The meaning of the heart-to-heart bridge between the party and the masses

The subtitle I proposed is "The Bridge of Hearts". "Connecting Hearts Bridge" has two meanings, one is to inherit the "Maple Bridge Experience", and the other is to connect the party and the masses. The "Fengqiao Experience" was born in the 1960s. It is an advanced example created by the cadres and the masses of Fengqiao Town, Zhuji City, Zhejiang Province, and relied on the masses to insist on "not handing over conflicts", "safety and no accidents", and "no shortage of services" The practice is a set of effective social governance plans created by the party under the leadership of the people. After getting the topic, I studied the "Maple Bridge Experience". From the research literature over the years, the "Maple Bridge Experience" showed the characteristics of staged development. From the initial "mobilizing and relying on the masses, insisting on the incompatibility of contradictions" Turn it over and solve it on the spot, so as to achieve fewer arrests and good public security", to "the party and government take action, rely on the masses, focus on prevention, resolve conflicts, maintain stability, and promote development", and then to "put people first, rely on the masses; catch small children early , resolve it on the spot; maintain stability, and establish and maintain governance and enjoyment." After more than 50 years of ups and downs, the connotation of the "Maple Bridge Experience" has been continuously innovated with historical changes, and the people's needs for social governance have also undergone many new changes. I sorted out several key words from it: "Party building guidance", "grassroots governance", "public security prevention and control" and "rural governance". From the perspective of grassroots governance, risk prevention and control, and police-civilian integration from the "Maple Bridge Experience" in the new era, I used "Effectively resolve conflicts and disputes, maintain social harmony and stability, and travel to one place at most" is the spiritual core of the creation. It depicts the scene of police mediating social disputes at the rural grassroots level and resolving conflicts on the spot, reflecting the impact of the rule of law construction model with Chinese characteristics on the rural grassroots level. social governance.

I use narrative painting as a method of expression, hoping to truly reflect real life. "Lianxin Bridge" shows the scene of police mediating rural disputes. The background is arranged on the vast grassland of the countryside. There are no tables or chairs, and people sit directly on the grass. The purpose of abandoning the seats is to make the relationship between the party and the masses more intimate without any barriers. Against this background, the harmonious relationship between the party and the masses is expressed in the most down-to-earth way. This kind of intimacy with fellow villagers and the humanistic spirit closely related to the land embodies the "last mile" service provided by the party to the masses. The name of the work is "Connecting Hearts Bridge", and the overall movement of the characters is also in the shape of a bridge, symbolizing the connotation of the "Maple Bridge Experience" in establishing a harmonious society and creating a harmonious and beautiful society. As the key person to mediate the conflicts between the two parties, the police enable the two parties to shake hands and make peace, playing a connecting role and demonstrating the unity of the party and the masses. It went through many drafts to portray the image of the police and the masses.

During the creation period, the Propaganda Department of the Zhejiang Provincial Party Committee, the Provincial Federation of Literary and Art Circles, the Provincial Artists Association and the China Academy of Art organized multiple batches of well-known experts and scholars to solve problems, provide guidance, observe and conduct discussions on the spot, and benefited a lot. During the review process, the teachers put forward many valuable opinions and made suggestions for adjustments to the character's head turns, facial expressions, and body dynamics. The initial image of the policeman is sitting upright, with his hands on his lap, and the image is serious; in the second version, his posture is changed to leaning towards the crowd, facing to the right, with his right arm resting on the peasants; in the third version, the policeman has his hands open, and his image has changed. No more formality. After that, Dean Xu Jiang