Ming and Qing Dynasties, the inscription of the chess word "Chancheng" in the second year of Zhenguan in the Tang Dynasty, and replicas beside the stone tablets. Reconstructed ceramic tile ridge, a large number of gold wood carving building components, large iron warrior statues, iron casting beasts, iron cannons and so on. These exhibits reflect the superb craftsmanship of Chancheng in the Ming and Qing Dynasties. No wonder some foreign friends who come to visit the ancestral temple are known as "the halls of oriental folk art".

The north-south central axis consists of Wanfutai, Ling Ying archway, Jinxiangchi, Bell and Drum Tower, Sanmen, Qian Dian Daxiong Hall and Qingzhen Building. Its overall layout is neat and solemn, dense and well-organized. Chancheng is one of the important producing areas of woodcarving in Guangdong, which is mainly made of mahogany, and some of them have been turned into gold lacquer woodcarving with gold foil. Foshan woodcarving is neat and neat.

The most commendable thing is that a large number of pottery sculptures, wood carvings, brick carvings and gray sculptures are used in the architectural decoration of the ancestral hall. There are sculptures with the theme of drama stories on both sides. The "Guo Ziyi's Birthday" in Donglang was built in the 16th year of Zhengde in Ming Dynasty (152 1).

From the architectural point of view, the ancestral temple is a group of buildings with Lingnan characteristics, with superb architectural art and exquisite decoration technology. The north-south central axis consists of Wanfutai. Ling Ying Jinxiangchi memorial archway. Bell and Drum Tower. Sanmen. Front hall and main hall. Qingzhen building and other buildings. Its overall layout is neat and solemn, dense and orderly, and the setting of pavilions and pavilions strictly abides by the principles of ancient Chinese garden architecture. The ingenious dialectics of hiding and revealing makes tourists feel that their internal space is subtle, restrained, complex and mysterious, and then they feel awe.